He specializes in academics. While studying epigraphy, he loves calligraphy, especially Li Shu. Zhai lived in China's calligraphy.
In the era of the revival of official script in history, Weng Fanggang, Gui Fu, Deng, Yin Bingshu, Bao and so many calligraphers emerged. Nothing has a greater influence on his studies and calligraphy than his teacher Gui Fu. Song Xuanwen in the Qing Dynasty said: "For more than a hundred years, the theory of eight o'clock in the world has been the first." Ye Mingfeng commented on Zhai's letter: "I admire Mr. Gui's Chinese style and concentrate on restoring ancient ways, which is a unique school. Mr. Gui really passed it on." Gui Jun later, Mr. Dangpushi was the first. In the sea, * * * says that kindness is not beautiful. "Liu Songnian, a fellow countryman, said in the note of On Book Poetry:" Li Shu, learn Cao Quan, and Tang Li learn Taishan Ming. "Yang Shoujing in the Qing Dynasty said in the Book of Learning:" Zhai Wenquan, a native of Yexian County, a disciple of Guifu, a scholar of Daoguang, a teaching assistant of Guan imperial academy, an official ... studied Confucius, but his temperament was a little rough. "When I was young, Zhai Yunsheng spoke highly of Gui Fu's academic and calligraphy skills and studied with an open mind. Zhai and He are good friends and often exchange letters and learn skills. How was the epigraphy creation influenced in Zhai's later period? Zhai's official script is mainly based on Han monuments, such as Confucius Temple Monument, Monument, Yiying Monument and Book of Rites Monument. He inherited the simplicity, simplicity, sober stippling, rigorous and cheerful structure of Guifu official script, and borrowed the strengths of other scholars. Through the long-term study of inscriptions, he finally formed his own official script style. His official script, from exquisite carving to concise and heavy, and then from concise and heavy to magnificent, unpretentious and hearty, became a famous calligrapher.
The price difference of his calligraphy works lies in that some works are well preserved and some are not well preserved, which will affect the price from the aspects of appearance, work size and calligraphy layout, with a difference of tens of thousands or even hundreds of thousands.