Referring to the classification of Collected Works of Wang Moshu in the Northern Song Dynasty (hereinafter referred to as Shu Engraving Edition, photocopied by Shanghai Ancient Books Publishing House), the two books are slightly adjusted. Wang Weishi is still compiled into six volumes, one for Song Xing, the other for giving answers and rewards, the third for landscape tours, the fourth for sightseeing and traveling, and the fifth for farewell. Because there are no major changes, the classification of individual poems may be inappropriate. In addition to deleting five works, White Parrot Fu, Huangfuyue Painting, Pei Youcheng Portrait Praise, Song Jinma Mourning and Five Poems of Bong Ho in Volume I of Shu Engraving Edition, * * * has a total of 368 poems, plus seven supernumerary income. At the same time, this poem is accompanied by 63 poems sung by the poet.
The poems contained in these three books are based on Zhao Diancheng's Collection of Notes (short for short), proofread and printed by Zhonghua Book Company, and copied from the Shu-carved Collection of Wang Mo in the Northern Song Dynasty, the Shu-Gu Hall in the Qing Dynasty, the Collection (short for Shu-Gu, kept by Beijing Library) and the Yuan-published Xu Xi (short for short). Photocopyed by the Commercial Press), the movable-type edition of Wang Mo Miracle in Ming Dynasty (referred to as "movable-type edition"), eating Tang poems (photocopied by Yangzhou Poetry Bureau by Shanghai Ancient Books Publishing House) and the Wang Youcheng Poetry Talk of Zheng Zhenduo School (based on the original edition, the school proofreads Tang Wang Youcheng by Gu Kejiu in Ming Dynasty, which was written before the comments on poems, separated by an "O". All the changes in the original text are explained.
The notes of the four books shall be based on Zhao Diancheng's notes (marked with [Zhao Note]), and the titles of the books cited in the original notes are generally supplemented when copying; A few quotations are too many and have been deleted appropriately; If individual labels are improper, corresponding modifications have been made. I have written some new notes (marked "Sheng Press" after [Zhao Note]) where there are no notes and additional notes are needed. And selected some distinctive notes of 35 scholars (for example, Qu's Interpretation of Ancient Tang Poetry and Dialect [Wang Jie]. Chen Yiqi's Selected Poems of Wang Wei is marked [Chen Note]). Annotations try to express their ideas in detail and contain some ideas that can be prepared for readers to discuss. When quoting ancient books in annotations, it is important to be poetic and have abbreviations in sentences. There are original notes in the title of the poem, such as "Year 19", "Festival Judge wrote in Liangzhou" and "Miscellaneous Writing". Or Wang Wei's own notes, or Wang Jin's attached book, or Xu Xi's supplement, all of which are preserved. At the same time, the biographies of the chorus poets mentioned in the poems are based on The Complete Poems of Tang Dynasty, Biographies of Talented People in Tang Dynasty and some new materials.
Comments on these five books include poems of various dynasties and comments of modern scholars. The latter is extracted from various literary history, monographs, poetry collections and related papers. Please forgive me if there is anything wrong!
There are five appendices, which are of great reference value. Among them, "modern poetry criticism" reflects some important viewpoints of modern Wang Wei's research.