The Significance of the Ancient Poetry of Thrushcross Birds

wood thrush

Song Dynasty: Ouyang Xiu

The cries of thousands of birds echo their own hearts, and thousands of purple flowers on the mountain are on the height of trees.

Only then did I understand that listening to the cry of the thrush locked in a golden cage is far less than singing leisurely in the forest.

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300 ancient poems, birds, people, early education.

Translation and annotation

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Thrush birds are full of songs, flying in the forest with their own thoughts, and freely shuttling through the branches full of red and purple mountain flowers.

Now I know: I once heard the cry of a thrush in a golden cage, which was far less than the free singing when I wandered in the forest.

To annotate ...

Now, the birds are singing softly.

Casual: follow one's own (bird's) mind.

Tree height: high or low in the forest.

Golden cage: a valuable bird cage, which refers to a residence with superior living conditions and no worries about eating and drinking.

Describe the skills and diversity of thrush calls.

Start to know: I just know now.

Not as good as: far worse. ▲

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References:

Zhang Ming 1. Selected Poems of Song Dynasty: People's Literature Publishing House, 2004: 89.2, Liu Yongsheng. Selected Poems of Song Dynasty: Tianjin Ancient Books Publishing House, 1997: 59.3, Huang Jinde. Selected comments on Ouyang Xiu's poems, Shanghai Ancient Books Publishing House, 2004, p. 88.

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This is a poem about objects, which is not only different from a leisurely poem about flowers and appreciating Wu, but also different from a general lyric poem about objects. This was originally a philosophical poem with profound meaning. This poem praises the free life of thrush Wu and expresses the poet's melancholy after his relegation. It shows the poet's eager desire and pursuit of free life. At the same time, it also expresses the poet's strong hatred and denial of all kinds of restrictions and prohibitions that bind personality and suppress talent.

In Ouyang Xiu's "Thrushcross Birds", the first two sentences describe the scenery: thrush birds call one after another, one high and one low, making the colorful mountain flowers more pleasing to the eye. The last two lyrical sentences: Seeing those birds in cages, I really envy thrush flying in the forest, free and unrestrained. What should also be known here is that Ouyang Xiu, the author, was banished to Chuzhou at this time because he was excluded from the DPRK, which shows the mood of writing this poem.

Finally, the contrast is sharp and strong. The first two sentences, through the contrast of sound and color, describe a free and vibrant scene in the forest: thrush is free, its singing is gentle and moving, and its living environment is so beautiful. The author's real intention in writing this way lies in the sharp contrast with the latter two sentences. Through the comparison between "golden cage" and "mountain", the last two sentences show that "locked in the golden cage" is far less beautiful than "singing freely in the mountain" because of being detained and losing freedom. In this way, the word "locked in a golden cage" is in sharp contrast with the scene described in the first two sentences, from which the poet expresses his deep feelings, calls for freedom, sings freedom and pursues freedom, making freedom the main theme of the whole poem. Clever use of contrast, sharp contrast and strong contrast is conducive to highlighting the theme of poetry.

This poem, with a blend of scenes and profound implications, embodies the author's pursuit and yearning for a free life. ▲

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References:

Zhang Ming 1. Selected Poems of Song Dynasty: People's Literature Publishing House, 2004: 89.2, Huang Jinde. Selected comments on Ouyang Xiu's poems, Shanghai Ancient Books Publishing House, 2004, p. 88.

Creation background

This is a poem whose writing time is unknown. There are three theories circulating in academic circles: from the third year of Youjing (A.D. 1036) to the first year of Kangding (A.D. 1040); From the eighth year of Li Qing (A.D. 1048) to August of the first year of Yong (A.D.1054); From June of the 4th year of Xining (A.D. 107 1) to July 23rd of the 5th year of Xining (A.D. 1072), Ouyang Xiu resigned as Prince of Shao Shi.

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References:

Liu Yongsheng 1. Selected Poems of Song Dynasty: Tianjin Ancient Books Publishing House, 1997: 59.2, Huang Jinde. Selected comments on Ouyang Xiu's poems, Shanghai Ancient Books Publishing House, 2004, p. 88.

Ouyang Xiu

Ouyang Xiu

Ouyang Xiu (1007- 1072), whose real name is Yongshu, is a drunkard, and later named "Liu Yiju". Han nationality, a native of Yongfeng, Jizhou (now Yongfeng County, Jiangxi Province), called himself "Ouyang Xiu of Luling" because Jizhou originally belonged to Luling County. Posthumous title Wenzhong, also known as Ouyang Wenzhong. Politicians, writers and historians in the Northern Song Dynasty, together with Han Yu, Liu Zongyuan, Wang Anshi, Su Xun, Su Shi, Su Zhe and Ceng Gong, are known as the "Eight Masters of Tang and Song Dynasties". Later generations also called him "the four great writers of the ages" with Han Yu, Liu Zongyuan and Su Shi. ? 1339 poem

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The same generation has not yet opened Haitang.

Jin Dynasty: Yuan Haowen

Layers of leaves grow between the new branches of begonia, and the little buds hidden in them glow a little red.

Be sure to cherish your heart, don't bloom easily, let the peach blossom fan bloom in the spring of spring breeze!

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Three hundred ancient poems, chanting things, writing flowers, containing people, exhorting and writing scenery.