1, taste
Calligraphy evaluation is a complicated psychological process. The first visual impression of calligraphy evaluation is often the spirit and charm of the book. Re-examine the composition of the work, analyze the intention of writing with a pen and having a book, and think of various things in life, the author's creative environment and ideological activities, so as to understand the beauty of the work. The process of calligraphy evaluation is the process of "re-creation" of beauty by the viewer.
Step 2 enjoy
The content of calligraphy appreciation is mainly composition, brushwork, ink method, seal, inheritance and characteristics. There are two main methods: one is to look at the situation from a distance and see the whole. Look at the layout and overall momentum of calligraphy works, whether the context is clear, the momentum is coherent, smart and transparent. The second is to look closely at the macro quality and the details. See if the texture of stippling, the connection between words, strokes, etc. meet the aesthetic requirements.
3. Textual research
It refers to the analysis and textual research on the related contents of calligraphy and painting works by using literature and other materials. It is an indispensable auxiliary means for the identification of ancient paintings and calligraphy. The combination of visual inspection and textual research, multi-faceted analysis and comprehensive analysis will make the appraisal conclusion more objective. For some works of earlier times, due to the small number of handed down works, it is more difficult, so it is necessary to make textual research.
The meaning of the inscription:
Inscription plays an important role in the art of Chinese painting, which directly affects the quality of works. Generally speaking, painting and calligraphy. Inscriptions on tablets and books can be called inscriptions. The so-called title refers to the words of calligraphy and painting or books. Later generations refer to the words written in front of books, calligraphy and paintings, rubbings, etc. As a title, the words written later as a postscript.
Inscriptions can be divided into two types: annals and land, monomer and catamaran. There are several forms of commonly used questions: one is horizontal. According to the national custom of our country, questions are generally from right to left, and the number of words can be more or less, but not too many per line. Keep it level. The second is vertical. Don't write too many lines, so as to keep the vertical form. Among them, the single-line type is commonly known as "a column of incense".
The third is the uneven natural style. The horizontal and vertical bodies mentioned above should be flush, and the suffix can be uneven level, commonly known as "flush". However, the natural form can be rugged and relatively free, but be careful not to write too loosely. The calligraphy used in the inscription and postscript should be consistent with the style of the painting.