One day in the spring of the second year of Tianbao (743) or the third year of Tianbao (744), Tang Xuanzong and Yang Fei were watching peony flowers in the palace Chenxiang Temple, and musicians were preparing to perform songs and dances to entertain them. However, Emperor Xuanzong of Tang Dynasty said, "You can't use old music words as concubines when enjoying famous flowers." Li Bai entered the palace to write a new movement because he urgently called Hanlin and other imperial edicts. Li Bai wrote these three poems on the golden flower stationery when his letter entered the palace.
Three Poems of Qingpingdiao is a group of poems by Li Bai, a great poet in the Tang Dynasty, and there are three seven-character Yuefu poems.
Excerpts are as follows:
Beautiful people who see the bright clouds, think of their clothes and see flowers come to see them.
If Yushan didn't see her, it would be Yaochi meeting under the moon.
The translation is as follows:
See brilliant clouds, think of gorgeous clothes, see gorgeous flowers, think of people's looks.
If I hadn't met her at the top of Qunyushan Mountain, I would have met her in the moonlight of Yaochi.
Extended data:
works appreciation
These three poems are rich in language and words, and the most prominent thing is to write flowers and people together, such as "the cloud wants clothes and flowers to look good", as if writing flowers and faces. "A red dew condenses fragrance" is also a blend of people and things, referring to this and that.
After reading these three poems, if you feel that the spring breeze is full of paper, the flowers are full of eyes and the face is blurred, you don't need to portray it. Naturally, people think that this is a peony, a beautiful jade, and nothing else. No wonder these three poems were deeply appreciated by Xuanzong of Tang Dynasty at that time.
Brief introduction of the author
Li Bai (70 1~762), whose name is Taibai, is a violet layman. He is the most unique and greatest romantic poet after Qu Yuan. He has the reputation of "poetic immortal" and is also called "Du Li" with Du Fu. His poems are mainly lyrical, showing the arrogant spirit of contempt for powerful people, expressing sympathy for people's sufferings, being good at depicting natural scenery and expressing his love for the mountains and rivers of the motherland.
The poetic style is magnificent and bold, the imagination is rich, the language flows naturally, the melody is harmonious and changeable, and it is good at absorbing nutrients and materials from folk literature and myths and legends, which constitutes its unique magnificent and gorgeous color and reaches the peak of poetic art in the prosperous Tang Dynasty. There are more than 1000 poems, including 30 volumes of Li Taibai's Collection.
Sogou Encyclopedia —— Three Words with Clear Tone
2. "Qingpingdiaoci" Qingpingdiaoci Sanlibai.
Beautiful people who see the bright clouds, think of their clothes and see flowers come to see them.
If Yushan didn't see her, it would be Yaochi meeting under the moon.
A red dew is fragrant, and the rain is heartbroken.
Excuse me, who looks like Han Palace? The poor swallow leans against her new makeup.
Famous flowers fall in love and laugh like kings.
Explain that the spring breeze is infinitely hateful, and the agarwood pavilion is northward.
These three poems were written by Li Bai when he dedicated them to Hanlin in Chang 'an. One day, Xuanzong and Yang Fei were watching peony flowers in the palace, and Li Bai was ordered to write a new movement, which was written by Li Bai's imperial edict. Among the three poems, Mu Shaoyao (Peony) and Fei Yang co-wrote that flowers are people, and people are flowers, which makes people's faces smooth and harmonious and benefits Tang Xuanzong. From the perspective of text structure, the first one was written from space and introduced Yuan Long on the Moon to readers. The second song was written at that time, introducing the balcony of King Xiang of Chu and the court of Emperor Cheng of Han Dynasty to readers. The third song returns to the present reality, pointing out that the Tang Palace is north of Chenxiang Temple. Poetry and pen are not only easy to write, but also interlinked. The spring breeze in "The First" echoes the spring breeze in "The Third".
The first song, with seven words added: "Clouds need clothes, flowers need capacity", makes Yang Fei's clothes look like clothes and feathers, surrounded by her plump jade capacity. The word "Xiang" has both positive and negative understandings. It can be said that when you see clouds, you think of clothes, and when you see flowers, you think of looks. It can also be said that you think of clothes as clouds and looks as flowers, so the interaction is uneven, and the seven words give people a feeling of flowers. Next, "the spring breeze blows the sill to show the flowers", and the beauty of peony flowers is more colorful in the crystal dew, which makes the above sentence more full. At the same time, the wind dew symbolizes the grace of the king and makes the painted face more spiritual. Below, the poet's imagination suddenly rose to the Yushan and Yaotai groups where the Queen Mother of the West lived in heaven. If it weren't for "meeting" and "meeting", the poet pretended to choose, and he would surely see such a beautiful face only in fairyland! Yushan, Yaotai and moonlight, with simple words, set off a beautiful face, which naturally reminds people of a person as white as jade and a warm white peony flower. At the same time, the poet did not show any trace, and compared Yang Fei to a fairy, which was really exquisite.
The second song begins with the sentence "a piece of red dew condenses fragrance", which writes both color and fragrance; Not only the natural beauty, but also the dew beauty, which is a step further than the previous Revlon. With the story of the King of Chu, "The Nature of Wushan Rain Wasted Heartbroken" humanized the flowers in the previous sentence, pointing out that the King of Chu was a goddess heartbroken, but in fact, the goddess in the dream could not get the beauty of the moment! After that, Zhao, the queen of Emperor Han Chengdi, was a peerless beauty, but Zhao still had to rely on new makeup. Those who looked like beauties in front of her eyes did not need makeup, which was naturally amazing. This song also respects the topic by depressing the goddess and the flying swallow and raising Yang Fei. According to legend, Zhao is light and can dance in the crystal plate held by imperial secretary, while he is relatively fat, with the inherent saying that "the ring is fat and thin" (Yang Guifei's real name is Yuhuan). Later generations fabricated the facts accordingly, saying that Yang Fei liked these three poems very much and often recited them. Gao Lishi thought it was a great insult, because Li Bai had ordered him to take off his boots. He called Yang Fei a great shame, saying that Li Bai had despised Fei Yang's fat with the thinness of swallows and her fornication with swallows, and her palace was a mess. If there is such a meaning in Li Bai's poems, first of all, he can't escape from Xuanzong, who has knowledge and culture, and Yang Fei is not a man without cultural accomplishment. According to the original poem, it is obviously impossible to suppress the ancient and respect the present and forcibly misinterpret it.
The third song returns to reality from the fairyland ancients. The first two sentences, "Famous flowers pour over the country and care for each other, which makes the king smile." The beauty in "Pour Out the Country" refers to Yang Fei, of course. The poem only points out here that the peony and "dumping the country" and "dumping the country" are combined into one, and the words "smiling and looking" are unified, so that the peony, Yang Fei and Xuanzong are integrated. Because of the "laugh" in the second sentence, the "show infinite hatred for the spring breeze" in the third sentence was aroused. The word "spring breeze" is synonymous with the king. This sentence makes the moving beauty of peony full of interest, and the king laughs. Of course, there is no hate, and the hate is relieved. At the end of last year, the place where Yang Fei enjoyed flowers was "Chenxiang Temple North". How elegant and romantic it is for people to lean on the flowers outside the diaphragm.
These three poems are rich in language and words, and the most prominent thing is to write flowers and people together, such as "the cloud wants clothes and flowers to look good", as if writing flowers and faces. "A red dew condenses fragrance" is also a mixture of people and things, referring to this and that. After reading these three poems, if you feel that the spring breeze is full of paper, the flowers are full of eyes and the face is blurred, you don't need to portray it. Naturally, people think that this is a peony, a beautiful jade, and nothing else. No wonder these three poems were deeply appreciated by Xuanzong of Tang Dynasty at that time.
3. One of the translated names of Qingpingdiao: The author of Three Chapters of Qingpingdiao is Bai (70 1~762), whose name is Taibai, and whose ancestral home is Longxi (near Tianshui, Gansu).
Live less in Shu, study and study. At the age of twenty-five, he traveled to Sichuan and lived in Luxian County.
Traveling in Chang 'an, seeking fame, but returning to the east. At the beginning of Tianbao, he was summoned to Beijing to worship the Hanlin.
Soon he was exiled to Beijing and wandered around. An Shi Rebellion entered the military curtain of Li Lin in Wang Yong; And Wang Yong was killed by Su Zong. Because of his participation, he was imprisoned and exiled to Yelang.
In case of forgiveness, he returned to the East Palace and died at the behest of Li. Bai Juyi, another poet in the Tang Dynasty, wrote a poem, "But the poet is the most unlucky, and he will be reduced to nothing like a king", which is a portrayal of his lonely and sad life experience.
However, he reflected reality with romantic poems, described mountains and rivers, expressed lofty aspirations and sang lofty sentiments, thus becoming a great poet with eternal light. Subject keywords or keywords: Tang poetry column keywords: 300 categories of Tang poetry: seven-character quatrains Yuefu genre: Poetry age: Introduction to the content of the prosperous Tang Dynasty The original three poems are clear and flat: Li Bai's first cloud wants clothes and flowers, and the spring breeze blows the threshold to reveal wealth.
If it weren't for the head of Yushan Mountain, I would meet Yaotai under the moon. The second song is red incense, and the sex rain is heartbroken.
Excuse me, who looks like Han Palace? Poor Yan Fei leans on her new makeup. The third flower fell in love with the country and smiled like a king.
Explain that the spring breeze is infinitely hateful, and the agarwood pavilion is northward. Note [Note] ① Qingping tune: it is called Yuefu tune. In fact, this group of qingping tunes was created by Li Bai with seven laws.
② Window sill: railing. Hua: Flowers.
③ Qunyushan: Fairy Mountain where the Queen Mother of the West lives in myths and legends. Yaotai: Legend has it that it is the palace where the Queen Mother of West Kunlun Mountain lives.
4 Hongyan: refers to peony. Wushan Yunyu: refers to the happy meeting between the king of Chu and the goddess of Wushan, and the book Gao Tang Mi written by Song Yu.
⑤: Zhao, the favorite concubine of Emperor Han Chengdi. 6 dumping the country: amazing beauty.
The classic Li Han Yannian's Song of Beauty: "When you care about this city, you care about this country." 7 explanation: dissipation.
Aquilaria Resinatum: Pavilion name, built by Daphne. Appreciate [appreciate] the first of these three poems, compare peony to a noble lady and praise her beauty; The second song uses allusions, and the flowers with dew are more popular than the imperial concubine; The third song is also about the imperial concubine and peony.
This group of poems is exquisitely conceived, chanting flowers and people, and closely combined. In the poem, "clouds want clothes, flowers want capacity" are all fresh and natural sentences.
Appreciation of three poems of Li Bai's Qingpingdiao: Qingpingdiao Li Baiyun wants clothes and flowers, and the spring breeze blows the threshold to reveal wealth. If Yushan didn't see her, it would be Yaochi meeting under the moon.
A red dew is fragrant, and the rain is heartbroken. Excuse me, who looks like Han Palace? The poor swallow relies on new cosmetics.
Famous flowers fall in love and laugh like kings. Explain that the spring breeze is infinitely hateful, and the agarwood pavilion leans against the threshold in the north.
Appreciation of Li Bai's "Three Songs of Qingping Tune" is one of the most widely circulated and popular poems created by Li Bai during his stay in Chang 'an. According to legend, during the reign of Emperor Xuanzong of the Tang Dynasty, many precious peonies were planted in the palace next to Chenxiang Temple in the east of Xingqing Pool. When the flowers bloom, they are purple, light red and all white, which looks beautiful.
One day, Emperor Xuanzong of the Tang Dynasty rode his beloved white horse, Yang Taizhen, that is, Yang Guifei, to enjoy the flowers together and brought the most famous musician in the palace at that time, that is, the famous Li Guinian. Li Guinian saw that the emperor and Yang Yuhuan were enjoying flowers with great interest, so he asked his disciples in the pear garden to take out musical instruments and prepare to play music and dance to entertain the emperor and the imperial concubine. However, Emperor Xuanzong of the Tang Dynasty said, "How can you always listen to these old songs when you enjoy flowers and love your concubine?" So academician Li Bai was called into the palace. After a little thinking, Li Bai had an idea. He quickly wrote three poems "Qing Ping Diao" on Jinhua stationery, which was very satisfactory to Tang Xuanzong. Then the disciples of Liyuan played the silk and bamboo and sang. Yang Guifei took the glass Qibao Cup and poured the grapes and wine from the tribute in Xiliang Prefecture.
After drinking wine and listening to perfect music, Yang Guifei bowed and thanked Tang Xuanzong. This legendary story from The Biography of Yang Taizhen may contain many exaggerated and fictional elements.
But there is no doubt that although there are countless poems describing women around the emperor in history, few of them can be loved by the parties and praised by future generations, and the most famous one is probably Li Bai's "Sanqingpingdiao". Li Bai has an extremely accurate grasp of the specific theme of his being called into the palace this time, that is, he grasped the special psychology of Xuanzong of Tang Dynasty at that time and cut in from the specific angle of "appreciating flowers and loving princesses", thus making the whole poem seem to be comfortable in conception and rhetoric.
However, it is by no means easy to think so thoroughly in advance when creating. First of all, this is due to Li Bai's innate temperament of "treating it like dirt and playing it a thousand times (sound left) as a friend".
Zhao Yi, a Qing Dynasty man, put it well: "It's no different from lying drunk in Chang 'an before the flowers bloom and after the moon falls" (The Original Poem). Li Bai was originally called to Chang 'an and Xijing with a cavity of ambition. "Go out and laugh in the sky, are we Artemisia people?" ("Nanling children don't go to Beijing").
He thought that he could realize his great political ideal of "making the atlas big and the sea and the county clear" when he arrived in the capital this time, but what he never expected was that Emperor Xuanzong of the Tang Dynasty only regarded him as an ornament of peace and prosperity, so Li Bai felt very painful and lost in his heart for this imposed role of royal literati. Du Fu once vividly described Li Bai's dissolute life when he was drunk in Chang 'an in the poem Song of Drinking Eight Immortals: "Li Bai wrote hundreds of poems about fighting wine, but Chang 'an went to sleep in a restaurant.
The son of heaven didn't get on the boat, calling himself Brewmaster. "Li Bai, with his special status as an academician and natural pride, is always comfortable and humble even in front of the emperor and the imperial concubine. Only in this way, he won't be unprepared in advance, and suddenly, he can only write an instant creation that can't be written badly in the busy and confused.
Because the emperor was in high spirits at this time, the imperial concubine was also waiting on the side. I'm afraid if it were someone else.
4. How to write the ancient poem "Qingpingdiao" "Three Qingpingdiao" is a group of poems by Li Bai, a great poet in the Tang Dynasty, with three seven-character Yuefu poems. The first song was written from the perspective of space, and the peony flower was more beautiful than Yang Guifei's. The second song was written from the perspective of time, showing the love for Yang Guifei; The third song consists of one or two songs, which combines peony and Yang Guifei with the king. The whole poem is ingenious in conception and gorgeous in rhetoric. It combines flowers and people to write, depicts the scene of flowers and plants, and shows the poet's superb artistic skills.
Name of the work
Three words in a clear tone
Alias of works
Clear tone words, three clear tone words, three clear tone words.
Year of creation
Tang Sheng
Source of works
Quan Tang Shi
Literary genre
Seven-character ancient poems
original work
Three words in a clear tone
one
Beautiful people who see the bright clouds, think of their clothes and see flowers come to see them.
If Yushan didn't see her, it would be Yaochi meeting under the moon.
Secondly,
A red dew is fragrant, and the rain is heartbroken.
Excuse me, who looks like Han Palace? The poor swallow relies on new cosmetics.
third
Famous flowers fall in love and laugh like kings.
Explain that the spring breeze is infinitely hateful, and the agarwood pavilion is northward.
5. "Qingpingdiao" Li Baiyun wants beautiful clothes and flowers, and the spring breeze blows Lu.
If Yushan didn't see her, it would be Yaochi meeting under the moon.
two
A red dew is fragrant, and the rain is heartbroken.
Excuse me, who looks like Han Palace? The poor swallow relies on new cosmetics.
three
The beauty of beauty and red peony complement each other, and beauty and long flowers are king.
As beautiful as spring, it can eliminate infinite resentment and live in the north of Chenxiang Pavilion.
The third song returns to reality from the fairyland ancients. The first two sentences, "Famous flowers pour over the country and care for each other, which makes the king smile." The beauty in "Pour Out the Country" refers to Yang Fei, of course. The poem only points out here that the peony and "dumping the country" and "dumping the country" are combined into one, and the words "smiling and looking" are unified, so that the peony, Yang Fei and Xuanzong are integrated. Because of the "laugh" in the second sentence, the "show infinite hatred for the spring breeze" in the third sentence was aroused. The word "spring breeze" is synonymous with the king. This sentence makes the moving beauty of peony full of interest, and the king laughs. Of course, there is no hate, and the hate is relieved. At the end of last year, the place where Yang Fei enjoyed flowers was "Chenxiang Temple North". How elegant and romantic it is for people to lean on the flowers outside the diaphragm. These three poems are rich in language and words, and the most prominent thing is to write flowers and people together, such as "the cloud wants clothes and flowers to look good", as if writing flowers and faces. "A red dew condenses fragrance" is also a mixture of people and things, referring to this and that. After reading these three poems, if you feel that the spring breeze is full of paper, the flowers are full of eyes and the face is blurred, you don't need to portray it. Naturally, people think that this is a peony, a beautiful jade, and nothing else. No wonder these three poems were deeply appreciated by Xuanzong of Tang Dynasty at that time.
6. Why did Li Bai write three songs of Qingpingdiao? First, the creative background:
According to the records of the late Tang Dynasty and the Five Dynasties, these three poems were written by Li Bai when he offered sacrifices to the Hanlin in Chang 'an. One day in the spring of the second year of Tianbao (743) or the third year of Tianbao (744), Tang Xuanzong and Yang Fei were watching peony flowers in the palace Chenxiang Temple, and musicians were preparing to perform songs and dances to entertain them. However, Emperor Xuanzong of Tang Dynasty said, "You can't use old music words as concubines when enjoying famous flowers." Li Bai entered the palace to write a new movement because he urgently called Hanlin and other imperial edicts. Li Bai wrote these three poems on the golden flower stationery when his letter entered the palace.
2. The attached original text is as follows:
Three sentences with Pingping tone (1)
one
Clouds want clothes and flowers to be compatible, and spring breeze blows the threshold to show wealth.
If Yushan didn't see her, it would be Yaochi meeting under the moon.
Secondly,
A stick of incense and a stick of incense are heartbroken in vain.
Excuse me, who looks like Han Palace? The poor swallow relies on new cosmetics.
third
Famous flowers fall in love and laugh like kings.
Explain that the spring breeze is infinitely hateful, and the agarwood pavilion is northward.
translate
one
See brilliant clouds, think of gorgeous clothes, see gorgeous flowers, think of people's looks.
If I hadn't met her at the top of Qunyushan Mountain, I would have met her in the moonlight of Yaochi.
Secondly,
Like a red peony bathed in rain and dew, Yang Fei no longer misses the goddess and hurts herself.
Who can compare the beauty of Han Palace? YiWen Zhao Yan Fei must rely on careful makeup.
third
Famous flowers have stunning beauty, which makes people feel relaxed and happy, wins the king's smile and keeps watching them.
In the spring breeze, the king's infinite disappointment was dispelled, and he leaned against the railing in the north of Chenxiang Temple.
Three. Brief introduction of three songs of qingpingdiao;
Three Poems of Qingpingdiao is a group of poems by Li Bai, a great poet in the Tang Dynasty, and there are three seven-character Yuefu poems. The first song was written from the perspective of space, and the peony flower was more beautiful than Yang Guifei's. The second song was written from the perspective of time, showing the love for Yang Guifei; The third song consists of one or two songs, which combines peony and Yang Guifei with the king. The whole poem is ingenious in conception and gorgeous in rhetoric. It combines flowers and people to write, depicts the scene of flowers and plants, and shows the poet's superb artistic skills.
Four. About the author:
Li Bai (70 1 -762), the word Taibai, was a romantic poet in the Tang Dynasty and was praised as a "poetic immortal" by later generations. My ancestral home is Ji Cheng in Longxi (to be tested), and I was born in Broken Leaf City in the Western Regions. At the age of 4, he moved to Mianzhou City, Jiannan Province with his father. Li Bai has more than 1000 poems, among which Li Taibai Ji has been handed down from generation to generation. He died in 762 at the age of 6 1. Its tomb is in Dangtu, Anhui, and there are memorial halls in Jiangyou, Sichuan and Anlu, Hubei.