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Shi Tao is an epoch-making artist in the history of China painting and calligraphy. His art is profound and creative
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Shi Tao is an epoch-making artist in the history of China painting and calligraphy. His art is profound and creative. More than half of Shi Tao's calligraphy and painting works handed down from ancient times were created in Yangzhou, and many people think that he is the originator of Yangzhou painting school.
Shi Tao also has an important monograph on painting, Quotations on Paintings of Bitter Melon and Quotations on Paintings of Monks, referred to as Quotations on Paintings. Shi Tao wrote this book in Yangzhou Daditang before his death, which is called Painting Spectrum, but it has not been widely circulated. The "Painting Quotations" circulating now is a copy of Wang Yichen during the Yongzheng period, which is quite different from Shi Tao's own engraving.
Shi Tao's "Painting Quotations" is determined to be abstruse and obscure, so as to convey the secrets that the painter does not convey. There is a cloud at the beginning of "Painting Quotations": "Taikoo is not good, it is too simple; It's too simple, but the law is established. What is the status of law? Standing in the photo. Painters are the foundation of everything and the root of Vientiane; Seeing for God and hiding for others is unknown to the world. So the painting is self-reliant. " This is the famous "One Painting Theory" in China's traditional painting theory.
Although Shi Tao's Painting Quotations is difficult to read, its exposition of painting theory is profound, and it can be said that no ancient painting theory can surpass it in profundity. His famous saying, "standing in the ink sea, the light is chaotic", is actually a wonderful sentence in pen and ink.
In the history of China art, Shi Tao's detached temperament and heroic and fiery talent are unique. Quotations of Painting written by him in his later years is a summary of his understanding of artistic life, which shines with wisdom and opens a brand-new horizon for the creation and appreciation of China's ink painting. In his "Play the lute to the Cow" axis, he plays the lute in the painting, with an open-minded and confident face, singing to the cow in the long world, which is a true portrayal of Shi Tao's life realm.
Shi Tao (A.D. 1630- 1742), formerly known as Zhu Ruoji, later renamed Yuanji and Yuanji, also known as Chaoji, was an old man, a deceased blind man, a Beijinger and one of the most outstanding painters in Qing Dynasty. He was originally a royal family in the Ming Dynasty. /kloc-at the age of 0/0, he was destroyed by the state, cut his hair and changed his name to Shi Tao. In order to escape the military disaster, he wandered around, engaged in painting and sketching, and eventually became a famous painter at home and abroad. Shi Tao has enjoyed the famous mountains and rivers and formed his own unique style. His paintings are novel in composition. Whether it is dead trees, western Western jackdaw, cliffs, ink paintings in the south of the Yangtze River or clouds in Huangshan Mountain, he strives for novel layout and artistic conception. He is also good at using ink method, through the infiltration of ink and wash, the integration of pen and ink, showing the magnificent and profound state of mountains and rivers. He is especially good at using "interception method" to convey profound realm with close-ups His brushwork is bold and unrestrained, dripping and free, regardless of minor flaws, with a bold and unrestrained momentum. He made outstanding achievements in painting art and was the most creative master of painting in Ming and Qing Dynasties. His representative works include Seeking the Wonder Peak Draft, Colored Stone Map, Yunshan Map Axis, Meizhu Map Axis, Meizhulan Map and so on.