Than Mars, Liang Aiqi and others.
Some actors are classified as "evil mothers-in-law", and the roles they get are either old-fashioned and ignorant, and it is not the daughter-in-law's nose but her eyes that are critical. Either the three views are incorrect and right and wrong are indistinguishable. Zhazha is a difficult mother-in-law who stands between her son and daughter-in-law, affects family harmony and has no sense of boundaries.
Such roles have been played a lot, and the audience has some immunity to them. Every time they show up, they know that the troublemakers are coming.
Let's take a look at the actresses who often play bad mothers-in-law.
I. Jassamyn Liu
Jassamyn Liu was born in Chongqing, 1966. He studied Peking Opera since childhood and later transferred to Shanghai Kunqu Opera Troupe.
At the age of 22, she starred in her first work, Legend of the Sea Lantern, as the heroine Li. The film didn't explode as expected, and then she still focused on the troupe and didn't return to the screen until the end of 1990s.
At the beginning, she also played some lovable roles, such as the goddess Guanyin in Lotus Lantern and the goddess Nu Wa in Night God Cup, all of which were clear, holy and ethereal.
But from 20 1 1, she played Lin Pinru's bad mother-in-law, Bai Feng, in The Temptation of Going Home, and her image in the eyes of the audience is gone forever.
If the internet was not as developed as it is now, it is estimated that she would encounter a wave of cyber violence.
Later, in plays such as "We Happened That Year", she also played a stubborn and overbearing role, which made the audience want to rush into TV and her PK bad mother.
In addition to the unattractive design itself, her acting skills are also remarkable, portraying vividly the images of ordinary citizens who bully the weak and fear the hard and step on the low.
She is a national first-class actress. In addition to film and television works, she also served as the host of Shanghai TV drama stage and Oriental TV out-of-print appreciation.
Earlier, she sang "Farewell My Concubine" at a Peking Opera party held by a certain station, which surprised the audience at the beginning. It seems that the basic skills of many years of traditional Chinese opera career have not been lost because of filming outside.
Second, group health.
Qun Zhikang/Kloc-joined the army art troupe at the age of 0/5. After resuming the college entrance examination, she was admitted to Shangxi, and was assigned to Shandong Repertory Theatre after graduation. At the age of 37, he was rated as a national first-class actor and won the Golden Lion Award, the highest prize in drama.
When she was young, she was a temperament beauty. She plays Nanzi in the TV series Confucius in Cloth and Wu Zetian in the TV series History of Xi.
From around 2000, she began to play the role of mother in film and television works, cooperated with Shan Ying Group and Noon Sunshine for many years, and then split up.
In Ode to Joy, she played the vampire mother of Mei Sheng, a fan. She suffers from poverty and has a bad habit. She prefers boys to girls and is unreasonable. It's pathetic and hateful.
During the TV series' hit', I saw her pull a long face every day, worried about her son's debt, and then passed the pressure on her daughter. The audience was so angry that their blood pressure soared.
In this year's "Dawn on the River", her role as Sandra's mother-in-law is not a fuel-efficient lamp. Her son died of evil deeds. She swept the floor and scolded her daughter-in-law, saying that her son was stopped by her daughter-in-law and died. Her daughter-in-law was not kind enough to apply for insurance claims, and she couldn't wait to sweep her daughter-in-law out on the spot.
But when the daughter-in-law showed her son the iou, she immediately cleared the relationship with his son and let the daughter-in-law bear the debt alone.
After several scenes, the audience deeply immersed in the play felt a bitter taste when they saw her face.
It can only be said that the old opera bones have superb acting skills and made many sacrifices for the play.
Third, Ding Jiali
Ding Jiali, a native of Heilongjiang, 1959. He is currently a first-class actor of the National Theatre, a member of the Chinese Dramatists Association and a member of the Chinese Film Association.
She made her debut late and appeared in her first film at the age of 27, but her acting skills polished on the stage for many years won her a Golden Rooster Award for Best Supporting Actress.
The 1990s was the peak of her career, and she starred in countless explosive movies.
199 1 year, she and Pan Hong made a movie "Taxi Woman", and the two women saved each other. They are not only superb in acting, but also unbearable in appearance. Dressing today is out of date.
They are all excellent actors, but after entering middle-aged and elderly people, they have not encountered more in-depth scripts that can show their acting skills. One of them became a "bad mother-in-law" and the other became a "professional mother-in-law".
In Naked Marriage, Ding Jiali plays the mother of the man's article, and her family is so poor that there are many rules and regulations.
In Settle Down, she plays the mother of the heroine Sun Li, more like a leech, gnawing at her daughter and tearing the audience apart.
She tossed and turned, importuned, cried and hanged herself at the top of her lungs, and tried every means. Later, the writer washed her white, and the audience was not willing to accept it.
Fourth, Pan Hong.
When Pan Hong/Kloc-0 was 0/0 years old, her father died in a special era for special reasons. Later, because of his father's identity, he was frequently rejected.
Fortunately, she jumped the queue, settled in other places and was admitted to the show, otherwise there would be a bright pearl missing from the entertainment circle.
When Pan Hong was young, he should have a good appearance and temperament. His 172cm height and exquisite figure are more suitable for the present and the present. More importantly, her acting skills are not bad.
At the age of 24, she became famous in the first world war with the laughter of distressed people. Later films such as Du Shiniang, Middle Age, The Last Queen and Well won her awards, including four Golden Rooster trophies (three actresses and a special prize), three Golden Phoenix actresses, three Little Flower actresses, and many domestic and foreign actresses such as Huabiao and Baihua, and this was the first time.
When she was old, she was framed by the role of mother-in-law, always playing the same theme and the same type of role. Modeling is mostly a pair of glasses, and most people are strong women, stubborn, overbearing, self-centered and super-controlling. If the hostess is her daughter, the son-in-law will certainly have a hard time. For example, in The New Door-to-Door Son-in-law, Zhang Yi was tortured by her.
If the man is her son, the daughter-in-law must be despised, criticized and considered unworthy of her son. For example, in True Love Lies, Ar Fi is considered unworthy of her mentally retarded son, and in Mother-in-law Meets Mother, Li XiaoLu is also considered as a drag on her son Jerry.
After entering middle age, Ms. Pan has a sense of dignity without anger and arrogance, and with the blessing of the bad guys in the role, people feel that she has a sense of alienation that refuses people to stay away. It looks like a mother-in-law or a mother-in-law.
Even though she was laughing, the audience still felt cold in the back.
Verb (abbreviation of verb) Aaliyah
After chasing a peach tree and looking at the face of the heroine Ai for a long time, I substituted myself for the heroine in full bloom and began to be angry with her.
Many viewers said that the actor's eyes were fierce and he really performed a vicious feeling. For example, after quietly getting a marriage certificate from Blooming, the disapproving mother Luo's eyes widened with anger, which made people shudder.
Later, the three of them lived together day and night. Ma Bao's husband, his daughter-in-law, who has no room for sand in his eyes, and his single mother, all day long, play an arrow on the string, and fight whenever a word disagrees.
Aaliyah's control of details is in place, and his arrogance is super real, which makes the audience feel * * * cool every minute, and their teeth itch with anger.
Aaliyah, an actor from Inner Mongolia, started his acting career after graduation from Nortel 1985.
At that time, she was a flower on the grassland, and she was good at playing a rough-looking spice girl. She played the leading role in films such as Wolf Hunt, Romantic Police Desperado and Ermao. She has won the China Watch Award, Golden Rooster Award, Shanghai International Film Festival, Changchun Film Festival and Beijing University Student Film Festival.
Sixth, Wang Liyun.
Wang Liyun is one of the most common mother-in-law on screen. One notable feature of her is her loud voice, which gives people an awkward feeling.
Most people in her role are not afraid of things. They argue with others if they care, and they can tell the truth if they don't care.
Some people say that her role is difficult, so is Pan Hong's role. If they enter a play, who will win and who will lose? Needless to say, they really do "husband's private money" together.
Wang Liyun, who has always been strong and invincible, was always nervous before cooperating with Pan Hong, for fear that she was an unattainable child actress. Unexpectedly, the cooperation was quite pleasant.
Wang Liyun played the mother of half the entertainment circle. She felt sorry for many daughter-in-law and son-in-law.
Although he is a national first-class actor, his acting skills have been questioned because his roles are too homogeneous. Some people say that her acting skills are solid and grounded, while others know that she plays the same role. People who have never seen her first hear her voice.
Seven, Li Qinqin.
After graduating from high school, Li Qinqin didn't go to an ideal university and went to a hospital as a registrar.
One day, she heard that a China director was choosing an actor in Beijing, so she went to audition with great interest. With her beautiful appearance and natural and graceful personality, she was designated as the heroine of the Beijing story and embarked on a completely different career path.
In his early years, he appeared in dramas such as Kara is a Dog, the legendary swordsman and Xiaojing Hutong, which received good response.
After 2005, her role began to become single, basically a supporting mother. The characters are relatively dull, and there is nothing to play with.
Moreover, most of the roles she took were those shrews who did everything, had no education, refused to admit their debts, and pointed at others' noses when they were slightly unhappy.
Her acting style is a bit like Wang Liyun's. Both of them have loud voices and powerful lines. Listening to their quarrel, the audience's heads exploded.
However, I have picked up many mothers in recent years, and I have recovered a lot in image.
The above seven actors are all excellent actresses, or national first-class actors, or have won numerous awards. But unfortunately, in the current film and television drama market, even middle-aged actresses often have no scenes to shoot, and it is even more difficult for them in their fifties and sixties to receive roles that can give full play to their acting skills.
Because it plays the role of homogenization all the year round, it has been labeled as a "bad mother-in-law professional household". When the audience thinks of them, they all look miserable, especially the younger generation who have never seen them shine. The established impression is that they are evil mothers-in-law.
Speaking of which, it's a pity.