Resource link:
link:/s/ 1 id RES 146 vfcdzyh _ jrqftw
Extraction code: tzg0 Title: Zhi Zhong Da Song Edition Book
Author: Lowell
Douban score: 7.6
Press: CITIC Publishing Group Co., Ltd.
Publication year: 20 17-8
Page number: 192
Content Description: Collated and carefully examined, carefully carved and beautifully bound, it is a book of a generation.
Song Dynasty is a highly civilized dynasty in the history of China. Aesthetics in Song Dynasty continued, innovated and broke through on the basis of Tang and Five Dynasties, and then formed the aesthetic characteristics of elegance, simplicity and simplicity. This kind of aesthetics shows most of the aesthetics of Song people. When it is projected on the seal cutting, layout, font and binding of the Song edition, it shows its unique characteristics, making it a kind of ancient books with high artistic value in China. There is an old saying among the people that "one page of the Song edition is worth one or two pieces of gold". It is also enough to explain the value of Song edition books in the book industry and collection industry.
During more than 300 years in Song Dynasty, the imperial examination system promoted the demand of scholars for reading and buying books. From the imperial court to the local government, large and small government agencies and cultural institutions, the engraving industry has sprung up, and many engraving halls with rich printing contents have appeared, and the quality of printed works is hard to surpass in China. Block printing industry reached a high level in Song Dynasty.
As one of the most expensive and high-grade books in the world, "Song Edition Book" is also a historical witness of China's papermaking, printing and Song Wenhua. Zhi Zhong Da Song Edition Book continues the previous design style of Zhi Zhi China, a content brand, and leads everyone to look at the life state and aesthetic pursuit of Song people from the perspective of "Song Edition Book" with pictures and texts, presenting readers with the face of printing industry in Song Dynasty and the ancient publishing history of China.
Strict textual research of historical materials and rich practical knowledge will, as always, bring readers a humanistic reading experience. Starting from the history of ancient printing in China, represented by "Song Edition Books" printed and published in Song Dynasty, the contents are not limited to China traditional printing, papermaking, book binding, fonts, book aesthetics, collation, appreciation and collection of rare ancient books. Qiu Hengyong, the book designer, the inheritor of wood movable type printing technology, Li, the font designer, the restorer of ancient books, Liu Qiang, an expert on the study of Tianlu in Qing Dynasty, and Shinichi Imada, a Japanese font designer, are invited to discuss together, so as to present the aesthetics and history of China traditional books from multiple angles for designers, lovers of rare ancient books, collectors and any countries interested in China cultural issues.
About the author: Lv Jingren.
Book designer, illustrator, visual artist, professor of Tsinghua University Academy of Fine Arts, member of AGI of International Graphic Designers Union, artistic director of exclusive design studio. He studied under Kangping Sugula, and his representative works Zhu's Thousand-Character Works, Elegant Sleeves, Notes on Art, Biography of Mei Lanfang, etc., rooted the book design among the pioneers in China.
Liu Qiang
Researcher of Tsinghua University Institute of History of Science and Technology and Ancient Literature, scholar of advanced edition catalogue, expert of rare books research in Qing Dynasty, and author of Tianlu Lin Lang Research.
Qiu hengyong
The inheritor of wood movable type printing in Ninghua County, Fujian Province, has been engaged in the work of engraving genealogy of wood movable type for nearly 20 years. He is the only inheritor of workshop movable type printing technology of wood movable type, with the hall number "Lin Wentang", which has been circulated for more than 100 years. 20 12 Qiu hengyong was listed as the inheritor of China's intangible cultural heritage.
plum
China, a personal font designer, lives in Beijing. Established Wen Yue Science and Technology 20 15. Representative works include Kangxi Dictionary Style, Yifeng Classic Style, Wen Yue Imitation of Song Dynasty Antique and so on.
Imada Shinichi
Japanese movable type font designer and founder of Happy Hall. 1954 was born in Okayama Prefecture, Japan on May 9, 1954. 1977 graduated from the Art Department of kyushu sangyo university, and later worked in the company's writing research institute. 1996 left the co., ltd. to study writing, and founded "co., ltd. Imada Xinyi Design Office" the following year.
Ai Siren
Soren Edgren
Mr. Zhang Daqian, a famous ancient Chinese scholar, once wrote an inscription for his study "Guan Hai Building". In the 1980s, while studying for a doctorate in sinology at Stockholm University, Ai Siren also worked as a library in Sweden. 199 1 to 20 1 1 as the editor-in-chief of China Ancient Books Project.
zhang xiaodong
Deputy General Manager of China Bookstore and General Manager of Beijing Haiwangcun Auction Company organized and participated in many auctions of precious ancient books and the purchase of China ancient books lost overseas.
Zhu Yu
Born in 1988, 20 1 1, graduated from Jinling Institute of Science and Technology, majoring in classical literature (ancient book restoration), and was the first undergraduate of ancient book restoration in China. Zhou Suyang, an associate researcher in Nanjing Library, currently works in Changzhou Library and has been engaged in the restoration of ancient books for 6 years.