The fifth issue of Cultural Relics (1979) has an interesting article written by Wu Hong about the modeling and decoration of some artifacts in Zhongshan, which describes and discusses the above-mentioned tiger biting deer and Longfeng Pavilion in detail. For example, he said: "The author wants to express not only an animal, but a sharp conflict; This is the March of power. Looking down, the tiger's body bends into an arc, like a tight bow, while looking sideways, the tiger's hips are propped up and crawling to catch food, forming an S-shaped line. ..... It is full of elasticity and strength, and it is explosive and generates strong power. This is the author's most concise summary of the tiger predation mode. " "The structural curves of the front and side of the tiger body not only create a strong sense of movement, but also create a constantly changing viewpoint ..."
In the third part of the article, Wu Jun said: "It not only has high artistic appreciation value, but also has important historical value. They are valuable materials for studying the art history in the pre-Qin period. They are the result of the long-term development and evolution of decorative art and sculpture art, and also the reflection of the drastic changes in society and thought during the Warring States period. " In fact, this is also the origin of artistic modeling in the Warring States period, which is characterized by excitement and jumping.