I am alive, so I sing.
3. Put it on the windowsill and dream of the sea.
4. Time goes downstream and words go upstream.
There is no eternal night on the earth, and there is no eternal winter in the world.
6. Why do I often cry? Because I love this land deeply.
7. Personal pain and happiness must be integrated into the pain and happiness of the times.
Even if our bones rot after death, they will turn into phosphorus fire and burn in the wilderness.
9. How high, how thick and how long the wall is, how can it stop thousands of people in Qian Qian from thinking that they are freer than the wind, deeper than the land, and longer than time?
10, people don't like lies, and no matter how pretentious or grandiose lies are, they won't touch people's hearts. Everyone has a measure of language in his heart.
1 1, the bridge is the connection between land and land; Bridge is the love of river and road; The bridge is a post station for ships and vehicles to nod; This bridge is where people wave goodbye to pedestrians by boat.
12, even if we are a candle, we should be "the candle will cry the wick every night"; Even if we are just a game, we should shine once at the critical moment; Even if our bones rot after death, they will turn into phosphorus fire and burn in the wilderness.
13, if I were a bird, I should also sing with a hoarse throat; This land hit by the storm, this river of sadness and anger that will surge on us forever, this angry wind that blows endlessly, and the incomparably warm dawn from the forest.
Brief introduction of Ai Qing
Ai Qing (19 10 March 27th-1May 5th, 996), formerly known as Jiang Haicheng, once used the pen name E.
In 1930s and 1940s, he published poems such as Dayan River, North China, His Second Death, Dedicated to the Sun, Country Poems, Anti-Fascism, Wilderness, Dawn Notice, and Drilling in the Snow. Chanting the national destiny shows a poetic style that gradually turns from melancholy to tragic and high. In poetry, he was influenced by foreign modern poets such as Valhallen.
In 1950s, he directly expressed the new life and the builders' poems, alienated the existing artistic personality and appeared dull, but maintained the original poetic thinking mode. Based on foreign materials such as Vienna and Travels of South America Atlantic, realism and symbolism infiltrated each other, and their imagination and sensibility were unique, which made them outstanding at that time.
After his comeback in the late 1970s, his poems were full of thoughts, such as Ode to Light and Battlefield of Ancient Rome, all of which were carefully composed. A large number of poems are short and pithy, and the theme continues the emotional clues of the 1930s and 1940s. They have been greatly extended, deeper, more dignified and wiser, and they pay attention to grasping the meaning beyond the images in concrete images and move towards symbols.
Simple, concise, rich imagination, unique images and emphasis on philosophy are the consistent characteristics of Ai Qing's poems.
Ai Qing's works generally describe symbolic things such as the sun, torches and dawn, which shows Ai Qing's hatred of darkness and * * in the old society and his yearning and pursuit of dawn, light and hope.
Judging from the poetic style, before liberation, Ai Qing cursed the darkness and eulogized the light with deep, intense and unrestrained brushwork. After the founding of the People's Republic of China, he continued to praise the people, praise the light and think about life. His songs Return are more extensive in content, deeper in thought, deeper in emotion, more diverse in techniques and more sophisticated in art. His poems published after the founding of the People's Republic include Cheers, Red Star of Gems, On the Cape, Spring, Song of Return, Colorful Poems, Exotic Poems, Snow Lotus and Ai. Ai Qing became an outstanding person with his singing style full of artistic individuality, and practiced his poetic aesthetic proposition of "simplicity, simplicity, concentration and liveliness".