How to Evaluate the Hongyan Zhai in A Dream of Red Mansions —— Re-comment on The Story of the Stone published by Luo Ji Thinking.

The so-called reappraisal of Stone by Zhi Yanzhai is the sum of all the manuscripts of Stone. These manuscripts retain a large number of red notes, and some important manuscripts are engraved with the words "Red inkstone re-evaluates the Story of the Stone", so people generally refer to these early manuscripts of the Story of the Stone as fat reviews or fat reviews. JOE edition is also called fat residue edition and fat full edition. In the first line of every book, you can find "Re-evaluation of the Stone by Zhi Yanzhai". On page 1 on page 8, the sentence "You will know what's the story on the stone when it is published" is more than his own. You still use the word "the story of the stone" 15 to indicate the background age, so it's named Jiaxuben. Xu Jianian is Qianlong 19 (1754). Save it sixteen times. That is, 1 to 8 times, 13 to 16 times and 25 to 28 times. The second half of the fourth cycle is missing, and the first half of 13 cycle is missing the lower left corner. One volume is four times, and four volumes are * * *. 12 lines per half, 18 words.

JOE is one of the most precious manuscripts in existence, which is closest to the original appearance of Cao Xueqin's manuscript. This ancestor may have

Re-comment on Zhi Yanzhai's The Story of the Stone (Photocopy)

This is an edited version of Zhi Yan Zhai. The reason is that there is Zhi Yanzhai's signature at the bottom of each page, and some places are empty to be filled in, such as a few poems before returning, only "poems" are hung. The description of Lin Daiyu's eyebrows has not been written yet, and the second half of the sentence is surrounded by calligraphy. The original version is not patchwork, the text is rarely modified, and some comments are transferred from another version.

In this book 1 cycle, there are abnormal lines of Zhu Pi written by Ding Haichun, and the general comment of ink copying was also written by Ding Hai, indicating that the copying time was after Ding Hai (1769) in the 23rd year of Qianlong.

Back to page 1, page 1, the title of line 1 is "Red inkstone reevaluates strange stones", the title of line 2 is "Ordinary cases", and line 3 begins with five ordinary cases and ends with a poem. Chen Yuqian believes that this paragraph is a criticism of obesity, and the text should start with "reading officials". The first to fourth poems, ***4 14, are unique to this book. Fifth, "The first time I opened this book, the author spoke from the clouds ..." Later, this paragraph was the only introduction in the book, which was confused with the text and became the beginning of the text. At the end of each example, the word "October" is put in front of the poem, and this format is often copied. Here are seven laws:

Floating life is very bitter and busy, and the banquet is finally over.

Sorrow and joy are still illusory, and ancient and modern dreams are absurd.

Men's words are tearful in tea, more infatuated and bitter.

It's extraordinary that you have worked hard for ten years.

The couplet "every word is like blood, and ten years of hard work is extraordinary" is a household name and is often quoted by works in red.

Back to page 1, there is an extra paragraph between the sentence "different gods" in line 1 at the bottom of page 4 and the sentence "use your magic and you will" at the top and bottom of page 5, just two pages, 40.

Re-evaluation of Zhi Yanzhai's The Story of the Stone

More than 0 words. The fifth time, Jia Baoyu dreamed in a dreamland and married the sister of a police phantom beauty, each with its own differences.

There are many kinds of this book, such as eyebrow approval, side approval, double-line approval and back-and-forth approval, without signature and date. Among them, Zhu Mo's double-row transcription is a major feature of this book. It was not approved nine times. This unique comment on writing is in Chapters 6 and 8. Fat criticism is far more than other fat copies, especially some important comments he doesn't have. For example, 1' s poem "Full of Ridiculous Words" criticized that "only those who can solve it can cry bitterly into this book." New Year's Eve. Qin cried to death before the book was finished. I tried to cry Qin, but my tears had run out. Every time I look for Green Ridge Peak, I always ask exemptions, why don't I see the monk? Hey! "This comment on writing is the primary basis for those who think that Cao Xueqin died in Renwu (1763).

It is worth noting that this book does not avoid the word "Xuan" of Emperor Kangxi.

There are several afterwords of Liu Quanfu in the book, as well as his friends Pu Wenxian and Pu Wenchang. Hu Shi, Yu Pingbo and Zhou also wrote inscriptions for it. The paper is yellow and crisp, and it has been mounted once. Back to page 13, half a corner is missing, and the joint between the backing paper and the original book is stamped with the seal of "Reprinted by Liu Quanfuzi".

Jia Xu was originally named Liu, a native of Daxing in Qing Dynasty. He was born in a drum tower in Beijing and passed it on to his son Liu Quanfu. Liu Quanfu's postscript in Tongzhi 2 years (1863) and Tongzhi 7 years (1868) is very insightful. In addition, Liu Quanfu's friend Sun's Mianzhou (Department of the Left Mad Taoist) wrote more than 30 comments. After that, the circulation is unknown This copy appeared in Shanghai in the summer of 1927. It was bought at a high price for Mr. Hu Shi who just returned to China. The first time was copying. Hu Shi called this book Jia according to the above-mentioned Chinese characterNo. 1, and named the notes of A Dream of Red Mansions for the first time based on the year of the dry branch, thinking that Jia is the oldest and most valuable book in the world.

Re-evaluation of Zhi Yanzhai's The Story of the Stone

"Ben", so mr. yi regards this as a secret book of his life, which is not easy to show. 1948 12 16, Hu Shi went south and left in a hurry. All his books were left (collected by Peking University Library), and he only took away sixteen JOE and another Cheng Yi. 1962 After Hu Shi's death, he sent this book to Cornell University Library in the United States, and it has been purchased by Shanghai Museum.