Spring Festival Evening Rhyme of Moon and Man
Zhang Kejiu
The lush grass is in a mess, and I'm worried about the sunset. Don't drink short wine, draw a boat in Pinghu and enjoy the willows.
A birdsong, a rainy night and a shareholder wind. Peach blossoms blow out, where is beauty, and the door is red.
Precautions:
Man-Moon Circle: The name of Qupai, which belongs to the yellow bell tune. The tonality of Huangzhong Palace is more suitable for expressing graceful and lingering feelings. The qupai of "Full Moon" comes from inscriptions. In the Northern Song Dynasty, Wang Shen's ci was named "When the Moon is Full". The sentence patterns are 75, 444, 444, 444. Eleven sentences and four rhymes. Three groups of four characters, multi-purpose tripod pair.
Rhyme: Sing and rhyme in the order of the original poem.
Short Pavilion: In the old days, there were short pavilions in Wuli and long pavilions in Shili outside the city. This is a place for farewell and farewell.
Translation:
The messy spring clouds covered the lush grass, and the sorrows and sorrows merged into the sunset. In the past, we used to drink farewell wine in a small pavilion. We took a boat together and rippled in the clear and calm lake. The weeping willows used to be tied with the reins of a green horse.
A bird crows, and on a rainy night, a shareholder wind blows. Peach blossoms fall like rain. Where is the beauty now? Only the heavy door was deeply covered, and the ground was covered with residual red.
author
Zhang Kejiu (1280—— about 1348), a composer in Yuan Dynasty, was born in Xiaoshan and Qingyuan (now Yinxian, Zhejiang). He used to be a small official such as Dian Shi, and also worked as an aide in Kunshan County. I'm not proud of my career. My life is very good. Footprints are all over Jiangnan. I lived in Hangzhou in my later years. There are collections of Sanqu, such as Palace Fishing Song and Lian Yue Fu. Today, there are more than 800 poems, the main content of which is to express leisure.
Make an appreciative comment
The song "Full Moon Spring Festival Evening Rhyme" is good at writing scenery. The scenery in front of us is sentimental, and the scenery written is mostly related to reality. It looks beautiful and elegant, which can reflect the lingering and euphemistic mood. "Ci Zheng" commented that this song is "vigorous and moderate, rotating in circles", which is quite right. Pay attention to discretion when expressing feelings, and pay attention to reflection before and after when writing scenery, which is a fine work in Sanqu.
The main idea of this Yuanqu is that the poet passed by the farewell place in the evening of late spring, but the beautiful woman was not there. The poet was moved by this scene, and when he saw the old things, he felt deeply, expressing the poet's feelings of separation, hatred and melancholy.
The first two sentences "Spring Festival Evening is two seasons". The grass is lush, the spring clouds are messy, the sunset glow is beautiful, the mood is extremely sad, and the clouds are bleak. The obscurity of the scenery shows the author's melancholy mood, which is a very typical writing style of "scene blending" From this, we can easily see that the poet's sadness of parting is caused by the description of the scene in front of him in two sentences.
The words "farewell wine in a short pavilion, painting in Pinghu, weeping willows proudly" are memories of the farewell scene. The poet recalled the scene at that time: raising a glass to bid farewell, saying goodbye, parting ways between land and water, and going their separate ways, and the poet was quite moved. The lake, boat, willow and horse in the song are vividly pointed out, which further shows the poet's deep yearning.
The phrase "a bird crows, a rainy night is easterly" not only makes the poet write the real scene of the Spring Festival Evening in front of his eyes, but also deepens his artistic conception. The singing of birds interrupted the poet's meditation and made him return to reality from confusion, and the storm of the Spring Festival Evening was also a portrayal of the twists and turns in his life after he left. What is worth appreciating here is that the poet's continuous use of three quantifiers is really ingenious, which makes people sigh repeatedly in rhythm and is even more ingenious in artistic conception.
The last three sentences of "Peach Blossoms Blow Out, Where the Beauty Goes, The Door hides the Red Man" are the poet's farewell expressions to the scenery and feelings in front of him, meaning: No one is there, and I feel lost. Following the description of wind and rain, I quoted Cui Hu's poem "Today last year, peach blossoms set each other off in red, and peach blossoms still smiled at the spring breeze" to express my sadness and hatred. Beauty Gone is the reason for the author's melancholy and ups and downs in the Spring Festival Evening. This song is good at writing scenery, and the scenery language is also emotional language. The scenery written in front is mostly related to reality, which looks elegant and neat and can reflect lingering and euphemistic feelings.
From the structural analysis, I think this song is unique and tortuous, from the scene in front of me to the memory of farewell, from birdsong to wind and rain and then back to the realism in front of me. Apart from "sadness" and "beauty", the whole song is a landscape, but full of affection and secrets.