Once, because Lu Xun's father was ill, Lu Xun needed to take care of his father, so he was late for private school. The teacher solemnly told Lu Xun to arrive early in the future.
Lu Xun did not answer, quietly returned to his seat, sat down and carved an early word on the corner of the table, urging himself to arrive early and not to be late again.
Extended data character background:
Lu Xun (188 1 September 25th-19361October19) once took the name Zhou Zhangshou, later renamed Zhou Shuren, once took the name Yushan, later changed to Yucai, and studied at Sendai Medical College (dropped out). "Lu Xun" is the pseudonym he used when he published Diary of a Madman on 19 18, and it is also his most influential pseudonym, from Shaoxing, Zhejiang.
A famous writer, thinker and democratic fighter, he was an important participant in the May 4th New Culture Movement and the founder of modern literature in China. Mao Zedong once commented: "Lu Xun's direction is the direction of the new culture of the Chinese nation." ?
Lu Xun's main achievements include essays, short stories, literature, thoughts and social comments, collation and research of ancient books, essays, modern prose poems, old-fashioned poems, foreign literature, academic translations and so on.
He had a certain influence on the development of China's social ideology and culture after the May 4th Movement, and became famous in the world literary world, especially in the fields of Korean and Japanese ideology and culture. Known as "the writer who occupied the largest territory on the East Asian cultural map in the 20th century".
Artistic features:
Lu Xun's novels are unique in material selection. In the choice of themes, Lu Xun reformed the mode of choosing only "brave men, thieves and robbers, monsters and immortals, talented people and beautiful women, followed by prostitutes and lackeys" in classical literature, and created two major themes of modern literature with "for life" as the enlightenment purpose. His materials "are mostly taken from the unfortunate people in the sick society."
Lu Xun has an extremely unique vision in dealing with these subjects. When observing and expressing his hero, he has his own unique perspective, that is, he always pays attention to the mental "diseases" of intellectuals and farmers in the "sick society". Therefore, in Hometown, the most shocking thing is not the poverty of the leap soil, but the mental numbness shown by his "master".
The exploration of the subject matter of intellectuals focuses on their mental trauma and crisis. For example, in the dining room, we saw that the heroes who fought alone in the Revolution of 1911 could not get rid of the lonely fate, returned to the original point under the oppression of the powerful feudal tradition, and consumed their lives in decline. Lu Xun's reform evolved into two novel plots and structural modes: "seeing/being seen" and "going home" in Scream and Wandering.