Wang Wei (70 1 year -76 1 year), whose names are Jie and jí, called?
Zhou Pu in the Eastern Jin Dynasty (now Yuncheng, Shanxi Province) was born in Qixian County, Shanxi Province, and was a famous poet and painter in the Tang Dynasty. In the 19th year of Kaiyuan (73 1), Wang Wei was the first scholar. Shortly after Wang Wei's death, Tang Daizong, who was fond of literature, said to Prime Minister Wang Jin, "The Bo family in Qing Dynasty is the most famous poet in Tianbao, and I have tasted its movement on the throne. How many anthologies are there today? You can come in. " Wang Jin said, "My brother Kaiyuan wrote more than 1000 poems. After Tianbao, not one of the ten poems remained. Compared with Chinese and foreign relatives and friends, there are more than 400. " So I played Wang Wei's poem. Wang Wei
[1] He is a representative of poets in the prosperous Tang Dynasty. Wang Wei has been an official in the capital for many years and has had many contacts with the prince and your Lord. His literary reputation is very high, and he was regarded as a literate sect in Kaiyuan and Tianbao periods. He is good at five-character poems, and because he is proficient in music, his five-character poems are easy to combine, spread widely and have a high reputation. Wang Wei's modern poems are rigorous in temperament and bold in conception, and most of his landscape poems win for both scenery and scenery. Yin Pan commented on his poems and said: "Uygur poems are elegant and refined, with novel ideas and satisfactory ideas. They are pearls in spring, painted on the wall, and every word is different. " Wang Wei has made great achievements in poetry writing skills. However, due to his negative recluse thoughts, many of his poems contain negative escapist factors. Therefore, in the history of literature, he and Meng Haoran are both representatives of "hermit poetry school". Wang Wei's love for other people's poems is often directly introduced into his own poems, such as "I will go to the water to stop me, and then sit and watch Yun Qi", which is a condensed poem in Wen Yuan Hua Ying; "Egrets flying in the secluded marsh and mango trees singing" is another poem by friends of the Li family. Some people call it "Wang Weihao praises others". Tang Daizong spoke highly of Wang Wei's poems. He said in "Answering Wang Jin's Collection of Watch Hands": "The people of the Qing Dynasty experienced the first dynasty and were called the generation of Gao Xi. When discussing beauty, they recited it by population." By the end of the Tang Dynasty, the disciples of Liyuan were still singing Wang Wei's quatrains, which showed its far-reaching influence. There are less than 400 poems by Wang Wei. Among them, the most representative of his creative characteristics is the description of natural scenery such as mountains, rivers and pastoral areas, and poems that recite seclusion. Wang Wei's high achievements in describing natural scenery made him unique in the poetry circle in the prosperous Tang Dynasty and became the representative of the pastoral poetry school. He inherited and developed the tradition of writing landscape poems initiated by Xie Lingyun, and absorbed the freshness and naturalness of Tao Yuanming's landscape pastoral poems, which made the achievements of landscape pastoral poems reach a peak, thus occupying an important position in the history of China's poetry. Together with Meng Haoran, he is a representative figure of the pastoral poetry school in Tang Dynasty. Wang Jin collected more than 400 poems of Wang Wei in Biography of Wang Wei in Old Tang Dynasty. In addition, Wang Jin's "Entering Wang Youcheng Collection Table" was compiled as 10 volume. Wang Youcheng's Anthology 10, which was originally collected by Yao Shaben in the Southern Song Dynasty, was returned to Lu Xinyuan-Songlou. The Beijing Library has 10 volume of Wang Mo's Song Shu Engraving Collection, which was photocopied and published by Shanghai Ancient Books Publishing House on 1982. The Collection of Wang Youcheng, which was reviewed by Liu in Yuan Dynasty, has six volumes, and there are four photocopies, including works by Qian, Yao Xiang and Cui Xingzong. In the Ming Dynasty, there were 10 volumes of Wang Youcheng's poems in the Tang Dynasty, among which 4 volumes of Selected Poems were the earliest extant annotations of Wang Wei's poems. Zhao Diancheng's Notes on Wang Youcheng in Qing Dynasty is a good one so far. In addition to explaining all the poems, there are also notes to explain the author's suspicious poems, and occasionally textual research; Wang Wei's life information and poetry and painting comments were also collected as appendices. 196 1 year, Zhao Zhu was revised by Shanghai Editorial Institute of Zhonghua Book Company and printed and published. In addition, Zheng Zhenduo collated the four series with Zhao Diancheng's notes and other four versions, and included them in the World Library. For the deeds, see Biography of Old and New Books of Tang Dynasty. Both Gu's annotation and Zhao Diancheng's annotation are accompanied by Wang Wei's chronicle written by the annotator. Modern Chen Yi has a paper on Wang Wei's life story, followed by Wang Wei's chronology (on Tang poetry). Wang Wei's creative talents are manifold. His five laws and five or seven words are the highest attainments, and he is also good at other subjects, which is quite prominent in the whole Tang Dynasty poetry circle. His seven laws are either rich and gorgeous, or beautiful and elegant, which were learned by the seven sons of the Ming Dynasty. Seven ancient poems, Peach Blossom, Old General and Fu Yao's Answer to Brother, are outstanding among the seven ancient poems in the prosperous Tang Dynasty. Prose also has excellent works. The Book of Mountains Pei Xiucai's Cuisine is beautiful, meaningful and poetic, which is similar to its landscape poetry style. What Wang Wei lacks in concentration is those eulogizing and eulogizing poems, flattering chorus poems and works that directly promote Buddhism. Their content is not enough, and their language is full of cliches or boredom. However, there are also some famous sayings, such as "the leaves covered by the spring rain are in the double wind of the imperial city in the clouds" ("looking down in the spring rain during the process of adding pavilions from Xianshan Palace to Hehuang Poetry"), which are also praised for their high weather and meticulous objects. The illustrations of Wang Weishi's "Youth Journey" are selected from the Yazhai block-printed edition of the Ming Wanli Collection "Seven Words of Tang Poetry".