Appreciation of ancient poetry, calligraphy and regular script works
Pictures of ancient poetry, calligraphy and regular script works 1
Ancient poetry calligraphy regular script works Figure 2
Figure 3 of regular script works of ancient poetry, calligraphy and calligraphy
Ancient poetry calligraphy regular script works Figure 4
Writing skills of regular script
In the long-term development, China's calligraphy has formed a set of extremely rich brushwork skills, and each stroke has its own special terms and connotations. There are many ways to write regular script, such as grabbing pen, grabbing pen, squatting pen, frustrating pen, rolling pen, folding pen, turning pen, turning pen, twisting pen, walking pen, standing pen and so on.
Grabbing pen: refers to a preparatory action before writing. In this action, the pen tip should not fall off the paper before writing.
Stroke: refers to the elastic pen falling vertically under the pressure of the nib, reaching a certain depth, and laying on the paper without interruption after forming a stroke. The strength of the pen should be appropriate. If it is too heavy, it will be fat if you spread it too much with a pen for a long time.
Squatting pen: Holding a pen is like holding a pen, but the strength is lighter than holding a pen, and holding a pen is faster than holding a pen on time.
Writing: refers to lifting the pen slightly after stopping writing, so that the pen tip rotates slightly away from the stop. Mostly used at stroke turning points.
Pen: the nib goes away and goes back.
Folding pen: refers to the pen tip up or down, or left or right. The folded front can be square or round. The square edge appears in the square fold, and the round fold does not show the front and becomes a round fold.
Turn the pen: refers to the swing of the pen tip. When turning, the Tibetan front does not show edges and corners, and it does not show strokes.
Flip pen: refers to turning the pen tip to the second pen, from horizontal painting to vertical painting, before the first pen is finished.
Wrinkle: refers to the distortion of the nib.
Line pen: a pen that points forward.
Stay in the pen: don't mention it, don't turn it, don't move it, put the pen on the paper and stop to gain momentum.
Artistic changes in the creation of regular script
The artistry of regular script is reflected in the change. The so-called elegance is to have your own temperament, and Yan Gu, majestic and steep are all temperament; Simple, natural and wild epitaphs are also temperament. Every temperament depends on brushwork, writing and composition, which is exactly what we need to understand the regularity in learning and the purpose of copying.
To achieve the artistic style of regular script, we should not only inherit the regular script of Tang dynasty, but also work hard on the northern monument and epitaph. Looking at the regular script before the Tang Dynasty, there will be a refreshing feeling, that is the real regular script, and after Yan Liu reached the peak, he lost his interest and artistic conception.
It is the mission and opportunity endowed by this era to pursue the beauty of relaxed, natural and comfortable regular script and embody the concept of human nature.
The creation of regular script should also be convinced by emotion and reasoning. The expression of feelings should also be based on rationality, which is the regular change of regular script, such as gathering and scattering, size, length and flatness, and integrity; Vivid and harmonious compatibility, integration and coordination between words; Words have spiritual ties, and there is breath throughout. So composition comes first (not just banners, vertical banners, couplets, fans, signatures and seals).