From the moment I set foot on this land in Xinjiang, I deeply liked the taste here, the ancient agarwood of splendid culture, the customs of colorful national forests in the world, and the rugged, crazy and magnificent sense of depth generated by the people here's long-term struggle with nature. All these fascinate me.
On that day, I was lucky enough to be taken by my teacher to visit the Xinjiang History Museum, where I saw a lot and learned more about its unique and fascinating vicissitudes. Following the footsteps of the commentator, I humbly walked through the historical span of Xinjiang for thousands of years and felt the moving beauty.
When you first entered the building, you saw magnificent buildings. Because of my awe of culture, I am in awe of this completed building 1959. On its first floor, bypassing the three-dimensional panoramic map of Xinjiang, you can see the ancient historical sites in Xinjiang and understand the ethnic customs of Xinjiang. All the way from the Stone Age in Xinjiang to the Bronze Age, the Iron Age, the Qin and Han Dynasties, the Sui and Tang Dynasties, the Song, Yuan, Ming and Qing Dynasties, with a historical overview and rich connotations. There are tens of thousands of cultural heritages, which make people linger and are beautiful.
Since ancient times, Xinjiang has been a place where all ethnic groups migrate, dispute and stay. All ethnic groups learn from each other in long-term production and life and develop in mutual integration. There are 47 ethnic groups in Xinjiang * * *, including the main ethnic group 13 and the main ethnic group 12. Different geographical environments and different religious beliefs make different nationalities have different cultural life customs.
Stepping into the second floor, except for slight surprise, awe and worship of the unknown. Those ancient bodies with a long history span the two ends of history and tell ancient stories, which makes people clearly realize that Xinjiang is the crossroads of national cultural exchanges in the world.
We can't forget history. "The Biography of Wei Zhi in the Old Tang Dynasty" said: "A husband can take copper as a mirror and clothes as clothes; Taking history as a mirror, we can know the rise and fall; Taking people as a mirror, you can understand the gains and losses. " We want to
What we do is to inspire us to shoulder the heavy responsibility of building the motherland. The future belongs to us. In order to better serve the motherland and build our homeland, we should study cultural knowledge, improve our own abilities, enhance our quality, adapt to the needs of society, and be qualified talents for the needs of society! I love my motherland.
Reflections on the University Student Museum II
2010165438+1On October 28th, I visited the Shaanxi Provincial History Museum, which is known as "the pearl of ancient capital and the treasure house of China". The visit lasted more than three hours, wandering in the long corridor of history and feeling the Chinese civilization created by our ancestors for thousands of years. I have a sincere sense of pride. In the meantime, many foreigners passed by us with wide eyes and marveled at the mysterious oriental cultural relics in front of them. As descendants of the Chinese people, who is not proud of the brilliant achievements created by their great ancestors? Who doesn't think how brilliant our history is?
Shaanxi History Museum is located in the northwest of Big Wild Goose Pagoda in xi City. It is the first large modern national museum in China. It's not as good as a museum. The building is a Tang-style building complex with a "worship building in the central hall and four corners". The primary and secondary buildings are orderly, strewn at random, magnificent and solemn, which combines national traditions, local characteristics and the spirit of the times. Xi has been the imperial capital since ancient times. Thirteen feudal dynasties, including Zhou, Qin, Han and Tang, established their capitals here, with rich cultural relics on the ground and underground. Formed a unique historical and cultural landscape in Shaanxi. The collection of cultural relics in Shaanxi History Museum is not only large in number and variety, but also high in taste and value. From simple stone tools used in the early days of ancient humans to various artifacts in social life before 1840, the time span is over one million years. Among them, the bronzes in Shang and Zhou Dynasties are exquisite, the pottery figurines in past dynasties are in various shapes, the gold and silver wares in Han and Tang Dynasties are unique in China, and the murals in Tang tombs are unparalleled in the world. It can be said that it is dazzling.
In prehistoric times, there were ancient human activities in Shaanxi. From the Paleolithic Age, Neolithic Age, matrilineal clan society and paternal clan society, our ancestors thrived on this fertile soil. After a long time, they gradually bid farewell to ignorance and created a splendid civilization. There are Lantian ape-man, Dali ape-man, Banpo man, and Huangdi, the ancestor of China recognized by China people ... In order to survive and adapt to nature, prehistoric humans persistently transformed nature, and gradually created art while meeting their survival needs. The creation and imagination of art react on human ideology, which makes civilization spiral and move towards a higher level. The dawn of this civilization is calculated in billions of years! Facing our ancestors, we only have awe! The perfect combination of practicality and artistry also gave birth to early science, and Picasso continued to admire the masterpieces of the ancients with reverence. Compared with the outstanding works of primitive human artists who painted on pottery, Picasso should be ashamed! Aren't the greatest ceramic craftsmen in all historical periods ashamed of their ancestors' outstanding achievements in ceramic plastic arts? Our ancestors created technological and literary achievements unmatched by any country in the world, such as bronzes, pottery, sculptures, calligraphy, paintings, a large number of classics, history and poems. Every achievement can surprise the world.
Sanqin land is one of the important areas where the Chinese nation lives and breeds, and it is also the place where Chinese civilization was born and developed. Thirteen dynasties, including Zhou, Qin, Han and Tang, which are the most brilliant dynasties in China's history, once established their capitals here. Rich cultural relics and profound cultural accumulation have formed Shaanxi's unique historical and cultural features. The Provincial History Museum is an art hall that displays the history and culture of Shaanxi and the ancient civilization of China. Although the visit time is limited, the wealth left by the ancients reflects the long tradition and profound heritage of China ancient culture. Proud of our 5,000-year civilization. The people of China should not be afraid of temporary backwardness. A free ideological atmosphere, an open and pioneering society and a rational and moral national quality are the most important driving forces for our development. All the forces that bind China people's thoughts should not come into being and exist in today's era. We have lost thousands of years of development opportunities. If we don't advance at this time, when will we wait? Therefore, our 5,000-year development history can only prove one thing: our Chinese nation has an extremely tenacious ability to survive and reproduce. History has long passed, whether brilliant or bleak. "We laugh at everything in ancient and modern times." We should know our own shortcomings with a clearer mind. You can't just be complacent about the so-called "glory" that has appeared in history, but you should first take the road that others have taken, then take the road that others have not taken, and finally ride in an invincible position! Visiting can not only let us know about the precious cultural relics in ancient China, but also teach us a lot of knowledge, which really makes me proud of my motherland and inspires me to study hard for our motherland.
History belongs to the past. Of course, we must not forget that it should inspire us to shoulder the heavy responsibility of building the motherland, but the future is more important than the present. The future belongs to contemporary college students, and the music of the future history is composed by us. How can I write well? That is, we should try our best to learn scientific and cultural knowledge at school, improve our own ability, enhance our quality, adapt to social needs, be qualified talents for social needs, serve the motherland and join the society.
The future is beautiful and even more brilliant. For ourselves, for the motherland's tomorrow, we should seize the opportunity from now on and create greater glories. Tomorrow must be ours!
Reflections on the University Student Museum (Ⅲ)
The weather in May is hot and dry, but our mood is more enthusiastic than this hot weather. We will visit the exhibition hall of Fujian History Museum with party member. We are as excited as a raging sea.
With curiosity and great excitement, our group came to the picturesque fuzhou west lake park and Zuohai Park. This is the destination of our trip-Fujian Provincial Museum. Fujian Provincial Museum is a provincial-level comprehensive museum integrating cultural protection, cultural relics archaeology, history, natural specimens and art. It has many venues such as cultural relics protection, exhibition, publicity and education, archaeological research, business exchange and natural museum. The collection of cultural relics here comprehensively and systematically shows the unique historical and cultural features of Fujian. Visiting museums is also the most convenient and important way for students from other provinces to learn about local humanities, history, culture and art.
The area of Fujian History Museum consists of four buildings: exhibition hall, natural museum, comprehensive building and cultural training center. The whole building has unique marine cultural characteristics, and at the same time, it combines Minnan stone culture and Fujian ancient architecture style. At the same time, the new museum has multi-functional academic lecture hall, video hall, VIP room, conference hall, "Expo Park" culture and art training center, "Yiju" tea room and other facilities. It is a modern museum with complete facilities and perfect functions.
Fujian History Museum has nearly 1.7 million cultural relics and natural specimens, including more than 30,000 precious cultural relics. Exhibition area 1, 20,000m2, including 6 temporary exhibition halls, with an area of 3,000m2. At present, nine basic exhibitions, such as Light of Ancient Civilization in Fujian, Modern Fengyun in Fujian, Ancient Exported Porcelain in Fujian, Craft Treasures, Grand View of Fujian Opera, Dinosaur World, Animal Vientiane and China Painting and Calligraphy Exhibition, are on display to comprehensively and systematically display the unique historical and cultural features of Fujian. Precious collections include: bronze pavilions of the Western Zhou Dynasty. It is 76.8 cm high, 29.8 cm long and weighs 100.35 kg. Unearthed in the 1970s. The big ring is cast by two fans, with 18 mastoid parts on both sides. Yun Leiwen is the main decorative pattern on the body, and a pair of animals are decorated on both sides of the upper half, which forms a variant animal face pattern with Yun Leiwen. The rotating belt is based on a fine Yun Leiwen and decorated with a prominent C-shaped pattern. Four symmetrical groups of coarse Yun Leiwen are decorated on the dance surface. The clock face is decorated with thick and deep Yun Leiwen, only the tunnel in the center of the drum part is slightly higher, decorated with shallow and thin animal face patterns. Its huge shape and exquisite decoration are rare in China. Wenchang in Dehua Kiln is a statue of Ming Dynasty. There is a seal script on the back of the statue with the inscription "Seal of He Chaozong". The fetal quality is white and delicate, and the glaze color is milky white. Wenchang sits with fine eyes and solemn expression. His right hand holds a wish, and his left hand holds his knee in his sleeve. He is wearing a wide sleeve robe and a belt around his waist, and his pleats are clear and smooth. This collection is the best of Dehua white porcelain. Lv Ji plum swan painting axis in Ming Dynasty. It is 240 cm long and 15 1.5 cm wide. Silk imitation, no money. Use fine strokes of myna, butterfly, swan and plum blossom, and thick strokes of tree trunks and rocks. The painting style is simple, colorful and wide, which is a masterpiece handed down by Lu Jizhi, a famous flower and bird painter in Ming Dynasty. Gao Ji handed over five generations of female figurines. 102 cm high, muddy gray pottery. Unearthed from Liu Hua's Tomb in Xindian, Fuzhou. These statues are plump and noble. Comb your hair in a high bun, wear a double-breasted wide-sleeved over-the-knee coat, bare your chest, arch your hands in the wide sleeves on your chest, and wear wishful shoes. At this moment, we stopped at the gate of the museum. The vigorous and powerful "Fujian Provincial Museum", wide venues and solemn stone lions all contain historical and cultural details behind them. From the moment we stepped into the gate of the museum, it was like just visiting, which brought us into that ancient era. Standing in front of the rusty ancient bronze, what I appreciate is not its shape, nor its engraved words. I just feel a strong historical atmosphere. It is like a halo, which embodies the breath of China thousands of years ago and shows us its elegance.
When I looked up at those beautiful calligraphy and paintings and the photos on display. I no longer just understand the content, but stand at a distance and watch. I seem to feel that the characters in the painting are coming towards me, and the lines between them are as urgent as waterfalls and as slow as clouds, giving people a wonderful feeling.
When I looked down at those beautiful jade pieces, what came to my mind was the scene of the ancients cutting jade. In the past, people described the creation of nature as ingenious. When I saw these exquisite artistic installations, I understood what wonderful craftsmanship was.
When I stared at the yellow skeleton of the behemoth, I was shocked by these prehistoric behemoths and felt sorry for their extinction. Tyrannosaurus rex's domineering, pterosaur's dexterity, Oracle Bone Inscriptions dragon's brawniness. It vividly shows us that the buried king is unwilling to be lonely, and shows the world its former style with its huge skeleton. My mood is like ebb and flow. Finally, it tends to calm down. Walk out of the museum gate. I am still reminiscing about the richness of Fujian's history and culture and the awe of my old ancestors. Everything in blowing in the wind, my thoughts merged into a rolling river of history, stirred up small waves, and the water surface was calm again. The ocean currents of history beat the rudder boat again and moved slowly forward. Our time will continue again. The trip to the museum, a spiritual baptism, made my thoughts and feelings work hard again.
Through this social practice, I understand that social practice is a good form to guide our students out of school, into society, into contact with society, into society, and into society. It is also a good way to promote students to participate in the reform and opening up, cultivate and exercise their talents, improve their thinking and self-cultivation, and establish a good idea of serving the society, which is helpful for us to update our concepts, absorb new ideas and knowledge, and improve our quality. In a word, the preparation of social practice in party member has improved my comprehensive quality and made my thoughts more mature. I hope to have such an opportunity in the future to get a better and more comprehensive exercise. In my future study and life, I will straighten my mind, position myself correctly, study hard, strive to improve my comprehensive quality, adapt to the requirements of the times, and be a useful person to the society and the people.