There are two kinds of pen starting: forward starting and reverse starting, but the pen must be stopped and recovered. There are many shapes of stippling, so you can pay attention to it when you paste it. The key point is that stippling can be divided into three forms: glazing and lighting, glazing and lighting, and horizontal substitution of stippling.
2. Horizontal painting is changeable, mainly fine.
There are many changes in horizontal paintings in Yan steles, and their shapes are also different. Pay attention to thinness when studying, and keep the center moving with a pen. Although thin, but very powerful, seemingly casual, but in fact well-known.
3, vertical as an iron column, thick and powerful.
The vertical paintings of Yan stele are sometimes several times thicker than the horizontal paintings, and the contrast is very obvious. When writing, you must keep your strength, and you can't brush it for the sake of roughness. If we can master the strong contrast of thickness, Yan-style stippling skills will be perfect and handy.
4, center brush, Fiona Fang can.
Li Yanqin is very Gu Zhuo. When writing, we should start from the front, hide our heads and protect our tails, and keep the center in the writing process. Yan Zhenqing's description of the pen used in the center is very vivid, which also shows that Yan Zhenqing attaches importance to the pen used in the center.
5, clear priorities, highlight the main pen.
The characters in the Yan tablet have obvious thickness changes. Fine horizontal painting, thick vertical painting, clear strokes of the same kind, and obvious light and heavy contrast between words or strokes. This is especially important when writing.
6. Great wisdom is stupid, but great wisdom is clumsy.
To learn from Yan Zhenqing, we should seriously understand this point, and we should not only stay in its glyph, but also enter the heart of the word, that is, we should understand his spiritual core, otherwise the written word is only superficial and can't get its essence.