Tapping is a traditional dance of the Han nationality. This ancient dance form originated from the folk, rose in the Han Dynasty more than two thousand years ago, and became more popular in the Tang Dynasty. The motif of the so-called "everyone is happy in a good year, walking on the dragon" is the folk consciousness of "reaching happiness" Although the classical dance "Zou Ge" accurately inherits the folk customs, it is still "classical". How can such a group of women who "talk about cherries and talk about jade" get on the dragon? The purpose of "Ta Ge" is to outline the scene of an ancient couple's spring outing and sympathize with the troubled modern existence with a long-lost beautiful image.
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Xie (Southern Dynasties) Men's Group Dance. This program is a companion piece of female tap song, which can also be called male tap song. At present, male dance is becoming more and more martial, and its style orientation is relatively simple. This program focuses on the gentleness and elegance of men in the country of etiquette. Change the stereotyped image and style of male dance.
3. Yao Tao
Yao Tao, from The Book of Songs, is a classical dance in the Han and Tang Dynasties, full of the dreamy atmosphere of a girl to be married. Nan Zhou. In Yao Tao, the whole dance is permeated with the breath of youth, and the graceful posture of the dancers creates a girl image like a small peach tree for the audience. The girls danced lightly, just like the peach blossom elves, and the whole dance was full of jubilant atmosphere.
The gorgeous face of the girl to be married in the dance music "Peach Blossom" taken from the Book of Songs makes the audience feel as if they are in a peach blossom forest in April. The young girls are laughing and playing, and the crisp laughter of the girls is accompanied by the fragrance of peach blossoms. Vibrant dances bloom in this beautiful world like peach blossoms on branches.
4. Mrs. Fan
"Mrs. Fan" has created an image of a beautiful woman in the Qing Dynasty, which contains some characteristics of modern female dance in China, mainly manifested in walking gait, mellow and implicit movements, peace and steady cultural mentality. Women's customs in China are very different from ancient times, the Middle Ages to modern times, especially from the Ming and Qing Dynasties to the hundreds of years before the May 4th New Culture Movement, which has had a far-reaching impact on women's dance in China. This kind of dance faithfully reflects this historical feature.
In this kind of dance, we can imagine the appearance of ladies walking in the Qing Dynasty: light, reserved, peaceful and quiet. In the dance, a dozen "ladies" came out, giving people a noble and elegant feeling in an instant. In a short time, the music changed suddenly, and the ladies changed their reserved image, cheerful, lively and innocent. The veil fluttered on the stage, pleasing to the eye.
5. "Grab the drum"
The inspiration for "grabbing drums" comes from the stone reliefs of Han tombs in Yinan, Shandong Province. This painting depicts the entertainment activities of the tomb owner before his death. Accompanied by flute, drum instruments and percussion music, artists dance on the plates ... This dance is also evidenced by the Han Dynasty board dance bricks unearthed in Taiping Township, Pengxian County 1956: the dancers have six boards in front and two boards in the middle, which are the same as Zhang Heng's. A woman is waving a long scarf, standing on the drum with her feet, prancing and jumping. The dance is "Dragon Dance". Pan dance is the most common song and dance in banquets from the late Eastern Han Dynasty to the Wei and Jin Dynasties, and its tune belongs to the chorus of miscellaneous dance music.