Since the opening of the museum, various forms of exhibitions have been held to reveal the rich cultural connotations of historical relics and show the profound achievements of the Chinese nation.
The exhibition hall covers an area of 65,000 square meters with a building area of 55,600 square meters.
The cultural relics storage area covers an area of 8,000 square meters, the exhibition hall covers an area of 1 1.600 square meters, and the total length of the exhibition line is 2,300 meters.
The whole exhibition is divided into preface, basic exhibition, special exhibition, temporary exhibition and central pavilion as an international gallery.
The basic exhibition "Shaanxi Ancient Civilization" of Shaanxi History Museum was officially opened in March 2008. Taking the historical process as a clue, this paper selects the typical cultural relics of each era for combined display to reveal the development of ancient social civilization in Shaanxi.
The exhibition hall covers an area of 4,600 square meters and consists of three exhibition halls, which are divided into seven parts (prehistoric, Zhou, Qin, Han, Wei and Jin Dynasties, Southern and Northern Dynasties, Sui and Tang Dynasties, Song and Yuan Dynasties, Ming and Qing Dynasties). More than 2,000 precious cultural relics selected include: painted pottery vessels reflecting the life scenes and artistic pursuits of ancient ancestors, bronzes reflecting the rise and prosperity of Zhou people, and bronze swords and warp machines reflecting the momentum of Qin sweeping across the Six Rivers to dominate the world. As well as steel building components and tiles that show the spirit of Qin and Han Dynasties, as well as exquisite Tang gold and silver wares and Tang tricolor that reflect the prosperous scene of feudal prosperity, accompanied by auxiliary exhibits such as site models, charts and photos.
The ancient history of Shaanxi from 1 15000 years ago to 1840 is systematically displayed.
As the prosperous periods of China ancient society, including Zhou, Qin, Han, Sui and Tang dynasties, were all established in Shaanxi, this exhibition focuses on these periods, which not only highlights the splendid ancient culture of Shaanxi, but also reflects the highest level of social, economic and cultural development in China during these periods.
As a comprehensive history museum, the exhibition of Shaanxi History Museum is mainly divided into three parts: basic exhibition, special exhibition and temporary exhibition.
The basic exhibition is Shaanxi ancient history exhibition.
The ancient history of Shaanxi is divided into seven parts in chronological order: prehistory, Zhou Dynasty, Qin Dynasty, Han Dynasty, Wei and Jin Dynasty, Southern and Northern Dynasties, Sui and Tang Dynasties, Song Dynasty, Yuan Dynasty, Ming Dynasty and Qing Dynasty. With about 2,000 cultural relics, the development process of Shaanxi from Lantian people in the early Paleolithic period to the Opium War for more than one million years is systematically displayed.
Special exhibition is an academic and professional exhibition held irregularly around a certain theme.
Temporary exhibition is the supplement of basic exhibition and special exhibition, which has the characteristics of short cycle, rich content and constant freshness. At the same time, it is also a cultural exchange place and a cultural window for the museum to face the society.
The first unit, Farewell to Apes, reproduces the vibrant childhood and the dawn of civilization of the Chinese nation with 1 15000 years ago, such as Lantian Ape, Dali Man, Xi 'an Banpo and Lintong Jiangzhai.
The second unit, Qishan, Feng Ming, shows the political system and economic form of China's early countries, especially its ethical spirit and bronze casting technology.
The third unit, Eastern Empire, focuses on Qin cultural relics represented by Terracotta Warriors and Horses. With its majestic momentum and distinctive military characteristics, it shows the institutional civilization of the Qin Empire and the spirit of the times of being proactive and unifying rivers and mountains.
Unit 4-Heroes of the Han Dynasty, taking Chang 'an, Lingque and typical cultural relics of the Han Dynasty as the exhibition objects, such as Han Jinbiao, the imperial seal of the Queen of the Western Han Dynasty, the bronze casket of gold, silver and bamboo joints, the painted goose and fish bronze lamp of the Western Han Dynasty, the painted pottery clock of the Western Han Dynasty, the colorful pottery with green sauce glaze, the painted cavalry figurines of the Western Han Dynasty and the bronze sword of the Shanglin Western Han Dynasty.
The fifth unit-conflict and integration, featuring rich and exquisite cultural relics and religious relics of Shaanxi agriculture and grassland nationalities, such as monsters in the Han Dynasty, gold seals of the "King of Yi Qiang" in Jin Dynasty, polyhedral coal seals in the Western Wei Dynasty, the clothes of the spirits of the sixteen countries in Ting, colorful sculptures of riding and blowing horns in the Northern Wei Dynasty, colorful sculptures of Hu people with shields in the Northern and Southern Dynasties, and gold stickers in the Northern Wei Dynasty.
Unit 6-Meteorology in the Prosperous Tang Dynasty shows the cultural features of China in the most prosperous period in ancient times, when Chang 'an, the most prosperous international metropolis in the world, communicated with the East and the West on the Silk Road, and reached an unprecedented height through the eclectic and innovative development of Sui and Tang cultures.
The seventh unit "Farewell to the Imperial Capital" shows that Shaanxi, as an important town in the west and the center of the northwest, is still unique in terms of cultural creation and spiritual inheritance after the Tang Dynasty.
The murals of Tang tombs are unique and precious collections of Shaanxi History Museum. There are nearly 600 murals in more than 20 Tang tombs, reaching 1 1,000 square meters.
Among them, 5 pieces (groups) of 18 were designated as national treasures by the state, and 69 pieces (groups) of 82 pieces were designated as first-class products.
The murals in the tombs of the Tang Dynasty depict the etiquette norms, life customs, clothing characteristics, entertainment methods and architectural styles at that time with unique buildings, simple and vivid figures, distinctive utensils and simple and bright landscapes, and are important image materials for studying the social life of the Tang Dynasty, especially the aristocratic life and spiritual pursuit.
Tang Dynasty Mural Treasures Museum is a key cultural relic tourism project designated by Shaanxi Province * * *, located on the ground floor of the East Exhibition Hall of Shaanxi Provincial Museum of History, with a total investment of more than 73 million yuan (including * * * appropriation180,000 yuan, Italy * * soft loan of 4 million euros and Italy providing100,000 euros), with a construction area of 4,200 square meters, of which
The exhibition includes 97 murals, including Prince Zhang Huai's Tomb, Ma Qiutu, Hunting Travel Map, Prince Yide's Tomb, Etiquette Map and Princess Yongtai's Tomb. And 18 pieces of auxiliary cultural relics, some of which were unearthed from the mural tomb in the exhibition, and the other part was related to the picture content.
In order to facilitate the audience to compare the murals of Tang tombs with the paintings handed down from the Tang Dynasty, replicas of famous paintings handed down from the Tang Dynasty were specially selected as auxiliary exhibits.
1970, 10 years, hejia village in the southern suburbs of Xi 'an and Xinghua Square in Chang 'an in Tang Dynasty. During the construction of the capital, two clay pots and an urn were unearthed, and more than 1000 pieces of gold and silver vessels, jade articles, precious medicines, Chinese and foreign coins and bronzes buried underground for thousands of years were discovered.
The Tang Dynasty was the most prosperous period in ancient China, and gold and silver wares and jade articles were the representatives of arts and crafts in the Tang Dynasty. In the prosperous Tang Dynasty, the hejia village cellar was called "the jewel in the crown", and some experts called it "the legacy of hejia village" and "the legacy of Datang", which corresponded to the famous western archaeological discovery "the legacy of Amu Darya" and became a major archaeological discovery in China in the 20th century.
"The Legacy of the Prosperous Tang Dynasty-Cultural Relics Exhibition Unearthed in hejia village Pit" has been held in the West Hall of Shaanxi History Museum for 6 years, and has received 2.6 million visitors from all over the world.
Treasures exhibition area is the most important part of the exhibition, showing more than 30 sets of jade and precious stones unearthed in hejia village, including the agate cup of the animal head of the "treasure of the town hall" in Shaanxi History Museum; At the same time, there are 466 gold, silver and copper coins unearthed in the cellar, from the Warring States to the Tang Dynasty, as well as Japanese silver coins, Persian Sassanian silver coins and Eastern Roman gold coins, which span more than 1000 years.
According to the exhibitors, the value of these unearthed cultural relics is estimated to be 38.3 million yuan, equivalent to 6.5438+0.5 million yuan paid by men to Tang * * * in a year.
Shaanxi History Museum also presents 6-7 large-scale temporary exhibitions every year, such as "Xiaoli-China Ancient Horse Culture Exhibition".
The exhibition is hosted by Shaanxi History Museum, and co-organized by Xinjiang Museum, Gansu Museum, Shanxi Museum, Qinghai Provincial Museum and other 14 cultural and art institutions, and selects the most outstanding cultural relics about horses with local characteristics.
The exhibition collected more than 65,438+050 outstanding cultural relics about horses in past dynasties, including Qin from Shaanxi History Museum, Tang Sancai from Xinjiang Uygur Autonomous Region Museum, Northern Dynasty Rider from Huangzhong County Museum in Qinghai Province, Bronze Horse from Shang Dynasty in Ganquan County Museum, Tang Rider from Confucian Temple Museum in Fuping County, etc. Through the five units of horse domestication, horse and traffic, horse and war, horse and entertainment, horse and art, the audience can truly understand the role of horse in ancient production, life, traffic, transportation, military and culture, and show all aspects of ancient horse culture in China from different angles.
"Skillful Hands and Good Doctors-Exhibition of Cultural Relics Protection and Restoration in Shaanxi History Museum" is a special exhibition with the theme of cultural relics protection and restoration, which mainly shows the measures taken in cultural relics protection and restoration over the years, and shows the concepts, methods and technologies of cultural relics protection and restoration.
The exhibitions in museums have always been mainly cultural relics exhibitions. Although there are museum exhibitions or related works exhibitions such as cultural relics collection and archaeological excavations in the cultural and art industry, cultural relics are still the main ones.
In fact, the protection of cultural relics is an important function of the museum and its core business.
With the development of cultural relics protection, society pays more and more attention to cultural relics protection. In order to better introduce the work of cultural relics protection to the society, show the complexity of preservation, collection and protection of cultural relics of various materials, and reveal the connotation and challenges of cultural relics protection technology, Shaanxi History Museum organized the "exhibition of cultural relics protection and restoration of Shaanxi History Museum, a doctor with superb medical skills".
The content and form of the exhibition are different from other traditional exhibitions, and its particularity can be summarized by "33 1", that is, three visiting stages and three exhibition parts reflect a theme.
The three stages are laboratory observation, exhibition process experience and exhibition public visit.
The three parts are divided into three thematic units: cultural relics restoration technology, cultural relics scientific cognition and preventive protection.
One theme is that the protection of cultural relics is not mysterious, it has something to do with everyone, and everyone's behavior will affect the protection of cultural relics.
The exhibition was first launched on August 20th, 20 13, and it was divided into three stages, in which the laboratory observation stage was launched on August 20th, 20 13 and the exhibition process experience stage was launched on August 9th, 2065 438+03.
On August 20th, the exhibition stage of the pavilion was officially launched and opened to the public.