First, although all calligraphy and mountain art books have not been completely carved by workshops, Pingyang scrolls are even more rare in the world, and the title of Yang Shan's finger fan is really different from his own.
First, the illustrations in the text of the book are exactly the same, and I dare not add or delete them, but there are probably notes between manuscripts. Although I don't know who approved it, it is enough to explain the meaning of the text. In addition, there are some things that are not very smooth, or quoted by predecessors, or circled and commented. There are no notes in the fourth volume, and it is even more difficult to use words. We will publicize the original intention of the words and attach pictures to each aphorism.
First, there are several articles in the book, peeling bananas and pulling cocoons, advancing exploration layer by layer and entering the thread. Its beauty lies in one right and one wrong, and it refuses to let go of how to say it is true and how to say it is false. Although the words are not without repetition, each line has its own essence, which is easy for beginners to get started, and the wise can also broaden their horizons and broaden their minds.
First, Yang Shan's evaluation of Long Mai in each book, then the situation of Shashui Cave, and he knew the authenticity of the dragon cave like the back of his hand, until Shanlong pointed out that "the cave behind should be divided, but not the cave in front", and Pingyang Dragon Body pointed out that "Tang Ming gathering place is the evidence behind", so it can be said that the general intention of Yangshanlong Cave is endless.
A mountain of Long Mai falls into the sky, and the surface is covered with a ball eaves felt. The identification of true and false pulse points has been prepared in the first two volumes. If the articles made by mastoid fossa forceps and Pingyang dragon are particularly pithy, they should be better compiled.