2. Side: The pen holder is inclined to the paper surface, and the pen tip and the pen belly are in contact with the paper surface. The side pen is uneven, fast and slow, light and heavy, and the nib is often biased to one side of the line, making the effect rough, astringent and varied. Because the profile uses the side of the brush, you can draw thick lines.
3, hidden front: the pen front should be hidden but not exposed, the lines drawn are calm and subtle, and the force penetrates the paper back.
4. Exposing the front: Just the opposite of Zang Feng's strokes, holding the paper with the tip of the pen, deliberately exposing the front of the pen, and gradually lifting the pen when receiving the pen. The lines drawn in this way are flexible and elegant.
5. Countercurrent: When writing, the pen tip moves forward against the current, so that the pen tip is scattered, which can produce flying white in the brush strokes. This kind of point and line has a rich and spicy pen interest.
6. Shunfeng: The strokes are reversed, and the strokes drag away, and the lines drawn are light, smooth, graceful and lively.