What "On the Other Side of the Mountain" tells is obviously related to the frustration experience that has been with him since childhood, and his increasingly profound insights and beliefs in this frustration. However, poetry is a special art that requires the poet to use "images" rather than simple, conceptual language to deal with the pain, passion, beliefs and experiences he has repeatedly experienced. Wang Jiaxin did not turn the torture he suffered in life into a clamor of resentment like many people did, but experienced the pain of the shattering of all ideals and transformed it into a A kind of meditative poetry based on the opposition between "mountain" and "sea". On the surface, the discovery of "there is still a mountain on the other side of the mountain" is naturally just the disillusionment of naive illusions such as "on the other side of the mountain is the sea". However, "mountain" in the poem is a barrier that prevents the poet from leading to the "sea" that he longs for, and a real existence that hinders the realization of his dream. Therefore, this kind of frustration also symbolizes all the pain and failure in the poet's life. It transcends specific life experiences and becomes a symbol of universal emotional experience. Correspondingly, "sea" is a symbol of the alluring desire that always calls us to set out: "Beyond the mountains, there is the sea / It is a sea made of faith"; "That snow-white tide. , rushes in every night/wets my dry soul again and again.” The poet believes, "You will eventually climb to the top of such a mountain/and on the other side of this mountain is the sea"; this "sea" is "a brand new world/illuminating your eyes in an instant"! In a general sense, the opposition between "mountain" and "sea" is often an opposition that cannot be broken. As another poet said in "Mountain People", "He He thought that he would never be able to get out of the mountains here in his life/The sea is there, but it is very far away/So before he could get there/he would die on the way/in the mountains.” However, in Wang Jiaxin's poem, the opposition between "mountain" and "sea", and the isolation of "mountain" from "sea" are caused by a person who is "disappointed again and again" but climbs again and again, constantly climbing over the mountains. The appearance of the stubborn "child (me)" who went to the mountains to pursue the sea was overcome. This "child" can be said to be the unyielding "faith" itself. This "dream chaser" between the mountains and the sea embodies the "secret desires" in our hearts, and also embodies the spiritual journey of a generation between the hardships of reality and the hard persistence of ideals. In terms of art, "Beyond the Mountain" seems to have simple lines, but it is full of waves and grips the heart. The poet is full of tenacious faith, but his tone is not always high-pitched. He did not avoid the reality of life. In the first part of the poem, he even wrote in the tone of a child: "One day I finally climbed to the top of the mountain/But, I came back almost crying/——On the mountain On the other side, there are still mountains/Mountains on the other side of the mountain, with a livid face/Give my fantasy a zero score.” These frustrations described in a negative way, in turn, enhance the authenticity of the "mountain/sea" opposition from a sensory and emotional perspective, allowing the poem to fully complete the final "sea" versus "sea" in a powerful conflict. Mountain" reversal. At the same time, this emotional ups and downs also give the whole poem an appropriate rhythm.