Wang Xianzhi: See the Complete Works of Wang Xianzhi Calligraphy published by Tianjin Ancient Books Publishing House, or other versions for the Mid-Autumn Post, Duck Head Pill Post, Goose Group Post, Goose Reply Post and Pear Delivery Post. I have collected the most complete one, but many of them were copied by others and the binding was not exquisite.
Zhi Yong's "True Grass Thousand Characters"
Inscription of Liquan in Jiucheng Palace, Huangfu Birthday Monument, Huadu Temple Monument, thousands of words in running script, dream classic post, Hans chapter post.
Yu Shinan copied the tablet of Confucius Temple and the inscription of Princess Runan, but the last post was only seen online, and I didn't copy it.
I don't like Chu Suiliang's calligraphy, such as the monument to Mencius, the preface to the Big Wild Goose Pagoda and the Yi Que Buddhist Shrine.
Zhang Xu's Four Ancient Poems (according to textual research, they are pseudographs) and Long Guan Shi Ji.
Yan Zhenqing's Portrait Praise of Dong Fangshuo, Manuscript for Sacrificing Nephew, Duobaota Monument, Magu Fairy Altar, Yan Monument, Yan Jia Temple Monument, Seating Post, Confession Post and General Pei Monument.
Liu Gongquan's inscription on the bell tower of Hui Yuan Temple in the Tang Dynasty is engraved with the Diamond Sutra, the Xuanta Monument and the Shence Army Monument. Ink marks include Meng Zhaotie, Postscript of Wang Xianzhi's pear delivery, etc.
Li Yong Duanzhou Stone Chamber, Lushan Temple Monument, Huokeji Monument and General Li Sixun Monument.
Yang Ningshi's Jiuhua Post, Immortal Living Method and Summer Hot Post.
Li Jianzhong's same year post, Treasure Post and Mutu Post, etc.
Su Shi's Dark Clouds in the Sky, Poems of Dongting Spring, Poems of Song Lao in Zhongshan, Poems of Cold Food in Huangzhou and Poems of Red Wall.
Cai Xiang's burnt post, Meng Hui's post, Shen Tao's post and several other posts, whose names have been forgotten.
Mi Fei's "On Books", rocky album, coral post, Yan post (big characters, highly recommended), cold light post, uncle Hui post, teacher Li post and post, etc.
Evonne personally doesn't like calligraphy, and he doesn't know much about it.
Zhao Mengfu's calligraphy works are many, including Thousand-Character Works, Luo Shen Fu, Ji An Biography, Danba Monument, Returning to the West, Thirteen Postscripts of Lanting, Ode to the Red Wall, Todd Classic, Qiu Ai Tombstone Inscription, Five Elements Fu and so on.
Calligraphy was not valued in Yuan and Ming Dynasties. Please list a few.
Tang Yin's fallen petal poems, Wen Zhiming's "Drunken Man's Meaning Is Not in Wine", "Fisherman's Poems", "Li Sao" and "Beishan Wen Yi" etc.
Zhu Zhishan's Red Cliff Fu Juan and so on.
Dong Qichang and Wang Duo are the calligraphers of Ming and Qing Dynasties that I admire most.
Dong Qichang's Bai Juyi's Pipa Journey, Poems in Cursive Script, Postscript of Jiang Yan's Death, Ni Kuanzan, Poems on Red Cliff before and after, etc.
Wang Duo's "Green Post Axis", "Caoshulin Chunhua Pavilion Post Banner" and "Running Book Axis" and so on.
"Feng Danting" in Fu Shan
All the above are well-known calligraphers and calligraphy works that individuals admire. As far as ancient calligraphy is concerned, it is just a glimpse. For a comprehensive understanding, I suggest you refer to Highlights of Ancient Calligraphy in China. I remember Guangming Daily Publishing House published a series of books, one of which was about calligraphy, and it was quite a good book.