Renzi, the leader of the mink, was invited to appreciate Duan's works.

The first two rhymes are the first layer, which directly expresses the poet's feelings of "everlasting regret". At first glance, the author seems to feel abrupt, and begins with the sentence "everlasting regret, everlasting regret, cut into short songs". In fact, if you think about it a little, you will understand its profound emotional background. Due to the invasion of the Northern Jin Dynasty, the people in the occupied areas were under the rule of the Jin people, and the small court in the Southern Song Dynasty, which was in a peaceful corner, not only tried its best not to recover it, but also suppressed and persecuted those who advocated resisting the Northern Jin Dynasty, and the author was hit many times. For a patriot who is determined to recover, he cannot but feel deep hatred for it. Such a "song of eternal regret" is difficult to express on the "wine table", and the poet can only "cut it into short songs" in highly concentrated language. "Short Songs" was originally used as a song at a banquet. The poet is handy, integrated into the sentence, and naturally and skillfully clarified the theme. "Long Hate" and "Short Song" not only caused the corresponding beauty in form, but also showed the kind of affection that could not be kept but could not be said. The sentence "Who will dance for me, listen to my Chu Guangsheng" uses two allusions, which are from Historical Records, Family Living in Hou and The Analects of Confucius. Xin Qiji uses these two allusions here to express his grief and indignation, which is full of "long hatred" but no one understands. The word "crazy" highlights his Geng Jie's unwillingness to follow suit and yield to power. Judging from the wording and sentence-making, the charm of this rhyme lies in that it is called "who" and expressed in a rhetorical tone, which greatly enhances the touching power of wording and sentence-making; And "Dance for Me" and "Listen to My Voices", reciting words and phrases repeatedly, creating an artistic effect of singing and sighing. After the poet expressed his heart, he immediately wrote in a soothing tone: "I am not only an orchid, but also a hundred-acre tree, and autumn chrysanthemums are more fragrant." Qu Yuan's poem Li Sao is used in every rhyme and three sentences. The first two sentences follow Qu Yuan's original sentence, but the word "Zhi" is missing after the word "Lan" and the word "Wan" is missing. The sentence "Dining English" is summed up from the original sentence "Drinking Mulan Dew in the morning, eating autumn chrysanthemum and falling into English in the evening". Orchid and Hui are both herbs. "Zilan" and "Shu Hui" both use planting herbs as a metaphor to cultivate their good moral character and integrity. While "drinking dew" and "eating English" are metaphors of the purity and nobility of food and drink. The author quotes Qu Yuan's poems and uses the words "Zilan" and "Shu Hui" here, apparently to express his ambition and feelings. Although Qu was vilified for his loyalty, he still firmly adhered to his "inner beauty" and "ability cultivation" and persistently pursued his ideals. Although the poet was slandered and dismissed by a traitor in Korea, he still maintained his ambition to serve the country, indicating that he would never go with the flow and collude with the capitulators. The sentence "The blue waves outside the door can make me stand up" still inherits the meaning of the rhyme, showing my integrity and integrity from another angle. This is another code. It is said in Songs of the South of China that Qu Yuan was exiled, "wandering in Hechi" and "withered". The fisherman asked him why he had reached this point, and Qu Yuan said, "I am alone in the cloudy world, and everyone is drunk and I wake up alone, so I will let go." The fisherman advised him to "keep pace with the times" and not to "think carefully, hold high and fight high" and ask for it. Qu Yuan said: "It is better to go to Xiangliu and be buried in the belly of river fish" than "white flowers are full of dust". Hearing this, the fisherman sang unsteadily: "The surging waves are full of emotion, so you can hold my tassel;" The water in the rough waves is turbid and can lick my feet. " It means to persuade Qu Yuan to be good at sizing up the situation and adopt an attitude of keeping pace with the times. The poet's humanization of this code is intended to further show his loyalty and sentiment.

The second article criticizes the social reality that the weight is reversed and right and wrong are indistinguishable, and further shows its attitude of never going with the flow. It is also divided into two layers, with the first two rhymes as the first layer, and then expressing the grief and indignation of the cause with a gloomy pen. The first three sentences "What does a glass of wine look like?" Remote response to the beginning of the article, intended to express their feelings that their ideals can not be realized, the mood turned into excitement. According to Shi Shuo Ren Xinyu Dan, Zhang in the Western Jin Dynasty was a "casual person". Someone asked him, "Qingnai can adapt for a while, but isn't he a celebrity?" He said, "It's better to have a glass of wine right away than to make me famous." The poet used Hans Zhang's allusions, but he was complaining. His ideal of resisting Jin Xingguo is hard to realize, and his ambition is hard to realize. He doesn't need the name "behind" at all. The poet went on to write why he complained: "Everything in the world is always light and heavy." This rhyme is the key to the whole poem, and the root cause of "a long hatred returns to a long hatred" is that the ruling group in the Southern Song Dynasty put the cart before the horse, regardless of right and wrong, regardless of danger, blindly stealing peace. This is the poet's severe criticism and angry cry against the corrupt political situation in the Southern Song Dynasty. The last two rhymes are the second layer of the next movie. By writing farewell, I once again expressed my mind and the poet's mood gradually calmed down. The first three sentences are farewell, and Qu Yuan's "Nine Songs" points out that it is human nature to hate farewell and make friends. It can be seen that the poet and Chen Duanren have a deep friendship and cannot bear to leave each other. "Wealth is not my business, but belongs to the Bai Ou League", and two allusions are cited. Tao Yuanming's "Return to Xi Ci" says: "Wealth is not my wish, and the hometown of emperors cannot be expected." Tao Yuanming was born in the late Eastern Jin Dynasty, with social unrest and political darkness. However, he himself is "qualitative and natural" (preface to the return) and "does not admire Li Rong" (biography of Mr. Wu Liu) because of his words. The poet quoted Tao's poems here, indicating that he was not called to Lin 'an for personal gain, and he didn't want to stay there for a long time to show his mind. "Joining the Bai Ou League" is a positive expression in the author's heart. According to Liezi Huangdi, there was a man who liked seagulls on the sea. Every morning, he will swim with the flock at sea, and then he will compare his friendship with the flock to a floating house and seclusion around the sea of clouds. The poet said here that he would rather retire from the mountains than associate with the capitulationists, and on the other hand, he also had the intention of comforting Chen Duanren, thus taking care of the topic.

Different from the general farewell words, Xin Qiji's "Shuidiao Tou" is a farewell word, but it is impermanent. Throughout the article, it said goodbye without complaint. His words are full of sadness, hatred and anger, but nothing is sadness and sadness. The voice and emotion between the lines are sometimes intense, sometimes calm, sometimes urgent, and sometimes calm, forming a kind of bold and depressed artistic emotion. In addition, the successful application of metaphor in ci not only enriches the connotation of ci, but also has a good artistic effect on expressing the poet's poems. Leo Lee, an Amin writer, wrote "Batch Point Jiaxuan Long and Short Sentences": There is no trace of craftsman's operation. (Selected Poems of Xin Qiji by Wu Zeyu, Shanghai Ancient Books Publishing House, 1993 edition)

An outstanding figure in Ming Dynasty, Xu's Collection of Ancient and Modern Ci, Volume 12: I don't want to make a statement. (New Comments on Selected Poems of Song Dynasty, Liaoning People's Publishing House, 1997 edition)

A Qing poet Shen Xiong wrote "Dialects of Ancient and Modern Ci", Volume II: Dongpo Mid-Autumn Ci. The third sentence in the first paragraph is six sentences, and the second paragraph "There should be no hate, why should we leave?" is also like four words and seven sentences, and the words are so-called uneven in meaning. Jia Xuanxi is dismissive of "who is my Chu dance, listen to my Chu songs" and "everything in the world is unscathed, and always pays attention to Mount Tai." (Ci-Hua series)

Chen Tingzhuo's Collection of Clouds and Shaos in Qing Dynasty, Volume 5: Gloomy is overwhelming. Use sentences and be good at dancing with long sleeves. Apollo is dirty, his brushwork is bold and unrestrained, and his voice is fierce. In addition, the first volume of Ci Song Ze Ji criticized that grief and indignation are overwhelming and unstoppable, and it is purely providence to use them in sentences. (Shanghai Ancient Books Publishing House 1984 Edition)

Wu Zeyu, a close friend, Selected Poems of Xin Qiji: This word is like the confusion of numerous strings, which makes sorrow promote grief and indignation. Jia Xuan was not handsome in Fujian for a long time. Even though he was sad, he was in office for a short time, and he shouldn't be so. Duanren abandoned his post at home, and it is inevitable that he will have a firm mind when he is relatively solid. He won't ramble on when he leaves the party. I suspect that the title of this word is "sitting on the bench", but in fact, Jia Xuan's assignment of this word does not need to be for Chen Duanren, nor does it need to be dedicated to making a phone call. Jia Xuan is very handsome in Fujian, which he doesn't want. He was called for a long time, but he was late. On his chest, you can see the words "Sanshan Opera" on the mountain. The theme of this word is "Wealth is none of my business". Jia Xuan is expensive, but wealth is not what he wants. Although Duan Ren lost his position, Canglang was tolerant and long-lasting. "Le Mo Le new acquaintance" is also here. The beauty of this word goes beyond the meaning. (Shanghai Ancient Books Publishing House 1993 Edition).