Architecture is called "solidified music", and musicians Beethoven, writers Goethe and Hugo all like this wonderful metaphor. In this way, ancient buildings are "solidified classical music". Ancient buildings scattered around the world in different countries, like a prelude to notes, play a historical heritage. Those quiet ancient gardens in China, and those distinctive ancient western buildings, all recorded a heavy history, branded with the imprint of the times, and became ancient books without words between heaven and earth.
China's thoughts on ancient architecture.
Architecture is the crystallization of wisdom and civilization, the witness of historical vicissitudes, and the embodiment of culture and thought. In the course of thousands of years' historical evolution, China's ancient architecture, whether it is a grand palace, a solemn temple, a quiet garden or a colorful folk house, has been branded with China's traditional culture by its unique formal language, expressing rich and profound China's traditional thoughts. At the same time, under the influence of this idea, the ancient architecture in China embodies strong national characteristics in the selection and treatment of materials, structure, layout, space and environment.
China quadrangle architecture
In general quadrangle houses, interpersonal relationships are reflected in the plane layout. The elders live in the upper house, the elder brother lives in the east, the younger brother lives in the west, and the harem lives in the backyard, not taking the second door. The functional relationship of a room is the relationship between people and the law of various people's activities in it. Generally speaking, in a group of buildings, the front, back, room, ear, door, hall, corridor and wing have their own grades, which shall not be higher than the main building. Even after death, there is a strict hierarchy in the area of graves, the height of graves, the shape of tombstones, Shinto stone carvings and even coffin ritual vessels. Violation of these systems will be punished by criminal law. If you use the emperor's unique style, the crime will be even greater. In addition, there is a regular mathematical relationship between the overall layout and subtle decoration of traditional buildings in China. For example, the number of rooms is up to nine (expanded to eleven in Qing dynasty), and then reduced to seven, five, three and one; The maximum depth is 13 frames, and then it is reduced to 3 frames. Most of these rules were fixed by imperial laws and regulations (such as the training and revision orders in the Tang Dynasty and the architectural methods in the Song Dynasty). ), and the difference of these figures directly shows the difference of building grades of people of different grades. "Confucianism outside and Taoism inside." Confucianism is the spiritual pillar to maintain China's feudal rule for thousands of years. The characteristics of China's Confucianism are most obviously reflected in the aspects of benevolence, righteousness, propriety and righteousness. Therefore, in the most representative traditional buildings in China, such as palaces, temples, tombs, temples, ancestral halls, etc., the plane layout is characterized by an obvious central axis, and the main buildings are arranged on the central axis, with foil buildings on both sides, which should be uniform and symmetrical. This solemn and dignified, neat and symmetrical, foil-oriented way fully shows the closed, rigorous and implicit national temperament.
China Palace Architecture
Ancient palace architecture is the supreme ruler's display of the power and majesty of the empire through architectural art, symbolizing the supreme and eternal kingship. Therefore, the ancient palaces in China emphasized the momentum of the group, the sequence of the group helped to render the majesty of the ruling dynasty, and the layout of the group helped to reflect the dignity of the patriarchal hierarchy.
Confucianism is beneficial to the ruler's rule, but it has too many restrictions on human nature and cannot meet people's spiritual needs. Therefore, although the ancient buildings in China are magnificent in appearance and everything is done according to the ethical system, they are generally poetic behind the buildings, forming the pattern of the front palace and back garden of the ancient buildings in China. These two completely different worlds, inside and outside, reflect China people's outlook on life. It is consistent with the Taoist thought of advocating self-cultivation, pursuing freedom and vivid charm. In addition, the sense of elegance and fluidity formed in the plastic arts of China's ancient buildings makes China's buildings present a state of rising wing angle and curved roof flow, and even the roof presents a different cambered surface, which makes the sense of oppression caused by building weight disappear, in line with the Taoist theory of "vivid charm".
For more information about bid writing and improving the winning rate, click on the bottom customer service for free consultation.