Seventeen years of literature. What is the ideological and artistic style of seventeen-year literature? Can you talk?

Literary Materials and Thought Summary Reflected in the Fu Era: 1949 After the founding of New China, great changes have taken place in our people's ideological concepts, which have generally produced a strong sense of liberation, turning over, national pride and a sense of historical mission as masters of the country. As the sensitive nerve of the times, with the development of history and the mood of the times, poetry began to produce a large number of sincere carols for the times, the people, the motherland, the party and the leaders. As a new aesthetic norm, Fu has developed unprecedentedly, which makes people praise and express almost all subjects and themes in life in the form of Fu. As a new artistic norm, Fu rose and developed greatly in the seventeen years, and soon became the dominant trend in the seventeen-year literary period. Through imagination, exaggeration and fantasy, the revolutionary romanticism style based on revolutionary ideal is very prominent. Therefore, in the early days of the founding of the People's Republic of China, literature took praising new life as the basic tone, which created an ode era and laid the basic pattern of the seventeen-year literary era. This paper will analyze the Fu literature that dominated the literary style of seventeen years from two aspects: the literary material and the ideological embodiment of Fu. Key words: the literary materials in the seventeen-year literary fu era reflected the tide of fu in the early days of the founding of the People's Republic of China, and as a new artistic norm, it has been greatly developed. It quickly became the dominant trend of literature and even poetry in the past seventeen years. Its main feature is to sincerely praise the times, the people, the motherland and the party and the leaders who led the people to victory. The lyric hero of Fu pursues the combination of the poet's "self" with the class and the people's "self". The ode literature in the seventeen-year literature period can be said to be a part of the China Revolution. There is no flattery and hypocrisy in this kind of ode literature. It is the joy from the heart and the pride and happiness of turning over and being liberated. Revolutionary romanticism based on revolutionary ideals is very prominent. (1) The poetic literature in the ode era includes Our Biggest Festival by He Qifang, Ode to Xinhua by Guo Moruo, Time Begins by Hu Feng, Copy of Yumen Poetry by Li Ji, Pastoral of Tianshan Mountain by Wen Jie, Ode to the National Flag by Ai Qing, etc. He wrote poems to resist US aggression and aid Korea. Singing heroic carols; Write poems about economic construction; Sing a labor ode to create a new life; It is about agricultural cooperation, the life of soldiers, the life of ethnic minorities in the frontier, the history of revolutionary struggle, the love between men and women ... almost all of them are singing high-spirited and cheerful carols. Therefore, in the early days of the founding of the People's Republic of China, an era of ode based on praising new life was opened! Singing the praises of new China and new life is the same theme of poetry in the early days of the founding of the People's Republic of China. In the wave of eulogy, the older generation of poets felt the value of freedom and independence after the continuous war, and their eulogy revealed strong gratitude. Guo Moruo's Ode to Xinhua, He Qifang's Our Biggest Festival, Feng Zhi's My Thanks, and many poems by Ai Qing and Cang Kejia are among them. The old poet wrote: "People's China stands tall in East Asia. /It shines brightly, radiating the sky. /It is difficult to celebrate success,/Five-star red flags are everywhere. " Although this poem is superficial, it is of pioneering significance, both in content and form, as a pioneering work of contemporary poetry. In addition, Ai Qing's "salute shook the whole earth's crust, and the whole world celebrated the birth of New China". They all vividly show people's general feelings and moods in the early days of the founding of the People's Republic of China. Memories of the sufferings and struggles of the old times and the defense of the peace and happiness of the motherland have also become important contents of poetry in this period. Li Ji's long poem "The Whistleblower Girl" wrote a heroine who sacrificed herself to save the guerrillas. Li Bing's Liu Hulan also has a certain influence. Qiao Lin's White Orchid and Feng Zhi's Bo Han Chopping Wood describe the old times. Shows outstanding artistic achievements. Among the poems on the theme of resisting US aggression and aiding Korea, Weiyang's "Give me the gun" and "Motherland, I am back" are well-known masterpieces. Li Ying's "There is such a man on the Korean battlefield", Tian Tian's "To a girl" and Zhang Yongmei's "New Year" all enthusiastically praised the dedication of the Chinese people and the fighting friendship between the Chinese and Korean people. At this time, the poems also fully reflected and praised the new life during the period of peaceful construction. Li Ji's Poem Copy of Yumen and Song of Life show the selfless spirit of the workers on the oil front, and the author has won the reputation of "oil poet". Among the works expressing new life, the lyric poems of life are particularly eye-catching. Wen Jie's Love Song of Turpan and Folk Songs of Guozigou are the most successful representatives of this kind of works. Li Ying's Sunrise in Gobi, Journey, Jiangnan Qu, Liang Shangquan's Moody on the Plateau and Gong Liu's Ximeng Morning are also quite distinctive. There is a profound philosophy under the fiery feelings, which conveys the poet's concern for the world and the destiny of mankind. (2) Like the prosperity of poetry creation brought by the new life, a large number of excellent prose works have emerged. Korean Newsletter is the first batch of essays after the founding of the People's Republic of China. The most influential is Wei Wei's works. He is the most lovely person, and he is also deeply affectionate, sincere and stylish. At that time, the whole country was celebrating this festival. Others such as Ba Jin's We Met Commander Peng, Living among Heroes, Yang Shuo's North and South of Yalu River, Liu's invasion of Korea, Lao She's Unknown Heights, etc. They all eulogized the profound friendship between the volunteers and the people of China and North Korea from different angles. Works on this theme include Selected Reports of Korean Communication, One Day of Volunteers, Biography of Heroes of Volunteers, etc. Reportage reflecting the vigorous development of industrial and agricultural construction is also outstanding, such as Ai Wu's Spring in the House and Liu Qing 1955' s Go to Foziling in Huangfu Village. There are "The Motherland is Advancing" and "Selected Reports on Economic Construction". Lyric prose has also made great progress. Bing Xin's Little Orange Lantern, Yang Shuo's Red Leaves in Xiangshan, the Style of Pine Tree, Liu's Sunrise, Qin Mu's Lyric on the Rural Altar, Tianshan Scenery and other works, or praise ideals and sentiments. With the brand-new spirit of the times, beautiful writing style and free and easy style, it has become the masterpiece of contemporary prose, and many high-quality works have emerged, which has made contemporary prose creation present its first climax and laid the foundation for the bumper harvest of prose creation in the early 1960s. (3) Fiction literature in the Fu era showed a prosperous scene in the early days of the founding of the People's Republic of China. Among all kinds of subjects, the proportion of describing the democratic revolutionary struggle is the largest, such as Du Pengcheng defending Yan 'an. Liu Qing's An Iron Wall, Kong Xianhe's Biography of Heroes of New Children, Flying Tigers, Invincible Flowers by Majia, Spring and Autumn in a Small Town by Gao, Beginning of the Storm by Sun Li, Private Zhang Ga and other works that reflect real life are: Sanliwan by Zhao Shuli, Sun. Liu Zhuode's bridge, etc. Industrial themes include: In Peaceful Days by Du Pengcheng, Hot Metal Operation by Zhou Libo, Locomotive by Cao Ming, etc. Malaqinfu's "The Boundless Grassland" and Li Qiao's "Laughing at Jinsha River". It shows the initial achievements of minority literature after the founding of the People's Republic of China. Defending Yan 'an and Sanliwan represent the highest achievements of novel creation in the early 1950s. Defending Yan 'an successfully presents the military theme in a long form for the first time, which provides many useful experiences for contemporary novel creation. The novel describes several battles to defend Yan 'an in the War of Liberation, which is magnificent and full of romanticism. The work successfully shaped Peng's image. This is the first time that a senior PLA general has appeared in contemporary literary works. Zhao Shuli's "Sanliwan" describes the agricultural cooperative movement for the first time. The novel shows the writer's profound artistic skills, writes people's daily life events with big stories, truly reflects the thoughts, behaviors and concepts of various characters in the early stage of the cooperative movement, and reveals the changes in rural production relations, family relations, marriage and love views and moral values caused by the cooperative movement. At the same time, it also shows the arduousness and complexity of realizing rural reform. Characters such as "muddleheaded", "common sense", "not to be taunted" and "lack of energy" come from life, which makes people feel more cordial. This is very rare in the novel creation in the early days of the founding of the People's Republic of China. Du Pengcheng's In Peacetime is an excellent industrial novella in the past seventeen years. This work is based on the construction of baoji-chengdu railway. Different mentalities in the face of new problems during the period of peaceful construction. The author puts the exploration of characters' minds in the big environment of socialist industrial construction to observe, which not only has the realistic basis of the conflict of characters' thoughts, but also shows the broad style of the times. The works are full of emotion, mainly lyrical style, but also contain profound philosophy. Its realistic pertinence is also obvious. Sun Li's "Iron Wood Prequel" tells the life stories of blacksmith Fu Laogang, carpenter Li Laodong and their children, and reflects the thoughts and feelings of people from all walks of life in rural areas in the early days of the agricultural cooperative movement. This novel is called "poetic novel or poetic novel" with its unique style. Generally speaking, the novel creation in the early days of the founding of the People's Republic of China is in the gestation period of development. Short stories are more active. The reason is that short stories are easier to grasp and more flexible to reflect real life. The achievements of novels in this period should be affirmed, but under the influence of the background of the times, the disadvantages of excessive pursuit of political functions in creation began to appear. For example, novels with revolutionary historical themes are one-sided pursuit of sublimity and lack of historical thickness and connotation depth. The works reflecting real life, because they can't keep up with the situation, seem to lack artistic tempering, which has laid a curse for the "left" in the development of novels in the future. However, it is not surprising that after the proletariat gained political power, the people really became the masters of history and the main objects of expression in literary works. For the people, what can be exposed except praise? Mao Zedong's exposition on praise and exposure predetermines the spiritual tone of contemporary literature. It can be said that not only these three literary forms, but also the contemporary literature in the whole collectivized writing stage is originally an ode. As the later literary practice showed, even satire became very impossible in Carroll's era. Enthusiastic and sincere fu literature became the mainstream literature in the seventeen-year literary period with its unique artistic tone and artistic norms, which created a unique fu era in the early days of the founding of the People's Republic of China. Its vivid and close-to-life literary theme and content also influenced the realistic literature after China. References: 1, Kim et al. : New China Contemporary Literature History Chapter II [M] 2. Li Yang: The History of Contemporary Literary Thoughts in China [M], Shanghai Academy of Social Sciences Press, 2005; 3. Fang Weibao: "Research on the History of Contemporary Literary Thoughts in China" [M], Changjiang Literature and Art Publishing House, 2004; 4. Xin Ruoshui: Carol Literature and Struggle Literature Fly with Me [J], 2009; 5. Chen Sihe: A Course of Contemporary Literature History in China, Volume II [M], Fudan University Press, 2005;