2. Write slowly, horizontally and vertically;
3, the words can be written a little bigger, because the words are easier to identify and easier to write neatly;
It is suggested that you spend half an hour copying an article every day. I suggest you copy the Heart Sutra, only 260 words, which is very suitable for copying. At the same time, copying the Heart Sutra can also achieve the effect of calming the heart and calming the nerves, clearing the brain and nourishing the nature.
5. If you get a blank sheet of paper with no grid, you can write on it;
6. It is recommended to copy with a pen. On the one hand, writing with a pen is more beautiful. On the other hand, a pen can remind us of a good habit-adding ink frequently;
7. It is best to form a good habit of writing at any time;
Actually, everything depends on persistence. If you can persist in doing this for a long time, I believe you will have a good word. In fact, the same is true of being a man and doing things. As long as you can observe carefully, you will find the best way.
Question 2: How to write a good brush stroke How to write a good brush stroke?
First, writing posture is very important.
Beginners of calligraphy must develop correct writing posture, which is directly related to the quality of words. For teenagers who are not growing up, if they develop bad habits of bad posture, it will also affect the normal development of their bodies. When learning to write Chinese calligraphy, you should sit and write, and all parts of your body should relax naturally. So remember eight words: "Keep your head straight, your body straight, your arms open and your feet steady." The height of tables and chairs should be appropriate, the chair should be stable, and the head can lean forward slightly, but not sideways. The chest should stand up, the right shoulder should droop naturally, the waist should be straight, and the front chest should be reliable at the table. Open your arms and press your right hand on the table, but you can't bear the weight of your body; Legs apart naturally, feet flat. Correct writing posture can't be mastered in a short time. We must always pay attention to it, develop good writing habits, and strive to correct the incorrect posture that has been formed according to the correct requirements.
Second, the correct writing method
Learn to write Chinese calligraphy, but also have a correct writing posture. There are many ways of writing handed down from generation to generation by predecessors. This paper mainly introduces the five-finger writing method advocated by most people. "The thumb and forefinger hold the pen, and the middle finger hooks the top of the four fingers; Five fingers help four fingers, and the movements can be coordinated to write. " This jingle is "writing with five fingers". Five-finger writing is a way in which all five fingers work. The function of five fingers can be explained by five words: (also), claw, hook, grid and touch. Ye: When talking about the function of the thumb, the front end of the thumb should be slightly tilted back, close to the inside of the pen, and the direction of the function is from the inside out; Vow: To talk about the function of the index finger, bend it with the index finger to face the thumb, hold the pen tube from outside to inside, and move from outside to inside; Hook: Talk about the function of the middle finger. The first joint of the middle finger is bent into a hook and hooked on the outside of the pen tube to strengthen the strength of the index finger. The direction of action is from outside to inside; G: Tell me about the function of the ring finger. On the back of the ring finger, hold the pen tube with the joints of the inner grid, and the direction of action is mainly from right to left; Arrival: Talk about the function of the little finger. That is, under the ring finger, it plays an auxiliary role. Don't put your little finger next to the pen tube. Writing in this way, each finger has its own position, and each finger does his best, that is, there is coordination and division of labor, which is very easy to write. But it is also a five-character writing method. Because of the different angles of finger bending, the depth and tightness of writing are different, and each has its own advantages. As long as the fingers and wrists can be flexible and convenient when writing, conform to the physiological structure and requirements of the hand, and hold the pen basically perpendicular to the paper, it is the correct writing method.
After mastering the correct writing method, you must also master the essentials, that is, pointing to reality, palm deficiency, palm vertical, wrist flat and wrist hanging method, so as to ensure the dexterity of writing.
In addition to the above, there are also problems of tightness and height of writing. For beginners, it is only necessary to understand that writing big characters should be looser and wider. Write the fine print more tightly, and it is more accurate to put pen to paper. If everyone goes to extremes, he is bound to make mistakes. It should be tight on the top and loose on the bottom. It looks tight on the top and loose on the bottom. After a long period of training, I finally reached the realm of "hands can't bind chickens, pens can't bind chickens, hearts are sympathetic, and extraordinary". In addition, the level of writing is generally determined by the size of the words written. Lowercase letters are written lower, while high, medium and large letters are written higher. Generally speaking, it is better to hold the pen about two inches away from the root of the pen.
Third, use brushwork.
The use of brush is called "brushwork". Using brushwork is the general principle of writing and painting with a pen. Using a pen, in a broad sense, refers to the method of using a brush. In a narrow sense, it refers to the writing method of basic strokes. The important purpose of using a brush is to write basic strokes first, and to write basic strokes well, you must use a brush. Let's use a pen to mean that broad sense and narrow sense are closely linked. Understanding of them can be completely unified.
Using a pen is the key to learn calligraphy well. Generally speaking, when the pen tip touches the paper, it is the time to start writing. When the pen tip touches the paper, it walks on the paper, which is called writing. When the pen tip runs to the end of the stroke, it is a collection of pens used to retrieve the pen tip. There are two kinds of brushwork: Fang Bi, round pen, and square and round. Generally, different processing skills such as hiding front, revealing front, reversing front, centering, turning front, returning front, lifting, pressing, stopping, frustrating and turning are used in writing, so as to write different forms of strokes. Only when you master the brushwork can you write at will. When writing, we should also firmly grasp the principle of using a pen in the center and strive for the effect of writing. After mastering the strokes in the center. You can practice and use side swimming. Try to avoid sick pens when writing.
Since ancient times, beginners have often used the word "forever" to learn to use a pen. What are the eight methods of "forever"? It is the eight strokes in the word "forever". Representing eight strokes respectively. (that is, the side ... >>
Question 3: What should we pay attention to when writing calligraphy? How to write calligraphy better? A good calligraphy work is like a poem, a painting and a song, which makes the appreciator intoxicated and appreciated, thus generating rich reverie. After two years of study, I think we must pay attention to the following points if we want to learn calligraphy well: First, the key to learning calligraphy is to use a pen. Zhao Meng, a famous calligrapher, once said, "The foundation of calligraphy is to use a pen." Such as pens, pens, pens, pens, pens, pens, etc. The method of using pen can be divided into "square" and "circle". The so-called pen lifting means pen lifting against the wind. The so-called middle stroke is to leave the main peak of the pen in the middle of the strokes, hide the head and protect the tail, and make the pen heart hidden in the stippling. The middle stroke can make the stippling full, round, rich and textured. Grasp the main points and penetrate the back of the paper. When Fang Bi writes against the wind, he is destined to become a winger. The basic point is "writing horizontally, writing horizontally", which becomes a center immediately after writing and a winger at the pen-receiving place. Fang Bi quickly and repeatedly put pen to paper and folded it into a square, while the round pen slowly and gently held the pen and folded it into a circle. Learning to use a pen will also master the key to calligraphy. Secondly, the structure of words. The strokes are organized into characters according to certain rules. For the strokes of a word, we should pay attention to proper density, symmetry, back-to-back, appropriate changes, interspersed contact, neat arrangement, avoiding interference, mutual pressure, breaking meaning, echoing around, and the collocation between strokes can complement each other. The length, short, thick, thin, wide and narrow of strokes, like the theory of Yin and Yang, must be harmonious and interdependent in order to unite opposites and make the writing vivid. Thirdly, pay attention to the composition, you can write many words into chapters. The distribution of the whole work, such as word spacing, line spacing, font size, height, blank space, etc. Before writing, you must design well, know fairly well, and ensure that the size and density of words and lines are appropriate, that is, they are diverse and comprehensive. To understand the techniques and inherent charm of calligraphy, it is necessary to copy the copybook, write down all the techniques learned and compare them with the original, find out the gap, treat the copybook as a story book, and enhance the understanding of the techniques. Calligraphy was not built in a day. If you want to write calligraphy well, you must persevere and never stop practicing. Learning calligraphy is bound to achieve something.
Suggestion:
If you are just starting to learn. Then Yan Zhenqing (regular script) is the simplest font-Yan style.
For example ~ ~:
Duobaota Monument (Cultural Relics Publishing House) (Yi) or
Diligence Monument (Cultural Relics Publishing House) (Difficult) or
For beginners, the copy of the tablet computer is "the standard copy of Yan Tiduo Pagoda" (Beijing Publishing House)
~ ~ ~ (Write patiently! )
-Big white clouds (ordinary wool) or wolf hair (very elastic) (I use it in my writing ~ ~)
Here we go again:
Preface to Lanting Collection [Running Script] (Wang Xizhi's Preface to Lanting and its brushwork).
Attention! ! Words should be memorized before writing ~
-Double brush (more flexible)
Then:
Shi Mensong [Lishu] (Cultural Relics Publishing House) (pay attention to twisting the pen and use it flexibly)
Personally appreciate it very much! ! ! {Recommended}
-Crane foot pen (with long nib)
Then:
Shi Guwen [seal script] (cultural relics publishing house) (pay attention to twist the pen)
-You can also use a crane's foot pen (the tip is very long)
Attention! ! : official script, seal script is very destructive! I have to change it every half month (three hours a day! ! )
Reciting some seal scripts is of great help to seal cutting! ! !
Um ~ ~:
Book spectrum [cursive script] (Sun Shupu) (Shanghai Calligraphy and Painting Publishing House) (very standard cursive script)
-Yang Hao Center (basically normal)
Reciting cursive characters (standard cursive-Yu Youren 10 yuan ~ very cheap)
Use cursive characters to impress your classmates in your daily study! ! !
Finally: Visit a hundred schools and read thousands of books! !
Selected Calligraphy Papers of Past Dynasties [Shanghai Calligraphy and Painting Publishing House]
~ ~ ~ theory is necessary. . . I'm watching it, too ~ but it's really difficult. . . )
Choose your favorite book style and master it thoroughly! !
Wish you success! ! !
If you just want to experience calligraphy.
In italics:
Chu Suiliang's Preface to the Wild Goose Pagoda in Tang Dynasty (Cultural Relics Publishing House) (vigorous and beautiful brushwork) (personal favorite regular script)
Diligence Monument (Cultural Relics Publishing House) (horizontal thin vertical thick, thick and powerful)
-Big white clouds (ordinary wool) or wolf hair (very elastic) (I use it in my writing ~ ~)
Run the script:
Preface to Lanting Collection (worthy of being the dragon of running script ~ ~)
-Double brush (more flexible)
Cursive script:
Music of this book (Guo Sun ... >>
Question 4: How to write calligraphy well? Generally speaking, skills can only be equal to time, not to level.
Posting is wrong, that is, writing the words of the ancients and practicing your own faults. The harder you work, the more faults you have.
Beauty should be diverse and colorful.
Pay attention to efficiency when posting. What kind of efficiency is the best? Take a copybook, read it once, and you will understand. You can use it to create your own. Temporary positions are divided into the following categories:
Low: take a post and repeat it before you can create it.
Gradually high: take a post, read a few pages, and you will create.
Advanced: Take some copybooks of regular script (or official script, running script), read a few pages, and create a comprehensive regular script (official script, running script).
G: You can create a comprehensive calligraphy work by reading a few pages of regular script and running script.
The learning method of calligraphy seems simple and copying, but there are many hidden problems.
Which is more important, the knot or the pen? In the process of copying, the structure is primary and the pen is secondary. Kang Youwei said in "A Double Boat in Guangyi": "When the ancients discussed books, the potential came first. Zhonglang said nine potential, Wei Heng said book potential, Xihe said pen potential. Learning in the form of books is tangible and powerful. The military strategists are heavy, and the boxing methods are simple and meaningful. If you get the motivation, you have won the game. " The change of body posture eventually leads to the change of stippling and lines.
How to evaluate all kinds of stippling and lines? It should be based on who can organize the structure (glyph) with lines.
Pens are ever changing. If the pen is to be a reasonable existence, it must be organized by a structure. There is no bad pen, only bad structure.
In essence, what should be paid attention to when writing?
Pay attention to the stroke relationship of words, that is, length, direction, proportion, angle, rhythm, density and so on.
If a person who doesn't know Chinese characters sees a Chinese character, what is his first reaction? Only shape, no sound and no meaning. What about us? The first reaction is "sound and meaning", and then "form". Moreover, these "shapes" have an inherent form in our minds, that is, "visual habits." Visual habits will interfere with our observation of the original plate.
In the past, the teacher asked us to write square characters as reading guidance. This is troublesome. None of you here are doing "reading guidance" work. We are doing another kind of work with shackles, alas ~ ~ "Life begins with literacy"! When you know a word, your ability to write it well is weakened. As a China person, if you want to write well, you must eliminate this kind of interference.
Calligraphy art is for people who know calligraphy. Copying cannot weaken or eliminate the characteristics of the original monument. If the original post is 10, if the plagiarism is 8, the creation is only 6, which is a gradual weakening process.
When posting, we should strengthen the amplification characteristics. Our copying is equivalent to the process of fighting against our own visual habits. So, write "raw" instead of "cooked". We should constantly train ourselves, change our vision, change our understanding of Chinese characters, be good at organizing Chinese characters with various lines, and organize them beautifully.
If the understanding of society and life is called outlook on life, then the understanding of calligraphy is called "calligraphy view". Is to establish a correct view of calligraphy, is to have an objective understanding.
Most of the mistakes we make when posting are four words: "Turn a blind eye".
"Constructor, policy also." Meaning: intention comes first. A good word is to organize stippling effectively.
What is the standard to measure the effect of copying? Is creation.
Calligraphy has two abilities: one is the ability to deal with structure (formal image); The second is the ability to use a pen (the image of lines).
We should go to work with this consciousness: collect a lot of information from the original flat board and find out the information point of each word. For example, posting in a factory is equivalent to making money, and creating is equivalent to spending money. Only when you earn more can you take your time and do whatever you want when you spend it.
The artistic value of official script is not in the silkworm head and goose tail, and it is precisely because of the silkworm head and goose tail that official script died out. Do not believe, your official script from the Western Han Dynasty to the Eastern Han Dynasty to the Tang and Song Dynasties, you see, in the end, it is "lifelike".
Any kind of art is the most beautiful at the stage of its appearance. Because although it is immature, there are many natural and natural things in it.
Don't pay attention to working hard in the corner, it's all "details".
Calligraphers should have two abilities, the ability to form Chinese characters and the ability to manipulate brush. To achieve: can be big and small: can write a book list, can write fine print; Fast or slow: fast or slow ... >>
Question 5: How to describe calligraphy? Calligraphy is mainly divided into seal script, official script, regular script, running script and cursive script.
According to the cultural background of the times, personal cultural accomplishment and ideological connotation, they present their own different calligraphy styles, so the characteristics of calligraphy vary from time to time and cannot be generalized!
For example, Ou Yangxun, Yu Shinan, Chu Suiliang and Li Yong in the early Tang Dynasty were all famous for their regular script, but they all had their own styles.
Su, Huang, Mi and Cai are all famous for their running scripts, but their running scripts are different. ...
Here, we can only briefly summarize the following representative books:
(1) seal handwriting:
There is a big seal in front of the small seal. The handwriting is thin and straight.
In 22 1 BC, Qin Shihuang unified China, abolished six foreign languages and simplified the unified font, which was later called Xiao Zhuan. The font is slightly longer and the strokes are even and beautiful.
(2) Official script:
The structure of official script is flat, neat and exquisite. In the Eastern Han Dynasty, stippling such as skimming and pressing was beautified as upward provocation, with different degrees of severity, which enhanced the beauty of the plastic arts of calligraphy, with diverse styles and greatly improved the artistic appreciation value.
(3) Regular script:
Regular script, also known as original script, evolved from official script and became more simplified. The font was changed from flat to square, and Han Li's wave potential was omitted in the strokes, which was horizontal and vertical, characterized by regularity and neatness. It was called regular script because it can be used as regular script, and it has been used ever since.
(4) Run the script:
Running script is the rapid writing of regular script, which is said to have started in the Han Dynasty. There is no neat regular script and no draft cursive script. A running script with regular script or close to regular script is called running script, and a running script with cursive script or close to cursive script is called running script.
(5) Cursive script: Cursive script is to connect characters with dots according to certain rules, with simple structure and not random scribbling. The feature of cursive script is that the artistic appreciation value is greater than the practical value. Generally speaking, it can be divided into two types: Cao Zhang and Cao Cao. Cao Zhang is a simple and quick writing style of official script, and each word is independent and unrelated. Cao Cao is a quick writing style of regular script, and the strokes between the upper and lower parts are often implicated.
Question 6: How to write, practice and write the running script of hippo chef;
Calligraphy is a very skillful and practical art, and there is no better shortcut to practice, so we can only rely on reading more and practicing more. You will gradually improve your writing level.
Question 7: What is the content of calligraphy works? Write some poems! Such as: "Man Jiang Hong" has a fame of 30 years, with eight thousand miles of clouds and the moon. Something like that Hope to adopt! ! !
Question 8: How to write "points" in calligraphy? Hello, I'm practicing Ou Kai, so I want to talk about my first meeting on "point" writing. We communicate with each other and learn from each other, hoping to make progress together.
In regular script, no stroke is positive. But to take the side potential, so use an oblique pen when writing. As for the angle of the hypotenuse, it depends on the words. Depending on the font. Take the correct point as an example to illustrate.
First of all, when writing regular script, the pen of one word should not be too big. To be angular and full, the requirement is a "triangular belly."
The way to raise a pen is: sketch quickly, sketch shows the front, and eight strokes should be light. Clean, put the first one. Angle "; Fast: Just write while writing, be accurate, firm and fast. Then, write it to the lower right. Press the pen down to the required thickness (at this time, the pen belly has been basically spread out). Lift the pen and close the front. Close the pen slowly. In this action, the upper corner, the right corner, the lower corner and the left abdomen should be completed at one time. You can't return to the front left or right, you can't use the convenience of the front to fill the ink shortage of the left and right strokes, and you can't "draw back instead". The focus of this pen is also the most difficult place. In other words, when the pen tip is turned off, the pen tip cannot be changed. From writing to receiving the pen, it should be the center pen, and the pen should be written to the lower right. No pen transfer between lines, turn down. Or simply put, as long as the "triangle belly" can be completed in one stroke, there is no "back front" or outline and description, even if it is qualified, the basic brushwork should be correct. In Ou Kai, the brushwork of this point is quite strict and difficult, and the key is its form. In terms of difficulty index, it is second only to the straight hook. For beginners who have no basic knowledge of Ou Kai, this move will be an "obstacle" to be reckoned with. Only when the brushwork is completely correct, after repeated training and writing, can you write well.
Several different forms of correct views:
Question 9: How to practice calligraphy? What's the fastest way to practice? Calligraphy practice is generally based on regular script and running script. The research and creation of Cao, Li and Zhuan styles do not necessarily aim at this. Next, I tell a story about Wang Xianzhi practicing calligraphy. Wang Xizhi and Wang Xianzhi are both famous great calligraphers. There is such a little story between father and son. On one occasion, Wang Xizhi went to Beijing on business. When he left, he wrote a few words on the wall at home. Wang Xianzhi is also good at writing. He secretly erased his father's inscription and wrote his own. After Wang Xianzhi finished writing, he studied it carefully and thought it was well written, which could confuse the authenticity. When Wang Xizhi came home, he saw the words on the wall and thought they were his own words. He was very dissatisfied and said with a sigh, "I was really drunk when I left home." Wang Xianzhi felt very ashamed after hearing this. From then on, he practiced calligraphy more seriously and assiduously, and became as famous a calligrapher as his father.
So how to practice calligraphy as a modern person?
1, the key to learning calligraphy is to practice more, and practicing more means pasting more. But if you don't study properly, it will become a mere formality and have no practical effect. According to my own practice for many years, I think it is necessary to learn to observe when practicing calligraphy well. People often say that "the word is half read", which is very reasonable.
2. From the perspective of writing well, you can practice official script first and then running script. If you want to achieve something in art, you should learn regular script. Although official script is casual and easy for beginners to learn, it takes sweat and hard work to learn it well. When learning the inscription, we should not only learn its shape and expression well, but also work hard on the skills of using the pen, so as to make the central stroke rhythmic, skillful in lifting and pressing, dignified in lines and rich in connotation changes. These are all important elements of learning calligraphy, that is, basic skills. Once the learners master it, they will get twice the result with half the effort when they switch from writing official script to writing regular script, and the written regular script will look better, with a rich, simple and elegant charm.
3. Copy as many posts as possible. In the process of copying, most people will not actively and deeply analyze and understand the ins and outs of each basic stroke of each font, as well as the writing essentials in basic strokes, such as lifting, pressing, stopping, closing the pen and reversing, folding, returning and turning, which essentially hinders the ability to observe calligraphy, think independently and think creatively, and it is difficult to really improve the level of calligraphy. Temporary writing can make up for the deficiency of copying. As far as my practice is concerned, improvisation is much faster than copying.
4. Participate in calligraphy exhibitions, competitions and other forms to stimulate the enthusiasm for learning books. On the basis of practicing soft pen (brush), improve the writing ability of hard pen (pen) and gradually improve the appreciation level of calligraphy creation. As long as you work hard, you will certainly improve your writing.
5. Thinking before writing is conducive to the concentration of thinking and forms a good habit of thinking before writing. Writing while thinking, for individuals, the effect is better. But for most people, the effect is not so good. Thinking about words before writing helps to understand them as a whole. For example, what is the structure and size of a word, what are the strokes of the word, where to get a pen, where to pick up a pen, and so on. All this will be clear to you in the process of thinking, so you will have a clear idea when writing, and it will be easier to write. Especially when some people are thinking, they can't help drawing on the desktop with their fingers. It can be seen that thinking before writing is very effective for primary school students.
6. Correctly handle temporary posting to learn calligraphy. Temporary posts are only a means, and creation is the purpose. After posting for a long time, I have basically mastered the brushwork and structural principle of the model essay I have learned, and being able to write an overview of the model essay just lays a good foundation for my creation, which does not mean that I can create a good work at once. Even if you can write the post vividly, it is not a real creation. Because pasting is only a general writing process, and calligraphy creation must use artistic thinking to carry out in-depth creative work. Therefore, it is a very difficult and complicated process from posting to creation, and there is a transition period between "pro" and "creation". During this period, people who are good at grasping can sail smoothly to the other side of creation; On the contrary, it can only stay in the writing stage, and even have a negative feeling of fear of difficulties in calligraphy creation, which leads to abandoning school and books and giving up all previous efforts. What should we pay attention to in the transition from "pro" to "creation"? The author thinks that we should correctly understand and deal with the following two aspects: First, the relationship between "posting" and "posting". When carefully analyzing the characteristics of strokes and structures, calligraphers should grasp the physical and mental characteristics of calligraphy posts, that is, understand and remember the glyphs, strokes and rules, and grasp the spirit of calligraphy posts ... >>