Song people divided Ping Yun Shui into 106 (or 107) rhymes according to the rhymes of the Tang Dynasty.
Chinese itself is a developing thing, and human pronunciation changes with the development of the times. Just like the hour hand of a clock, it changes unconsciously. According to research, before the Tang Dynasty, * * had different pronunciations of "East" and "Winter". Read like dūng in the east and d ū ng in the winter. Therefore, two words that look the same now and have different pronunciations in ancient times are classified as one east and two winters respectively. It is said that this difference was not obvious in the Southern Song Dynasty, but most rhyme books still adhere to the principle of "antique" and retain the phonetic classification before the Tang Dynasty. In fact, from the middle Tang Dynasty, in addition to metrical poems, judging from a large number of works such as ancient style, singing and lyrics, the rhyme of winter and winter has become more and more chaotic. In the Tang Dynasty, Li Fu said in "Errors in Publication": "Why should we bid farewell to temperament in winter?" In other words, even people in the late Tang Dynasty couldn't figure out the difference between Yi Dong and Er Dong. This means the embarrassment of the old rhyme.
Your question only mentioned one point. In fact, there are still many embarrassing places in Laoyun. For example, Shang Ping's Thirteen Yuan Department has different pronunciations, with "Shuo" and "Soul" as the boundary.
Modern people write modern poems with new rhymes. If they use old rhymes, they can only strictly follow the old rhymes, otherwise it is neither fish nor fowl.
Question 2: What does "one east and two winters" mean in rhythmic enlightenment? Generally, only flat rhymes are used in rhythmic poems, while blank rhymes can be used in classical poems. The rhyme is as follows:
Sheng 15 rhyme:
One east, two winters, three rivers, four branches, five micro, six fish, seven dangers, eight qi, nine goodness, ten ashes, eleven truths, twelve articles, thirteen yuan, fourteen cold and fifteen deletions.
Xia Pingsheng 15 rhyme:
One song, two songs, three dishes, No.4, five songs, six hemp, seven yang, eight Geng, nine green, ten steamed, eleven owned, twelve invaded, thirteen tan, fourteen salt and fifteen salty.
Shang Sheng 29 rhyme:
One Dong, two swollen, three lectures, four articles, five tails, six languages, seven (phonetic language), eight clogs, nine crabs, ten bribes, eleven clogs, twelve relatives, thirteen Ruans, fourteen droughts, fifteen hooves (sound flashing), sixteen milling, seventeen s (sound small) and eighteen cleverness.
30 rhymes:
One song, two songs, three crimson, four (phonology), five no, six royal, seven encounters, eight auspicious, nine Thai, ten hexagrams, eleven teams, twelve earthquakes, thirteen questions, fourteen wishes (phonology), fifteen John, sixteen remonstrances, seventeen cymbals, eighteen whistling, nineteen effects and twenty.
Rusheng 17 rhyme:
One house, two crops, three senses, four sexes, five things, June, seven, eight, nine scraps, ten medicines, eleven strangers, twelve tin, thirteen posts, fourteen episodes, fifteen combinations, sixteen dices and seventeen couplets.
______________________________
For example, rhyme:
The first flat sound: east one winter two, silent sound: the upper sound is one east two swells, and the lower sound is one song.
The second part is the flat voice: three rivers and seven yang are universal, and the voice is silent: the upper voice is three lectures and twenty-two yang, and the lower voice is three crimson and twenty-three yang.
Pingsheng Part III: Four branches with five micro, eight qi, ten gray [half] omnipotent, silent voice: four papers, five tails, eight tails, ten bribes [half], four five not eight auspicious, nine Thai [half] eleven teams [half] omnipotent.
The fourth part is flat sound: six fish and seven dangers, and the sound is silent: the sound is six words and seven words, and the sound is six royal and seven encounters.
The fifth flat sound: nine good (half) ten gray (half) omnipotent, silent sound: nine crabs and ten bribes (half) up nine hexagrams (half) down (half) eleven teams (half) omnipotent.
The sixth part is Pingsheng: eleven truths, twelve articles, thirteen yuan (half), sound: eleven tones, twelve kisses, thirteen Ruan (half), twelve earthquakes, thirteen questions and fourteen wishes (half).
The seventh part is flat voice: thirteen yuan (half), fourteen cold, fifteen deleted, ten thousand words, silent voice: thirteen Ruan (half), fourteen drought, fifteen rolling, sixteen milling, fourteen wishes (half), fifteen Han, sixteen remonstrations, seventeen cymbals.
Part VIII: Pingsheng: common for two or three small dishes, Xusheng: Shangsheng 17 S 18 Joe 19, Qusheng 18 Xiao 19, and the effect is 20 common.
The ninth flat voice: five songs [for exclusive use]: upper 20 voices and lower 2 1 voices.
Part 10: Pingsheng: Nine Good (Half) Six Hemps General, Lianyin: Twenty-one horses in the upper voice and ten hexagrams (Half) twenty-two L in the lower voice.
The eleventh part: flat voice: eight Geng, nine Qing, ten steaming universal, silent voice: twenty-three stems and twenty-four turns in the upper voice, twenty-four statues and twenty-five paths in the lower voice.
Part XII: Flat voice: eleven [single use], pinch voice: twenty-five tones in the upper voice and twenty-six tones in the lower voice.
Part XIII: Pingsheng: Twelve Invasions [Exclusive Use], Xu Sheng: Twenty-six Sleeping in Sound, Twenty-seven Qin Almighty in Sound.
Part XIV: Pingsheng: thirteen harps, fourteen salts and fifteen salts are universal, and the sound is universal: the sound is twenty-seven senses, twenty-eight thrifty, twenty-nine fading R, twenty-eight probing, twenty-nine glory and thirty depression.
Part 15 entering tone: one room with two bedrooms.
Part 16 entering tone: three senses and ten drugs are universal
Part 17 Rusheng: four qualities, eleven odd, twelve tin, thirteen places, fourteen wins.
Part 18 Rusheng: five things, six seven, eight things, nine things and sixteen things.
Part XIX Entering Tone: 15 17. Generally, the east cloud is rain, the snow is wind, and the night light is clear. Come to Hongtun, stay with birds and birds. Three-foot sword, six-bow, north of Lingjiang River. The Summer Palace on the ground and the Guanghan Palace in the sky. The two sides of the strait are green with smoke, and the garden is full of spring rain and apricot flowers. The wind and frost on the temple, the guests who left early on the journey; A misty rain, a person was late by the stream. Three-Foot Sword: The great-grandfather of Hanshu was captured by Liu Ya, Qing Bu, and the doctor said: It can be cured. Gaozu said: is it fatal for me to take the world with three feet of sword? Living in heaven, although Bian Que is very good. Bow of the Six Kings: "Left" will invade Qi, and the philosophers will sit on the column, saying: Bow is the Six Kings, take it and pass it on. Summer Palace: There was a Summer Palace in Luoyang Palace. Guanghan Palace: Miscellaneous Notes of the Ming Emperor >>
Question 3: Well, I want to check 300 Yidong ancient poems out of 300 ancient poems, and there are more than 300. Who are you looking for?
Or you can search on the charm poetry online, which is very comprehensive.
Question 4: Swallows and hard training, one west and one east. What does this poem mean? This is a sentence from the Tang Dynasty poet "Send the King to the West Shogunate".
Bai Lao refers to the shrike, also known as V or _. This poem is about swallows and birds flying in the sky, flying west and flying east.
Question 5: What does Yan Shengyun mean in poetry? Strict rhyme comes from relatively wide rhyme, also called "narrow rhyme". In Wang Li's On Chinese Poetry, according to the number of words contained in each rhyme of 30 rhymes, it is divided into four categories: wide rhyme, middle rhyme, narrow rhyme and dangerous rhyme:
1, Guang Yun:
Including four branches, one song, seven yang, eight Geng, eleven secluded places, one east, eleven truths and seven dangers. These rhymes are used in poetry and there are many rhymes to choose from.
2. Chinese rhymes:
Including thirteen yuan, fourteen cold, six fish, two Xiao, twelve invasion, two winter, ten ash, eight seven, five songs, six hemp and four Hao. These rhymes are used in poetry and there are many rhymes to choose from.
3. Narrow rhyme:
Including five micro, twelve texts, fifteen deletions, nine green, ten steamed, thirteen green and fourteen salt. These rhymes are used in poetry, and there are fewer choices.
4. Danger rhymes:
Comprises Sanjiang, Jiujia, three medicines and fifteen salts. There are few choices to use these rhymes in poetry. The width of the above points is based on strict requirements for rhyme. In other words, no matter quatrains, metrical poems or poems, they must rhyme to the end and are not allowed to pass the customs. For beginners, it is enough to know this common sense, and there is no need to delve into it. The most important thing is to find out which rhymes are adjacent and which ones can pass. The so-called adjacent rhyme generally refers to two rhymes with similar sounds and sounds, or more than two rhymes, such as Yidong, Erdong, Sizhi, Wuwei and Baqi. , you can link; Some rhymes are arranged in different order, but their pronunciation is similar. For example, the top is three rivers, the bottom is seven yang, the top is nine excellent, and the bottom is six hemp. You can also bet. Here, according to the Catalogue of Poetry Rhyme, A New Edition of Poetry Rhyme and Wang Li's China Poetics published by Shanghai Ancient Books Publishing House, and referring to the situation of modern poetry, the rhymes that can be charged are listed as follows:
1. One east and two winters
2. Three Rivers and Seven Yang
3. Four branches and five micro branches, eight qi and ten ashes (half)
4. Six kinds of fish and seven kinds of dangers
5. Nine good ones (half) and ten gray ones (half)
6. Eleven truths, twelve thirteen yuan (half)
7. Thirteen yuan (half) fourteen cold fifteen delete one first
8. There are four major cuisines in the second and third cuisines.
9. Five songs
10. Jiujia (semi-) Liu Ma
1 1.
12. Eleven yes.
13. Twelve invasions
14. Thirteen Qin, fourteen salts and fifteen salts
If half is indicated in the brackets above, it means that half of the rhyme is connected with the rhyme and the other half is connected with other rhymes. In fact, in the poems of predecessors and modern people, 6 and 1 1,13,7 and 14 are often tied together.
Question 6: What do ancient poems pay attention to? Poetic style as opposed to modern poetry. Before the formation of modern poetry, all kinds of poetry genres except Chu Ci. Also known as ancient poetry and ancient style. Classical poetry is free in meter, without antithesis, even in level, wide in rhyme and unlimited in length. There are four words, five words, six words, seven words and miscellaneous sentences.
Four-character poems no longer exist in modern poetry. Although the word "ancient" is not added, it goes without saying that it is an ancient poem. The ancient poems included in The Book of Songs are mainly four-character poems. Four-character poems were written in Han, Wei and Jin Dynasties. Cao Cao's Looking at the Sea and Tao Yuanming's Stopping Clouds are typical four-character poems.
There are many ancient poems with five words and seven words, referred to as five ancient poems and seven ancient poems for short. The ancient Five Dynasties first appeared in the Han Dynasty. Nineteen ancient poems, all five-character poems. After the Han Dynasty, many people wrote five-character poems. Most of the poems in the Southern and Northern Dynasties are five-character poems, and there are more five-character poems in the Tang Dynasty and later. The appearance of the Seven Ancient Dynasties may be earlier than that of the Five Ancient Dynasties. But before the Tang Dynasty, it was not as common as the Five Dynasties. In the Tang Dynasty, seven ancient books appeared in large numbers, which were also called long sentences by the Tang people.
Miscellaneous poems are also unique to ancient poetry. Poetry varies in length, from one word to more than one cross. Generally, it is a mixture of three, four, five and seven words, and seven words are the main ones, so it is customarily classified as ancient seven words. There are many miscellaneous poems in The Book of Songs and Han Yuefu folk songs. Since the Han and Wei Dynasties, Yuefu poems have been accompanied by music, including songs, lines, songs and poems. Many Yuefu poems in Tang Dynasty were unhappy. There are various forms of miscellaneous poems in Tang and Song Dynasties: there are seven words mixed with five words, such as Zhang Ji's Difficult to Go; There are seven words mixed with three words, such as Zhang Lei's Cowherd; There are three or five sentences in the seven words, such as Li Bai's "Into the Wine"; There are seven words mixed with two, three, four, five words to more than ten words, such as Du Fu's "The Hut is Blown by Autumn Wind"; There are four, six and eight characters mixed with five or seven characters, such as Li Bai's "Difficult Road to Shu".
In addition, ancient quatrains also had authors in the Tang Dynasty. All belong to the category of ancient poetry. In the process of development, classical poetry and modern poetry have an interactive relationship. In the late Northern and Southern Dynasties, a new style of poetry appeared, which emphasized rhythm and duality, but had not yet formed a complete rhythm, and was between classical poetry and modern poetry. Some ancient poems in the Tang Dynasty tend to be legalized, and even ancient works are often integrated into modern sentence patterns. However, there are also some ancient poetry writers who consciously distinguish themselves from the near-body, and often use awkward sentences or occasional essays to avoid the law.
Classical poetry is a kind of poetic style as opposed to "modern style". Before the formation of modern poetry, all kinds of poetry genres except Chu Ci were also called ancient poetry and ancient style. This is written according to the practice of ancient poetry, and the form is relatively free, not bound by meter. Informal and straightforward. The rhyme foot is wide, except for the rhyme foot of seven-character white and bright sentences, which generally rhymes with other sentences. The rhyme foot can be flat, flat or variable. There is no limit to the length of space. Sentences can be unified into four-character, five-character, six-character and seven-character fonts, or long and short sentences can be mixed and changed at will, which is miscellaneous.
There are many ancient poems with five words and seven words, which are referred to as "five ancient" and "seven ancient" for short. Miscellaneous words range from one word to more than one cross, usually a mixture of three, four, five and seven words, mainly seven words, so they are customarily classified as seven ancient words. Since the Han and Wei Dynasties, Yuefu poems were originally accompanied by music, including songs, lines, songs and words. The Tang Dynasty imitated the previous Yuefu, such as Li Bai's Difficult Road to Shu, Du Fu's Three Officials, Three Farewells and Bai Juyi's New Yuefu, all of which were out of step and belonged to the category of ancient poetry. In addition, there were quatrains in units of four sentences before the Tang Dynasty, or "archaic quatrains", and there were also writers in the Tang Dynasty, which is different from the recent quatrains, which pay attention to flat and even lines.
There is an interactive relationship between ancient poetry and modern poetry in the process of development. In the late Northern and Southern Dynasties, some poems began to emphasize rhythm and duality, but they have not yet formed a complete rhythm, which is a form of transition from ancient style to modern style poetry, or "new style poetry".
Some ancient poems in the Tang Dynasty tend to be legalist. For example, Wang Bo's Tengwangge is an ancient poem, but it is flat and harmonious, with eight sentences, which are similar to two seven-character quatrains and two rhymes. After the Tang dynasty's metrical poems were finalized, the poets' ancient works were often integrated into the modern sentence pattern. Such as Wang Wei, Li Qi, Wang Changling and Meng Haoran, there are quite a few rhymes and couplets in the five ancient books. There are also many sentences in Bai Juyi's famous songs such as Song of Eternal Sorrow and Pipa Xing. However, some poets are consciously different from the modern style, often using awkward sentences and occasionally prose, and Li Bai, Du Fu and Han Yu have all created something. Later, scholars in Ming and Qing Dynasties consciously noticed the phenomenon that ancient poems were merged into regular sentences and strange sentences were used to avoid regular sentences. In Qing Dynasty, Wang Shiping thought that ancient poems were flat, so Zhao Zhixin, Weng Fanggang and others specially studied the tones of ancient poems. Their research helps to consciously distinguish ancient and modern rhythms in poetry creation, but it is neglected. & gt
Question 7: What does rhyme mean in poetry? rhyme
Rhyme is in poetry. Homophones are placed in the same position in different sentences, and rhyme is usually placed at the end of the sentence, so it is also called rhyme foot.
Sentence rhyme is not only easy to recite and remember, but also makes the work have the beauty of harmony in rhythm and tone.
Example (1): the mountains cover the daytime, and the ocean drains the golden river; make more/greater progress; improve one's already distinguished work; continue to do better; top one's own best achievements
Example (2): the moonlight shines on the ground hall; On the evening of the 30th, I picked betel nuts. Moonlight (nursery rhyme)
Ex. (3): Not because of the air pressure, but because of your support. Lyrics of my pride Anders Lee and Huang Weiwen.
Example (4): You are "fine" and I am "fine". Drink a cup of bamboo leaf green. "Bamboo Leaf Green" Advertising Language