The National Palace Museum in Taipei is located at No.221,Section 2, Shan Zhi Road, Shilin District, Taipei. /kloc-completed in 0/962 and/kloc-completed in the summer of 0/965. The total area is about 16 hectare.
Imitating the traditional palace building in China, the main building has four floors, white walls and green tiles, and the main courtyard is plum blossom-shaped. There are five towering six-column arches in front of the square. The whole building is solemn and elegant, full of national characteristics.
The National Palace Museum in Taipei contains the old royal collections of Beijing Palace Museum, Shenyang Palace Museum, Summer Resort, Summer Palace, Jingyi Garden and imperial academy, which are collected by the Preparatory Office of Nanjing National Central Museum, Beijing Palace Museum and Beijing National Library respectively.
The collection of Shang and Zhou bronzes, jade articles, pottery, ancient books, famous paintings and inscriptions are rare treasures. The exhibition hall changes its exhibits every three months. By the end of 20 14, there were more than 696,000 cultural relics in the collection.
First, the hair of the Western Zhou Dynasty
This piece of Mao Dinggong in the Western Zhou Dynasty is 53.8 cm high and was unearthed in Zhuyuan, Qishan County, Shaanxi Province. Mao was unearthed in Qishan County, Shaanxi Province around the 28th year of Daoguang in the late Qing Dynasty (A.D. 18 14). After Mao Ding was unearthed, it was kept in secret for many times. During the War of Resistance against Japanese Aggression period, insurance was won by the Japanese. After the victory of the Anti-Japanese War, Ding was introduced to the public. Now it is preserved and displayed by the National Palace Museum in Taipei. Yang Wen's plaid inscription is an inscription custom in the middle and late Western Zhou Dynasty. Therefore, Mao not only has historical value, but also plays an important role in China ancient philology and calligraphy art.
Mao Ding was a sacrificial vessel in the ancestral hall of China more than 2,800 years ago. Its inner wall is cast with a long inscription of 500 words, which is the longest inscription among more than 7,000 bronzes with inscriptions in Shang and Zhou Dynasties. The content of the inscription can be divided into seven paragraphs. The general idea is that at the beginning of Zhou Xuanwang's accession to the throne, he was eager to revitalize state affairs and asked his uncle Mao Gong to govern both inside and outside, be diligent and selfless, and let Mao Gong's people serve as guards to protect the royal family. Finally, he got a generous gift, and Mao Gong cast a tripod to show his descendants the eternal treasure. From the content point of view, Mao Ying was cast in the first year (827 BC), and its inscription is the true historical data of the Western Zhou Dynasty, which can override the historical books and is the most precious document for studying the history of the Western Zhou Dynasty. Therefore, wool is a treasure of the world.
Second, the sushi plate of the Western Zhou Dynasty.
Loose board height: 20.6cm belly depth: 9.8cm diameter: 54.6cm base diameter: 4 1.4cm weight: 2 13 12g Inscription: 19 lines with 357 words. As early as the middle of Shang Dynasty, inscriptions appeared on bronzes, which was earlier than that of Oracle Bone Inscriptions. But after the Western Zhou Dynasty, casting inscriptions on bronzes became very popular. All major events, such as sacrifices, wars and rewards, and even contracts, are recorded on bronzes. Sanpan was unearthed in Kangxi period, and was presented to Beijing as a gift to celebrate the birthday of Emperor Jiaqing during Jiaqing period. Since then, it has become a royal collection. The inscription on the board is 357 words, which records the land contract in the late Western Zhou Dynasty. Today, the scattered country of Fengxiang in Baoji, Shaanxi Province was occupied by the northwest. The two countries negotiate peace, determine national boundaries, and the state cedes land for compensation. The process and contract are written on the blackboard as evidence. The shape and ornamentation of the three plates show the original features of bronzes in the late Western Zhou Dynasty, and the characters and lines are flexible and changeable, which is an important material for studying the bronze inscriptions in the Western Zhou Dynasty.
Third, the manuscript of Tang Yan Zhenqing's sacrifice to his nephew.
The manuscript for offering sacrifices to nephews was written by Yan Zhenqing in cursive ink. 28.2cm long and 72.3cm wide, 25 lines, ***230 words. This is a draft paper written by Yan Zhenqing for his nephew Ji Ming who was killed by An Lushan. This work was not originally written as a calligraphy work. Due to extreme grief and anger, it is difficult to calm down, and more mistakes and smears appear from time to time. But it is precisely because of this that this writing is dignified and rigorous, but full of vitality and vitality, with rounded and magnificent brushstrokes and vivid brushstrokes. It's a stroke of genius, and it's naturally wonderful. Zhang Jingyan wrote an inscription in Yuan Dynasty: "I think letters are better than letters, and letters are better than draft paper. Cover is a formal job, although Kai Duan finally asked for a contract; Jane's books are quite indulgent because of a whim; Moreover, the drafting was unintentional, and he forgot it when he got it. It's great to see it here. " Yu Shu, a native of Yuan Dynasty, rated this post as "the second running script in the world". In this original post, all the places where the pen is thirsty and held can be seen vividly, which makes people see the writing process and the wonderful change of the pen tip, which is of great benefit to learning cursive script. The original is now in the National Palace Museum in Taipei.
Fourth, Song Sushi's Huangzhou Cold Food Post
In February of the third year of Yuanfeng (1080), Su Shi was forty-five years old. Because the largest literary prison Wutai poetry case in the Song Dynasty was rejected by the New Party, he was demoted to Huangzhou (now Huanggang, Hubei) as a group training assistant. He feels lonely in spirit and depressed and miserable in life. In April of the third year, it was the fifth year of Song Shenzong Yuanfeng. Fu Sannian (1 100) was invited by bibliophile Zhang to write an inscription in Huang Tingjian to reflect the original work.
It is the masterpiece of Su Shi's running script. This is a well-known poem, which is a sigh of life when Su Shi was demoted to Huangzhou in the third year of Cold Food Festival. The poem is desolate and affectionate, expressing Su Shi's melancholy and lonely mood at this time. It is in this mood and situation that the calligraphy of this poem is out of touch. The whole calligraphy is full of ups and downs, brilliant and unrestrained, and all of them are barren. It has a great influence in the history of calligraphy, and is known as "the third running script in the world", and it is also a leader in Su Shi's calligraphy works.
The first snow map of Zhao Gan in the fifth and fifth dynasties.
Silk ink is 25.9 cm long and 376.5 cm wide. The whole volume describes the first snow scene in fishing villages along the Yangtze River. It's cold, with reed trees, small bridges on the river bank, white, bleak wind and microwave water; Fishermen catch cold fish, and people ride donkeys to retreat, which shows the living conditions of fishermen and tourists in early winter in Jiangnan, and the landscape paintings are vivid and vivid. In the picture, the stone pen of the tree is hard, the water lines are smooth with the pen tip, and the sky is composed of white powder bullets, showing the light flying of snowflakes.
Zhao Gan, a native of Jiangning (now Nanjing), is a student of the Academy of Painting. Be good at painting landscape trees, making landscapes, and making Jiangnan scenery. In the painting, "the building view, the boat, the water village, the fishing market and the flowers and bamboos are scattered into a scene." Although it is in the wind and on the streets of Egypt, it looks like a river at first glance. " ("Cold Food Post")
Six, the Northern Song Dynasty Fan Kuan Xishan travel map.
This painting depicts a magnificent trip out of the mountain and embodies the characteristics of the northern landscape painting school. The picture is divided into three sections from top to bottom, which respectively represent the distance between the front, middle and back, and the space is full. The secret in the picture is written on the far sword peak on the left side of the main peak.
755-79000 has always been called Fan Kuan's masterpiece, with the word "Fan Kuan" between its leaves. Critics of all ages praised this painting. Xu Beihong once spoke highly of this painting: "The Forbidden City is the second of all treasures in China. My favorite is Fan Zhongli's Huangzhou Cold Food Poem, which is magnificent, magnificent, and serves the present, and is widely read. This painting is a giant frame, accounting for two-thirds of the entire area of a hill. The composition is abrupt and makes people stunned! "
Fan Kuan (about 950- 1027), a native of the Northern Song Dynasty, had a moderate name and a neutral personality. He was a famous painter in ancient China, who was good at painting landscapes and calligraphy.
Seventh, Huangyuan Wang Gong Fuchun Shan Jutu.
Xuanhe Painting Spectrum, 33cm in length and 636.9cm in width, with paper and ink painting. Painting began in the seventh year of Zhengzhi (1347) and was completed in the tenth year of Zhengzhi. This painting was burnt down during the Shunzhi period of the Qing Dynasty and broke into two pieces. The first half of the painting was mounted separately and renamed as The Journey to the West, which is now in the Zhejiang Provincial Museum. Known as the "treasure of the town hall" of Zhejiang Museum.
It is the representative work of Huang in his later years and a leading figure in the painting circle of Yuan Dynasty. It is also the pinnacle of ancient Chinese ink landscape painting in China. The artistic achievement of China's traditional landscape painting is unprecedented.
This famous painting has been handed down for hundreds of years and experienced many vicissitudes. Judging from the inscription on this painting. This painting was originally painted by a useless Zen master. More than one hundred years later, it was acquired by Shen Zhou, a famous painter in Chenghua period of Ming Dynasty. During the Wanli period of the Ming Dynasty, it was owned by the great painter Dong Qichang. But it quickly changed hands and was hidden by Wu in Yixing. Wu passed it on to his son. Wu Yu deliberately created Fuchunxuan and hid it at home. Wu Yu likes this painting very much. On his deathbed, he tried to imitate the example of The Journey to the West's annual sacrifice of Emperor Taizong, and asked people to throw the painting into the fire to burn the martyrdom. Fortunately, his nephew, Wu Zhiwei, snatched Fuchun from the fire with another scroll to avoid "burning himself". But the front of the painting was burned by an inch and divided into two parts.
Eighth. Northern Song Dynasty Ruyao Lotus Warm Bowl
This bowl has a lotus shape with ten petals, a slightly round abdominal wall, a slightly straight mouth, a smooth connection between the petals and a slightly higher circle. The whole utensil is uniform in thickness from the bottom to the mouth, and the glaze is thin and opaque. The glaze is blue and thin. The whole device is glazed, and five Zhi Ding pads are burned on the insole of the round foot. The Zhi Ding point is extremely fine, and the trace tire soil in Zhi Ding is grayish yellow.
One of the five famous kilns in Song Dynasty, it is the most famous porcelain kiln in China. The kiln site is located in Liangqing Temple, Baofeng County, Henan Province. Song Dynasty belongs to Ruzhou, hence its name. Ru kiln is famous for firing green glazed porcelain. In Song Dynasty, Ye Jian recorded in "Leaving the Mountain": "Dingzhou white porcelain is fragile and can't be used, so Ruzhou was ordered to be a green kiln. Therefore, Tang, Deng and Yaozhou in Hebei Province all know that Ruzhou is the best. "
From the first year of Yuan You in northern Song Zhezong (1086) to the fifth year of Huizong Chongning (1 106), it only took about 20 years for Ru kiln to fire palace porcelain. Therefore, there are few handed down products, which are rare treasures.
Ninth, the Northern Song Dynasty Ruyao sky-blue traceless narcissus basin.
The bottom of the basin is engraved with poems about Qianlong Imperial Inscription, a narcissus basin in Ruyao celadon plain and imperial porcelain in the Northern Song Dynasty, which is now in the National Palace Museum in Taipei.
Height 6.9 cm, transverse 23 cm, vertical 16.4 cm, caliber 23 cm, foot diameter 19.3 12.9 cm, weight 670 g, oval basin, small mouth, four-legged feet; Thin walls and slightly thicker feet. The whole body is plated with azure glaze, which is extremely smooth; The bottom glaze is slightly light blue; The edges and corners of the glaze are pale pink. The foot was burnt, and there were six tiny Zhi Ding marks on the bottom, slightly beige. The whole glaze is quiet and cheerful, pure and unprinted, and it is the only masterpiece handed down from generation to generation.
Tenth, green jade cabbage
"Jade Cabbage" has always been a super popular star in the National Palace Museum in Taipei, ranking first in the national treasure list. Like "meat-shaped stone", it is "all the year round". The Forbidden City dare not change exhibits at will. Even if a large foreign museum wants to borrow an exhibition, the Forbidden City refuses. As soon as many tourists from inside and outside the island enter the Forbidden City, they first ask where the "Jade Cabbage" is. They must have seen the "Jade Cabbage" before they thought you were happy to come.
"Emerald Cabbage" is conjoined and very popular. There are two insects on the green leaf. Grasshoppers with large hind legs, and grasshoppers with small hind legs above. Look at these two whistles carefully.