During the Kangxi period of the Qing Dynasty, An Qi, who was good at calligraphy, painting and antiquities appreciation, wrote the book "Mo Yuan Hui Guan" with 40 years of accumulation. The first volume recorded more than 300 kinds of Dharma books, 9 kinds of ink couches, and attached The subsequent appendix mentions 54 kinds of Dharma calligraphy; the second volume records more than 130 famous paintings, and the attached appendix mentions 118 kinds of famous paintings; the authors, themes, styles, styles, seals, mountings, painting materials, etc. are all reviewed one by one. It provides information for determining authenticity and tasting appreciation. The calligrapher and painter Li Youtai's "Wengxuzhai Observation Notes" and "Kuangzhen Jingshe Observation Paintings" and Chen Zhen's "Calligraphy Illustrations" are accurate and highly praised. During the Qianlong period, Jie Daozai's "Hongjiao Guan Seal Pu", Shen Quan's "Qing Lai Seal Pu" and Zhao Ye's "Chu Ye Collection" were all widely circulated and had far-reaching influence. Zha Weili's "Inscriptions on Painted Plum Blossoms" is a masterpiece of calligraphy and painting inscriptions at that time. During the Daoguang period, the painter Hua Lin wrote "The Secret of the Southern Sect", which was devoted to the painting techniques of the Southern Sect. In the late Qing Dynasty, Li Baoxun was good at poetry and painting. He wrote "Poems on Paintings and Paintings at Wuyiyi Zhai" and "Records of Paintings and Calligraphy Seen in Ouyuan". He also had an authentic lithographic calligraphy "Mr. Meng'an's Ink Remains" handed down to the world, which had a wide influence.