Who had a greater influence on China, Lu Xun or Hu Shi, and why?

I advise you to read more about Benjamin, Nietzsche, Mozi and Archimedes! Read less chicken soup, guard! I'm sorry if someone contradicts me with a similar vest account and doesn't read a lot of anthropology, psychoanalysis, avant-garde literature, political philosophy and other works! What did Hu Shi do for 20th century literature? That piece of junk. How many college students really liked Hu Shi? They are extremely shallow women who love the bourgeoisie, despise the poor and ignore suffering. I used to like this little fresh bourgeois scholar very much, but later I found that their words hardly mentioned the sufferings of the people. No wonder many people say that young people followed the left wing in the 1930s. Why? Hu Shi turned left immediately after he went to the Soviet Union, which shows that his liberalism is quite bad and naive. People who like to read democratic theory read western philosophy. I recommend reading Hayek directly. As Chen Danqing and Ye Fu said, China today is an extinct language, and Chinese before the May 4th Movement was alive. Trying to figure out Lu Xun in extinct language is just like some French people who are extremely weak in language ability attacking Montaigne. I hope people who like Li Ao can have their own opinions. Zhang Hao and others have a high position, while Li Ao has a low position. Lou Tingjian's answer to Lu Xun is procrastinating and obscure, but his answer is "but". What is your own language system? It's totally ugly. The western revaluers are mainly Nietzsche; There are only Mr. Xu Fancheng, Mr. Lu Xun and his big disciples in the East. In fact, I can regard Hu Shi as a reassessment/Nietzsche-style speaker, and I have nothing to communicate. People in middle schools say that Li Ao is good, and professors in universities say that Li Ao is the dog of the * * * Party. If you can write about Hu Shi's avant-garde tendency (that's all he has), just answer it yourself. Lou Tingjian is empty in Zhihu, and he didn't create it himself. What is the reason? Zhang Hao wrote about dark consciousness and democratic tradition, citing two typical intellectuals. There is no doubt that Lu Xun belongs to the prophetic type and Hu Shi belongs to the technical type. Originally, knowledge was born of prophets, but the benign development of society will eventually sweep away the prophets, leaving only technicians or technocrats who compromise with power organizations. Our view of Hu Shi always comes from a corner-tolerance, but we seldom think about Hu Shi's lameness, the tolerance of the government or the tolerance of the people; Lu Xun, too, always needs full chicken soup and positive energy, otherwise Lu Xun will be said to have only darkness. Hu Shi never said such a thing. Our voice, Mr. Lu Xun, has long said: "For example, warriors fight, rest, eat, and naturally have sex. If you just take him away,

Finally, it can't be said that it is groundless to draw a picture of being a master of sexual intercourse hanging in a brothel. But wouldn't that be unfair? "Other writers can't even compare with Hu Shi and want to surpass Lu Xun? As for thoughts, how many people say that Hu Shi has thoughts except Li, a shallow person? In fact, some people say that Lu Xun has surpassed Hu Shi in all fields, except for the tolerance and freedom explicitly put forward. But who is tolerant? Tolerate murderers? Free who, let what doesn't let you be free be free? Hu Shi did this all his life. He has never been on the side of the people! Can returning the people and the army not represent our people? Hu Shi is above the people, not beside them! He has always been a bureaucratic intellectual. Lu Xun's vanguard was also under attack. Indeed, depth charges die early, and generally do not live as long as Liu Bang. However, what we like about Lu Xun is human nature and natural nature. Nature is so rich and Lu Xun is so interesting. Xun is one of the most interesting figures in China for 4,000 years. We can see transcendence and meanness in Lu Xun (whether Lu Xun writes about people, bureaucrats or himself, he writes about all of us, which is more humble than Confucius) and interesting will to go up and down from left to right, but Hu Shi seems to have only one dimension, that is, top-down, what a boring second-hand Hu Shi! Fast men have influenced many young people, but they are not nobles; How many young students did Hu Shi eulogize? They are all busy with government affairs. Xungang has a great influence in the art world. Did Hu Shizhi care about and influence it? Lu Xun is serious about art. Chen Danqing: He is an avant-garde practitioner. "Sun Yu, director of Lu Xun Museum and dean of the Art College of China Renmin University, said that for more than 60 years, the relationship between Lu Xun and art was rarely mentioned in China literature education, and the relationship between Lu Xun and art was occasionally mentioned in college art classes, which was limited to modern printmaking. In fact, Lu Xun collected many statues of the Six Dynasties and the Han Dynasty, and there were also many tiles in the Qin and Han Dynasties. Lu Xun collected more than 600 statues of the Han Dynasty and more than 2,000 Russian prints. The statue he chose to hide was particularly atmospheric, without the withered image in Song and Ming paintings, which was very brilliant. He also collected all kinds of epitaphs and rubbings of the Six Dynasties and arranged a large number of related inscriptions. His collection has a wide field of vision, and most of his European collections are in Germany and Russia. Deeply influenced by modern German philosophy, it is very close to Kafka in aesthetics. Lu Xun had the experience of studying in Japan and collected many ukiyo-e paintings. After extensive research, he pointed out that the Ukiyo-e painting in the Edo period in Japan was the result of imitating the statues of the Han Dynasty.

Lu Xun's collection of British Biazli and German glass has become a much-told story in the history of modern art in China. Most importantly, he translated and introduced a large number of Russian prints, which provided a rare spiritual food for China around the 1930s and inspired the creation of many young people, such as the famous Mr. Ding Cong. Many modern painters have a soft spot for Lu Xun, and Mr. Wu Guanzhong is very excited when he talks about Lu Xun. In his life of "fighting", Lu Xun always mixed with painters in his spare time and took art as his career. According to Lu Xun's self-report, when he was a child, he described Dangkou Zhi and The Journey to the West folk Xiu Xiang under his desk, and they became a book and sold it to fellow villagers for money. Sun Yu once invited Chen Danqing, a famous painter, to the Luxun Museum to talk about "Luxun and Art". Chen Danqing commented: "Lu Xun is the most knowledgeable, insightful and persuasive critic, a true pioneer practitioner and a connoisseur of choice among all the literary speeches I can read in the Republic of China. The relationship between a scholar and a group of painters, and the relationship between an art history, did not exist before in China, and may not exist after China. I cherish him very much (referring to Lu Xun) and say that he is very inflammatory. He is very Jiangnan, knowledgeable, mean, kind, sharp and considerate ... He talks about painting simply and clearly, as if he had found his own novel language from the beginning. Lu Xun left the most beautiful critical language so far, which is clear, plain, noble, insightful and ubiquitous. Chen Danqing said in the above article that Lu Xun is a very special person in the sequence of writers and artists in the past century. He never believed in the system, but he never used terminology easily. He just bit into the problem. He mastered art with a great sense of amateur. Sun Yu agrees with Chen Danqing's point of view-until today, they all think that China's painting circle has never met an enthusiastic intervener, a sober bystander, a wonderful critic like Lu Xun, and a patron who shouted everywhere from his own pocket.