Background:
This five-element work was written in Xuanzhou in the twelfth year of Tianbao (753), and it has been ten years since Tianbao was forced to leave Chang 'an in the third year. The long-term wandering life made Li Bai taste the bitterness of the world and see through the coldness of the world, thus deepening his dissatisfaction with reality and increasing his sense of loneliness. The interest of this poem when sitting alone in Jingting Mountain is a portrayal of the poet's life with lonely feelings and seeking comfort in the embrace of nature.
Wangdongting
The lake, the light and the moon are combined into one, [1]
There is no wind on the pool surface, and the mirror is not polished.
Looking at the scenery of Dongting,
Green snail in a silver plate.
Precautions:
[1] Add: set each other off.
The description of Dongting Lake in this landscape poem is so lofty and broad, which fully shows the poet's whimsy.
Liu Yuxi said in the preface to the Seventy Rhymes of Liyang: "In August of the fourth year of Changqing, I was transferred from Kuizhou to Liyang (Hezhou), floating on the Minjiang River, watching Dongting, crossing the gorge, and involved Xunyang to the east." Liu Yuxi was exiled to the south and went to Dongting for twenty years. According to the literature, there are about six times. Among them, only the state is transferred, this time, in autumn. This poem is a vivid record of this trip.
Fan Zhongyan, a writer in the Song Dynasty, said with emotion in Yueyang Tower: "The victory of Guanfu Baling lies in Dongting Lake. Take a distant mountain, swallow the Yangtze River, and make a vast soup, boundless; It's sunny in the morning and cloudy at night. This is the grand view of Yueyang Tower. Everything the elder said is ready. It can be seen that there have always been many poems describing the scenery of Dongting, and it is very difficult to write something unique and original. Liu Yuxi's "Looking at Dongting" chose the perspective of moonlit night, taking a panoramic view of Dongting, grasping the most representative lakes and mountains, gently writing, and creatively reappearing the beautiful scenery of Dongting on paper through rich imagination and clever metaphors, showing amazing artistic skills.
Dongting Lake is crystal clear under the bright moon in autumn. It is an ethereal, ethereal, quiet and harmonious realm, just like Qiongtian met. This is the poetry contained in the sentence "the lake and the moon are in harmony". The word "harmony" has been refined, showing a harmonious picture of water and sky, jade and dust-free, and it seems to convey to readers the rhythm of a water town night-the rhythm of moonlight and lake water. Next, the lake is described as calm and misty, like an unpolished bronze mirror. The word "the mirror is not polished" vividly and aptly shows the peaceful and gentle scene of a thousand miles of caves, and there is a hazy beauty in the moonlight. "There is no wind on the surface of the pool, and the mirror is not polished" complements the poem "moonlight on the lake" with vivid metaphors. Because only when there is no wind on the pool surface and the water waves are calm can the lake light and the autumn moon be coordinated. Otherwise, the lake will roar, the turbid waves will fly, the lake light and the autumn moon will not reflect each other, and there will be no "two-phase harmony".
The poet's sight focused on Junshan from the vast Pinghu. In Yin Hui under the bright moon, Dongting Mountain is greener, Dongting water is clearer and the mountains and rivers are integrated. It looks like a small green snail in a carved silver plate, which is very attractive. Three or four poems are rich in imagination, appropriate in metaphor and elegant in style. Silver plates and green snails complement each other. The autumn moon Dongting landscape described by the poet has become a fine treasure of arts and crafts, giving people great artistic enjoyment. "Green snail in a silver plate" is really an incredible punch line. But its superiority is not only manifested in the cleverness of the police, but also in its magnanimity and its lofty and wonderful feelings. In the poet's eyes, a thousand miles of Dongting is just a mirror and a cup and plate on the case. It is very rare to lift weights lightly, the pool is natural and unpretentious. It is a reflection of the author's personality, sentiment and aesthetic taste to express the relationship between man and nature so cordially and to describe the lakes and mountains so broadly and clearly. It is difficult to write without thinking about octupole and being satisfied with the spirit of mustard seed, and without the embrace of nirvana. It is rare to see the poet's romantic whimsy in a landscape poem.
/question/ 15797349.html？ Si=2 Late Tang Dynasty
I don't know which one you want, but I gave it to you.
Appreciation of Jiangnan Memory
After washing, I boarded the river pavilion alone and leaned against the bar to stare at the river.
Thousands of ships passed by, and no one expected to appear.
Broken-hearted Baipingzhou.
[Scene] After getting up early to get dressed, the woman looks at the small building by the river alone and waits for her lover to return from a long trip. I have seen countless boats, and none of them were taken by my wife. Until dusk (from "Oblique Photo"), only the river is accompanied. Looking at Tingzhou in the water full of white apples, I couldn't help crying and sang a song "Weeping Sand" gently. That grain of sand was brought back when my lover and I were walking on that continent. Why don't you touch anything?
[Analysis] Taking a woman's life as a clue, it is conceivable that every day is like this, and its sadness can be imagined. From time to time, from morning till night; From space, from the mainland in front of us to the sails in the distance; Emotionally, from hope to disappointment; To some extent, from Yifan to Qian Fan, from the small disappointment of each sail to the final disappointment at dusk, the atmosphere was rendered to a climax and then ended in the old place.
【 Conclusion 】 Don't let the person who loves you wait all the time, waiting in vain.
Memories of Jiangnan ◎ Memories of Li Yu (Empress of Southern Tang Dynasty)
The original name of this piece of music is [Wang Jiangnan]. Yuefu Miscellanies: "Looking at the South by Xie Qiuniang, a dead prostitute, began in Zhu Ya and Li Taiwei's town of Zhejiang and Japan", so it is also called Xie Qiuniang. Bai Letian wrote three songs [Memorizing Jiangnan], the first is "Good Jiangnan" and the second is "Memorizing Jiangnan". He noted from the cloud: "This song is also called [Xie Qiuniang], and each song has five sentences." (see "Biji Manzhi") Also known as "Jiangnan Good" and "Jiang Nanyi"; And the real name of [Yi Jiangnan] also comes from this. In addition, the first sentence of Liu Yuxi's words is "Spring has gone"; In Huangfusong's ci, there is a phrase "Idle dream of plum ripe days in the south of the Yangtze River", which is also called "the end of spring", "Dream of the south of the Yangtze River" and "Looking at the south of the Yangtze River". The whole Tang poetry is also called "Returning to Saibei" in Li Houzhu. Wan's rhyme is also called [Dream River Mouth]. Go to Liang Wudi and Shen Yue's [Jiangnan Lane] songs, or think that they also [remember Jiangnan] aliases; This is a unique name, which can be described as a gang.
[Practice] This tone is 27 words. The first sentence is three sentences. The second sentence is a five-sentence flat, and syntactically it is two and three. The third sentence is the seventh sentence from beginning to end, and the first sentence and the third sentence are flush. The fourth sentence is the seventh sentence of Pingyun. The fifth sentence is the same as the second sentence, so the first word can be even, even. This three-or four-sentence tune has the same syntax as the couplet in the seven-character poem; Therefore, the author uses duality for neatness, and there have always been many examples of poets.
How much hatred,
○⊙● (sentence)
In my dream last night.
⊙●● ○△ (even rhyme)
Just like swimming in the garden in the past,
⊙●⊙χχ ● (sentence)
Cars run like water, Ma Rulong,
⊙⊙●●χ△ (Xie Pingyun)
Flowers and the moon are spring breeze.
⊙●●○△ (Xie Pingyun)
Appreciation of Three Poems of Bai Juyi's Memories of Jiangnan
Jiangnan is good, and the scenery was once familiar. At sunrise, the river is redder than fire, and in spring, the river is as green as blue. How can we make people not miss Jiangnan?
Jiang Nanyi, the most memorable is Hangzhou. Looking for laurel trees in Zhongshan Temple in the month, watching the tide on the pillow in the county pavilion. When will you revisit?
Jiang Nanyi, followed by Wu Gong. Wu Yi cup of spring bamboo leaves, Wu Wa dance lotus drunk. Will we meet again sooner or later?
As the old saying goes, there is no word, and it is not far away. Bai Juyi's "Memorizing Jiangnan Ci" has been written for more than 1000 years and will be immortal. So where are these words? How can you "walk" so far?
Bai Juyi once worked as a secretariat of Hangzhou, stayed in Hangzhou for two years, and later worked as a secretariat of Suzhou for more than a year. When he was young, he roamed the south of the Yangtze River and lived in Suzhou and Hangzhou. It should be said that he knows a lot about Jiangnan, so he was deeply impressed. Twelve years after he returned to Luoyang from Suzhou, he wrote these three poems recalling Jiangnan at the age of 67, which shows that the scenery of Jiangnan is still vivid in his mind.
It's not easy to sum up the spring scenery in Jiangnan in a dozen words, but Bai Juyi skillfully did it. Instead of describing the flowers and warblers commonly used in the south of the Yangtze River, he began to write with the river as the center, showing the bright and dazzling spring scenery in the south of the Yangtze River through the contrast between "red wins fire" and "green as blue". In the poems of the great poet Du Fu, we can often see descriptions in different tones, such as "two orioles singing green willows, a row of egrets soaring into the sky" and "Jiang Niao is too white, and the mountains are green and the waters are white". Two different colors set each other off to make the poem bright and picturesque. Bai Juyi took the same road, which can also be seen from his poems, such as "The sunset glow burns red, the clear sky is bluer than blue", "Spring grass is more dreamy when it is green, and the sunset glow is red near Chang 'an", "The green waves are east and west, and the red column is 390 bridges". Therefore, in Bai Juyi's works, the spring scenery in the south of the Yangtze River has been colored since the first day, and the river flowers (perhaps splash) and rivers have formed our imaginary pictures because of the way of drying and dyeing, which are dazzling in color and rich in layers, and hardly need more associations. Spring scenery in the south of the Yangtze River has come to my face.
What is Bai Juyi's longest impression in Hangzhou since I can't forget Jiangnan? The ancient book says: "Lingyin Temple in Hangzhou is rich in osmanthus. The monk in the temple said,' Plant this month.' Up to now, watching the night in the Mid-Autumn Festival, children often fall, and monks try to pick it up. "Since monks in the temple can pick it, it seems that Bai Juyi deliberately picked it when he was in Hangzhou, and he also went to Lingyin Temple many times to look for Na Yue's laurel seeds, just to appreciate the osmanthus flowers on the moonlit night in Sanqiu. Bai Juyi is a poet, and naturally he has a romantic temperament. On the moonlit night of osmanthus fragrans in August, he lingered under the moon, sometimes looking up at the moon, and sometimes looking down to see if there were laurel trees flying in the shadow of osmanthus fragrans. What a beautiful and moving picture this is. One is to find words, and emotion and scenery blend together, meaning and scenery blend together, poetic and fascinating.
Perhaps, laurel in the middle of the moon is just a legend, so the wonders of Qiantang River do exist. You may not find the seeds of laurel, but the tidal head is a truly visible and deeply felt landscape. Qiantang River flows from southeast to northeast of Hangzhou and reaches Haimen into the sea. Qiantang River flows from Haimen day and night every day, which is very spectacular. Qiantang bore has the largest tidal current on the third day after the Mid-Autumn Festival every year, and the tidal head can reach tens of feet. Because of this, Bai Juyi wrote that he was lying in the pavilion of the county government, and he could see the snowy tide, which was full of interest. In the first sentence, I went to the temple to look for the beautiful legend. In the second sentence, I was lying in bed looking at the surging qiantang bore, moving and quiet, from which I could get a glimpse of the psychological activities contained in the author's heart, and maybe I could feel the unforgettable Hangzhou.
The third song is about Suzhou. Wu wine and a cup of spring bamboo leaves. Some people may say that Zhu is not Wu wine. What is this? On the one hand, bamboo leaves and hibiscus are double in the next sentence. On the other hand, "spring" is an adjective here. The so-called spring bamboo leaves do not necessarily refer to bamboo leaf green wine, but to wine that can bring spring. Bai Juyi said in another poem that "the bamboo leaves in the urn are ripe in spring", but in the middle Tang Dynasty when Bai Juyi lived, many famous wines were named after the word "spring", such as "spring rich in water" and "spring every other spring". Most literati love wine, and Bai Juyi is no exception. Drinking Wu wine and watching "Wu Wa Shuang Dance" is like the dance of drunken hibiscus. Baby is a kind of beauty. Stone is called "baby", and the house built for her by Fu Cha, the king of Wu, is called "Guanwa Palace". Maybe Bai Juyi wrote this letter because he has contact with this beautiful woman. Ten years later, in Luoyang, he recalled drinking and watching dance, and could not help but sigh: "See you again sooner or later?" . Sooner or later, it was said at that time, which means when.
Three words, from now on, recall the past, and finally return to today, from Luoyang to Suzhou and Hangzhou, from today to the past more than ten years ago, today, yesterday, south to north, with a great time and space span. Bai Juyi, who lives in Luoyang, is obsessed with Jiangnan. Looking back on the past, he remembers the most unforgettable past in Jiangnan with infinite affection, which gives him a certain spiritual satisfaction. We read this word today because Bai Juyi's wonderful description can also get some spiritual satisfaction. I don't know whether Bai Juyi wrote it for his own memory or for future generations to appreciate.
The first note:
① Familiarity: Familiarity
2 Red is better than fire: bright red is better than flame.
(3) Blue: blue grass, leaves can extract blue dye.
Simple meaning: Jiangnan is a good place, and I used to be familiar with the scenery there. At sunrise, the red flowers on the riverside are brighter than the flames. Spring has come and the river is as green as blue grass. Can you not miss Jiangnan?
Dreamed of the south bank
-Liu Yuxi
Thanks to the people of Los Angeles, spring is over. Weak Liu Suifeng,
Cong Lanlu is like a towel. Sitting alone also includes swish.
The original author of this poem's note: "He Letian's" Ci of Spring "is based on" Recalling Jiangnan "." Lotte Spring Ci refers to Bai Juyi's "Recalling Jiangnan".
This is a poem that hurts spring. The first two sentences sigh that the spring in Los Angeles has passed, and write about the feeling of saying goodbye to spring. In the middle two sentences, the farewell feelings between trees, flowers and spring are written by anthropomorphic methods: the weak Liu Suifeng dances as if waving sleeves to hurt people; Blue grass is stained with dew, as if to bid farewell to spring with tears. The last sentence is "the song ends in a bad way", and one sentence says: in the face of this situation, even if you sit alone, you should worry.
It is not easy to write such affection in just five sentences. Kuang Zhouyi, a poet in A Qing, called this poem "a beautiful pen". Conciseness is indeed a major feature of Liu Yuxi's ci.
Comments:
Tang Xian's poems are often beautiful but not flowing, which is far from his poems. Liu Mengde remembered Jiangnan's "Spring Gone", which was a beautiful pen, and opened the school of Ye Zi and Shao You in the Northern Song Dynasty. Just because it comes from Tang Yin, it can be fluent. What is the so-called "romantic high style"?