1. Li Shangyin's profile is as follows: Li Shangyin (about 8 13- about 858), a native of western Henan (xi), Fan Nansheng, originally from Hanoi, Huaizhou (now Qinyang, Henan) and originally from Xingyang (now Xingyang, Zhengzhou, Henan). Tang Wenzong was a scholar in the second year (837).
Li Shangyin was one of the few poets who deliberately pursued the beauty of poetry in the late Tang Dynasty and even the whole Tang Dynasty. Li Shangyin is good at poetry creation, and his parallel prose also has high literary value. Together with Du Mu, it is called "Xiao", and together with Wen, it is called "Wen Li".
His poems are novel in conception and beautiful in style, especially some love poems and untitled poems are touching, beautiful and moving, and are widely read. However, some poems are too obscure to be solved, and there is even a saying that "poets always love Quincy and hate that no one writes about Jian Zheng".
Because Li Shangyin was involved in the political whirlpool of "Party struggle between Niu and Li", he was excluded and frustrated all his life. In the fifty-fourth year of Qing Qianlong's reign, Huaiqing County Records recorded that Li Shangyin was buried at the foot of Beishan Mountain in Qingyuan after his death, and his ancestral home was Yongdian, Huaizhou (now Wangzhuang Town, Qinyang Mountain).
Second, Li Shangyin's poetic style: Li Shangyin's poems reflect his thoughts. His basic thought about human beings basically belongs to Confucianism, but he takes a fancy to practicality and has a certain critical spirit to Confucianism. He believes that there is no need to take Confucius as a teacher, and there is no need to take "flexibility" as a virtue. He also has Buddhism and Taoism, advocating "nature" as his ancestor.
Li Shangyin's poems have a distinctive and unique artistic style, beautiful words and profound meanings. Some poems can be interpreted in many ways, while others are obscure. There are about 600 existing poems, especially untitled poems, the most prominent of which is his love poems.
Li Shangyin is good at writing seven laws and five-character laws, and there are also many excellent works in seven-character poems. Ye Xie, a poet in the Qing Dynasty, commented on Li Shangyin's Seven Musts in his original poem as "affectionate entrustment, tactfully worded, but unparalleled in a hundred generations."
His metrical poems inherit Du Fu's tradition in technique, and some of his works are similar to Du Fu's in style. Similar to Du Fu, Li Shangyin's The Book of Songs often uses allusions, which is more profound and difficult to understand than Du Fu's allusions, and every sentence often uses allusions.
He is unique in the use of allusions, likes to use various symbols and metaphors, and sometimes he doesn't know what the purpose is when he reads complete poems. The meaning of allusions themselves is often not what Li Shangyin wants to express in his poems.
For example, "Chang 'e", some people intuitively think it is a work praising Chang 'e, Ji Yun thinks it is a work mourning, some people think it is a description of a female Taoist priest, or even a poet's self-report, and there are different opinions. It is also his style of using allusions that forms his unique poetic style.
According to Huang Jian's note "Yang Wengong Yuan Tan" in Song Dynasty, every time Li Shangyin wrote a poem, he would consult a large number of books, and the room was littered with stalls, which was compared to "Rex sacrificing fish". Wang Shizhen of the Ming Dynasty also said in a joking tone: "Rex Festival was once held in Ao Yun, and it was a piece of brocade."
(Parody of Yuan Yi's Mountain Poems) Criticism 3. List Li Shangyin's untitled poems: Li Shangyin is famous for his untitled poems. According to the statistics of poems collected in Li Shangyin's Collection of Poetry [7], it can be basically confirmed that there are 15 * * poems named untitled when the poet writes: untitled (stealing a mirror at the age of eight), untitled (according to Liang) and untitled two (stars last night; Wen Dao Chang Men) "Four Untitled Poems" (it is empty talk; Southeast; Affectionate spring night; Where to pay tribute to Zheng) Untitled (A brief encounter) Untitled (Immortality of the son-in-law) Untitled two songs (; The curtain falls) untitled (near the famous Ahou), untitled (haunted by the white road) untitled (Wan Li storm).
2. Appreciation of Li Shangyin's two poems
Appreciation of Li Shangyin's two poems and Jinse [Tang] Li Shangyin's "I wonder why my Jinse has fifty strings, one string and one column thinking about the New Year".
Zhuangzi daydreaming, a saint, was bewitched by butterflies, and cuckoo crowed in the imperial spring. Mermaids shed pearl-like tears on the moon-green sea, and the blue fields breathed their jade to the sun.
A moment that should last forever has come and gone before I know it. Ma Shangyin, an international student, is on the verge of death.
When they heard the guards guarding them, they fought swords at night, and there were no more chickens in the palace. The Sixth Army has agreed that they will all be stationed in Malaysia. On the old Qixi Festival, we also laughed at the Weaver Girl.
How can the four seasons be emperors? It is better to have Mochow's Lujia! 1, "Jinse": (1) The idea of the novel: At the beginning, Jinse expresses the ardent and lingering thoughts of "each with its flower-like distress and a youthful interval". The voice tells the story of missing.
At the end of the sentence, "I was disconsolate at that time" and "Recalling this situation" made the feelings of joys and sorrows even more heartbreaking. It can be seen that the author's conception is exquisite.
⑵ Hazy beauty: The poet brings everyone into a beautiful dream with the romantic and magical imagination in the dream of "Zhuang Sheng", which is fascinating; He also entrusted his heart to Du Fu's "Looking at the Emperor", as if he were in the atmosphere of "Du Fu weeping for blood" and felt the deep thoughts after leaving. The hazy beauty in the dream is like a painting. The fog is hazy, the water is hazy, the mermaid is crying, the beautiful jade in Lantian is shining in the sun, as if it were burning smoke, and Ran Ran is on cloud nine.
2, "Ma Wei": secretly ridiculed by contrast. There are at least three contrasts in the whole poem: Zhuan Xu compares Xuanzong's trip to Shu with his previous palace life; The Necklace Association compared the fact that Emperor Xuanzong of Tang Dynasty was executed by a mutiny with the fact that they swore husband and wife forever in the Palace of Eternal Life on July 7. William compared Xuanzong's irretrievable love as a son of heaven with the happiness of ordinary folk marriage.
See the irony in the contrast.
3. Two poems by Li Shangyin
Give one of two songs on behalf of others.
Upstairs, I want to rest at dusk,
Jade ladder crosses the moon like a hook.
Bananas don't show lilac festival, [1]
In the same direction, spring breeze is sad. [2]
Source:
China's Poetry-Tang and Five Dynasties-Li Shangyin
Gongci
Your grace flows eastward like water,
Fear of being in favor will divert fear of being out of favor.
Don't make a prelude to the statue,
The cool wind is only in the west of the temple.
Source:
China's Poetry-Tang and Five Dynasties-Li Shangyin
Li Shangyin, who "leaves Xixi at night"
Dong Zhai is worried about the end of spring, and Xixi River is full of sunshine. The moon rises and the stars want to sell clouds.
When the willow leaves, it is better to have a rest than to leave. Although the art of war depends on horses, it can't be written.
Xiao Chang Ji Li Shangyin
Han Longdian eyebrows, narrow Chu palace clothes. The mirror dances in vain and the curtains fly wrong.
Don't ask Wang, he made an appointment with Huang last night.
Volume 54 1_24 "Liu" Li Shangyin
The snow in Jiangnan and Jiangbei began to disappear and the desert was pale yellow. The bank climbed into the hands of travelers.
First, the Chu Palace danced around its waist. Qingming brings rain to the official road, and the night wind blows the wild bridge.
If the thread is like silk, it is hatred, and Wang Sungui has a long way to go.
Li Shangyin, Snow in the East in September
Home Xin * * * newspaper, autumn snow before the peak. Beyond the ridge, he recalled that year, in the East, he met this day.
The grains are light and messy, and the flowers are thin and not heavy. Is it shocking to leave your temple? You should wash your sick face.
Li Shangyin, Temple No.4
This is to stay in Song Chi, the stepmother, and Han Ting knows that Zi Zhiweng.
Xiao He only chased Han Xin and didn't deserve the first prize.
Gifts from Li Shangyin and others 13 to our company.
Du Musi's motto, autumn poem "Clear Autumn". The predecessor should be general manager Liang Jiang,
The name manager always keeps his word. The iron in my heart has benefited from my work, and snow and frost hang in my temples.
The Hanshui River hangs far from the Xijiang River, and the Yanghu Lake has a monument in Dan Wei.
Gao Hua Li Shangyin
Flowers make people laugh, and the hedge shows countless branches. Song Yu Linjiang Tower, the low wall doesn't hinder the peep.
Li shangyin's satirical peach
Yao's peach-faced hooligan, usually exposed by the well, is open, but I deliberately laugh at it.
Li Shangyin's Send Li Jue to Fengdu
Business is always on the ground, and you cry for Luqi. The season is hard to find, but you can trust Zhang Yi.
Rain makes swallows feel first, and leaves make cicadas know. Returning home is especially taboo, and the mountain nights are even more uneven.
4. Appreciation of Li Shangyin's two poems
Two Poems by Li Shangyin and Their Appreciation
Inlaid harp
[Tang]
Li Shangyin and I wondered why my Jinse had fifty strings, one string and one column, thinking about the Chinese New Year.
Zhuangzi daydreaming, a saint, was bewitched by butterflies, and cuckoo crowed in the imperial spring.
Mermaids shed pearl-like tears on the moon-green sea, and the blue fields breathed their jade to the sun.
A moment that should last forever has come and gone before I know it.
horsetail
Li shangyin
In vain, I heard the legend that overseas Kyushu, the afterlife is unpredictable, and this life will not stop.
When they heard the guards guarding them, they fought swords at night, and there were no more chickens in the palace.
The Sixth Army has agreed that they will all be stationed in Malaysia. On the old Qixi Festival, we also laughed at the Weaver Girl.
How can the four seasons be emperors? It is better to have Mochow's Lujia!
1, "Jinse":
(1) Novel idea:
At the beginning of "Jinse", the passionate and lingering thoughts of "every flower is the interval of youth" are revealed. The voice tells the story of missing. At the end of the sentence, "I was disconsolate at that time" and "Recalling this situation" made the feelings of joys and sorrows even more heartbreaking. It can be seen that the author's conception is exquisite.
② Hazy beauty:
The poet brought everyone into a beautiful dream with the romantic and magical imagination in the dream of "Zhuangsheng", which was fascinating; He also entrusted his heart to Du Fu's "Looking at the Emperor", as if he were in the atmosphere of "Du Fu weeping for blood" and felt the deep thoughts after leaving. The hazy beauty in the dream is like a painting. The fog is hazy, the water is hazy, the mermaid is crying, the beautiful jade in Lantian is shining in the sun, as if it were burning smoke, and Ran Ran is on cloud nine.
2. Ma Wei:
Cover up ridicule with contrast. There are at least three contrasts in the whole poem: Zhuan Xu compares Xuanzong's trip to Shu with his previous palace life; The Necklace Association compared the fact that Emperor Xuanzong of Tang Dynasty was executed by a mutiny with the fact that they swore husband and wife forever in the Palace of Eternal Life on July 7. William compared Xuanzong's irretrievable love as a son of heaven with the happiness of ordinary folk marriage. See the irony in the contrast.
5. Two key poems in Li Shangyin's poems
I often study How and Moment in The Four Seasons Emperor, which should last forever, but it is not as good as the rhyme translation of Lu Jia Mo Chou.
Jinse Jinse, why do you have fifty strings? Every string and paragraph reminds people of the year of Huang Jinhua. My heart is like Zhuangzi, confused by butterfly dreams; It's also like looking at the monarch cuckoo, with longing and sorrow for love.
Hai Ming Yue Ming, Jiao Ren's tears are pearls. Lantian is sunny and warm, and you can see good jade and good smoke.
The feelings of joys, sorrows and sorrows cannot be recalled today, but they have been inadvertently long ago. Ma Su said that besides Kyushu, there is Kyushu at the end of the day; The afterlife is illusory and unpredictable, but the gathering in this life has come to an end.
Only hear the imperial ringing mournful Diao Dou, can't hear the guards crowing at dawn outside the rosefinch gate. Think of the seventh day of July and laugh at the annual gathering of Vega Petunia. Why was the emperor's favorite concubine forced to die decades later? Not as good as ordinary Lu Jiazi and Mochow's lifelong companion.
6. Literary common sense of two prose poems
Two prose poems ① Golden Flower is selected from Selected Poems of Tagore.
Author: Tagore. Indian writer, poet and social activist.
His early works include poetry collection Twilight, Morning Song, King and Queen, novel Little Sand, Shipwreck, Gora, script Mojidotara, Post Office, oleander, poetry collection Gitanjaly, Crescent Moon, Gardener Collection, etc. At first glance, this is a poem about a child playing with his mother, expressing his love for his mother, which is nothing strange.
But Tagore is a great writer because his poems can continue to move forward where the feelings and thoughts of ordinary poets stop, go deeper and enter the realm of "forgetting me". (2) Mother lotus leaf.
Author: Bing Xin. This is an essay about writing people's stories through scenery.
The article starts with the lotus in our yard, focusing on the lotus in the rain. The author found that the lotus leaf covered the lotus flower in the rain and touched himself, so he had associations, remembered his mother and the scene that his mother loved her children, and took this opportunity to express his feelings for her mother to protect her children's growth. Writing lotus in this way is to write "I" and lotus leaf is to write about mother, so as to achieve the realm that "I" is a lotus that has withstood the wind and rain, and mother is a lotus leaf that protects lotus from the wind and rain.
Yes, even the lotus leaf will consciously protect the lotus, not to mention the mother loves her children. So he wrote at the end: "Mom! You are a lotus leaf, I am a red lotus, and the raindrops in my heart are coming. Except you, who is the shade under my unobstructed sky? " A few simple strokes clarified the main idea and deepened the center.
"Rain in my heart" refers to the ups and downs on the road of life, and only my mother is the one who protects herself from the ups and downs on the road of life.
7. Two Jinse/Ponytail Poems by Li Shangyin (Part Two)
When Li Shangyin wrote Jinse, his feelings were cold, lonely and sad. There was a complex and unspeakable sense of disappointment between the lines, which was not a general sense of idleness. There is a strange feeling that he hates, but in "Infinite Memories", he said with a chuckle: You should remember today and feel infinite disappointment, that is, it was overwhelming at that time! Inexplicable pain, the most bitter feeling, is a poem. I haven't seen Ma Wei before, let alone have any profound understanding. Just after reading it, I feel that I want to talk about comparison and contrast. The third link is an example: "Today, the six armies are stationed in Malaysia, and at that time, they laughed at the cows on Tanabata."
This day "refers to the day when Yang Fei died." It is consistent with Bai Juyi's Song of Eternal Sorrow. The soldiers in the army stopped and no one moved, but after Song of Eternal Sorrow, they may trample on those moths until their hooves. "This day" is traced back to "then".
The contrast and supplement between "then" and "today" is not only self-evident, but also rich in meaning. It is called "reverse holding method". Xuanzong and Yang Fei swore to each other on Tanabata at that time, laughing at Petunia and Zhinv. They only met once a year, but they were "husband and wife forever" and never separated. But what if the sixth army doesn't send it? Opposed to each other, the ending of Fei Yang's death is not difficult to understand, and Xuanzong's hypocritical and selfish mental outlook is also exposed.
At the same time, "Laughing and caressing cows on Tanabata" is a typical summary of Xuanzong's infatuation with women and neglect of political affairs. When compared with "six armies stationed in Malaysia", it shows the causal relationship between them. Without the debauchery of "then", how could there be the dispersion of "today"? However, when Xuanzong indulged in debauchery, he never thought about the "day" when his favorite princess "died".