He was also born in a feudal family. He initially made up his mind to become a doctor. He went to Japan to study abroad only to improve his medical attainments, but he deeply felt that the pain of his motherland could not be cured by doctors. So he gave up medicine to fight against the old world and became the leader of the Cultural Revolution. His name is Zhou Shuren.
Because of the same pursuit, they used to be bosom friends. It was money that prompted Lu Xun to write Diary of a Madman, which became famous in the Central Plains. Lu Xun once called money Bole, but later they broke up. Is someone ungrateful or has something else to hide?
1904 In September, Lu Xun went to Sendai Medical College to study medicine, where he met Fujino Genkuro, who was later called Mr. Fujino in his works. At that time, Lu Xun had not realized the people's serious illness, so he wanted to study medicine well.
/kloc-in October, Lu Xun participated in an educational activity at school. He and his classmates watched the Russo-Japanese War Education Film during the break. This movie-watching activity greatly stimulated him. He suddenly discovered that medicine can only cure people's health, but it can't cure people's thoughts.
So he chose to give up medicine and study literature, and graduated directly from Sendai Medical College, hoping to find a specific medicine for treating ethnic diseases. But at this moment, a letter came from home saying that his mother was seriously ill, and Lu Xun hurried home, only to find a bride sitting in the room.
He was coaxed into marrying Zhu An. He didn't love him at all. The misfortunes of the country and individuals were imposed on one person, a free youth who wanted to wake up the sleeping China people with pen and ink articles was completely defeated by reality and feudal tradition.
Facing the cruel reality, he was confused, helpless and depressed. At this time, Lu Xun was engaged in copywriting translation in the Ministry of Education. He reads ancient books and copies ancient inscriptions every day. In fact, he is an ordinary civil servant, nine to five, decadent and uneasy.
At this time, Lu Xun met the money that changed his fate. Qian was then the editor of New Youth magazine. In fact, they have known each other for a long time, and they are all disciples of Zhang Taiyan, a master of Chinese studies. However, they didn't have a deep relationship at that time, but money often asked him for manuscripts.
1965438+In August 2007, while chatting with Zhou Zuoren, Qian suddenly said to those who had not written for a long time, "I think you can write something!"
Zhou Shuren replied sadly, "Today's China is like an iron house without windows, which is extremely difficult to tear down. The people inside went from lethargy to death and did not feel the sadness of death. If someone interrupts and wakes up a few sober people, but makes them feel irreparable death, do you think it is worth it? "
This is the reason why Lu Xun was confused and depressed. He wanted to raise his arms and shout loudly, but he was helpless in the indifference of the people. He felt that there was no way to break through this gloomy and negative iron house, and he didn't want to be the one who shouted loudly, so he could only live painfully and soberly.
Qian was a very radical revolutionary at that time. He didn't want to witness the decadence of his good friend, so he immediately retorted, "However, since several people are up, you can't say that there is no hope to destroy this iron house."
It was this sentence that made Zhou Shuren lift the pen he had put down for a long time, and wrote the famous article-Diary of a Madman, which shocked the land of China, with a pungent and ironic style, thus opening a historical chapter in China's vernacular novels.
On May 19 18, 15, the 1 th vernacular novel "Diary of a Madman" in the history of modern literature in China was published in New Youth, edited by Qian, which profoundly revealed the essence that feudal people ate less people.
It was this novel that made Lu Xun's name spread all over the country, but his original name was Zhou Shuren. From then on, Lu Xun became famous in the literary world and soon became the leader and advocate of the New Culture Movement and the Cultural Revolution.
Qian and Lu Xun became more and more close, from ordinary friends to bosom friends. It can be seen from this incident that money is a bole who is grateful to Lu Xun.
However, such a pair of close friends who knew each other and cherished each other later broke up, even to a very bad point. They almost became enemies.
There is a saying in Lu Xun's and Xu Guangping's love diary "The Book of Two Places" that describes Qian Xuantong-"Fat and slippery, nagging as usual". This kind of sarcastic language is obviously inappropriate for friends, let alone for their own lovers.
At that time, money was fat, and Lu Xun often used this feature of money to ridicule it, which was very ironic in his speech.
After learning about the money, I laughed it off without saying anything. He just said, "hate it if you want, and then you'll never see it again." In this way, it is really Lu Xun's fault.
In fact, from the beginning, the communication between the two people was not quite in tune. Although Qian appreciates Lu Xun's talent, he really can't adapt to Lu Xun's character. Lu Xun is famous for his sharp personality, and he is always cynical about people and things he is dissatisfied with.
Although Qian Xuantong was radical at first, he became moderate later. Speaking of personality, Lu Xun's younger brother Zhou Zuoren hit it off very well. Perhaps we can vaguely see the real reason for their break from here.
At that time, the Zhou brothers turned against each other and became a mystery in the history of literature. As a good friend, Qian Xuantong sided with Zhou Zuoren, which naturally aroused Lu Xun's dissatisfaction. Moreover, Zhou Zuoren later became a traitor, which brought the relationship between Lu Xun and Qian to an end.
However, they turned against each other completely, starting with 1929.
1929 In May, two people met in Comte Middle School. Qian Xuantong saw his friend come forward and asked, "Is your business card still three words?" It was just an apology between friends, but it was misunderstood by Lu Xun.
Lu Xun directly replied contemptuously: "My business card has never been two words or four words." This sentence is mocking Qian for pretending to be mysterious, because the word "Yitong" is printed on Qian's business card, which is actually imitating the ancients and adding numbers before his name. Many scholars used it at that time, but Lu Xun looked down upon it.
Later, Qian's views tended to be conservative, while Lu Xun maintained a radical revolutionary enthusiasm. As we all know, during the Cultural Revolution, all parties argued endlessly and had different literary concepts, which naturally doomed them to take different paths, so the break was excusable.
When people reach a certain age, their ideas will calm down. When the rich people were over forty, the lofty sentiments and ambitions that impacted the feudal culture gradually disappeared, and the whole person tended to be calm, while Lu Xun's thoughts became more and more high-spirited, and the passion of the literary revolution became more and more enthusiastic, so they naturally parted ways.
In the months of 1932, 1 1, the two almost became a state of old age and death.
Lu Xun returned to Beijing from Shanghai to visit relatives. At that time, Qian was the head of the Chinese Department of Beijing Normal University. When two friends meet again, there will naturally be a series of contradictions.
At that time, Lu Xun was very famous, and the students of Beijing Normal University wanted to listen to a lecture by Lu Xun. However, as ordinary students, it is naturally impossible to know Mr. Lu Xun's address, so they went to their dean for money with confidence. Unexpectedly, this touched the scales of money.
When Qian heard the students' opinions, he was furious and shouted directly, "I don't know, I don't know anyone named Lu."
At that time, someone who described it recorded the state of money and said, "Yell like a bomb."
It can be seen that there is really no room for manoeuvre in their friendship.
However, the students at that time worshipped Lu Xun very much. The dean's opposition didn't stop their enthusiasm. A group of students are also very angry and determined to find Lu Xun. They even spontaneously went to find Lu Xun's residence. Anyway, Beijing is so big that they will find it.
The master of Chinese studies who has always been steady threatened like a child when he heard this. "If Lu Xun comes to give a speech at Normal University, I will no longer be a director."
The students were not intimidated by money, so they invited Mr. Lu Xun directly and even told Lu Xun about the attitude of money. Lu Xun finally gave a speech at Beiping Normal University, which gave great encouragement to the young people.
Qian Xuantong was very angry when he knew it, but he didn't resign, which became the handle of Lu Xun's later ridicule.
Money is actually a very contradictory person. His radical ideas once made people feel helpless. He once publicly stated that "people should not be alive at the age of 40, even if they are alive, they should be shot."
But in the end, money didn't want to die. After all, Qian was just a professor in Peking University, rich and powerful, and lived a good life. He just said he forgot, he forgot, but someone helped him remember. Isn't that what Lu Xun caught?
Lu Xun wrote a limerick that mocked the money at that time. "Don't commit suicide, more than forty. Why not bet on a pig's head and be a dialectic? "
For such personal attacks, Qian lambasted in his diary: "It's really boring, rogue and shameless to lie in bed and watch Lu Xun's" Three Idle Sets "and" Two Hearts ". What's the point? "
Money taunts Lu Xun everywhere. As an aloof person like Lu Xun, he is naturally not to be outdone. The two men broke up one after another, and the feelings of old friends broke down more and more until they turned against each other.
Lu Xun's life, laughing and cursing are all articles, "bow down and be a willing ox". His life has struggled with feudal traditions and the decadent old world, so it is a bit bitter.
As a standard literary master and academic figure, Qian is bound to take a different road from Lu Xun.
From friends to close friends, from close friends to enemies, it is not so much because of the times as because two people disagree.
The dispute between famous artists has always been a matter of opinion, and the wise have different opinions. They are happy to scold and say, and the spectators are naturally watching. As for the glorious chapter they left in the cultural history, it is the essence that future generations should pay attention to.
As far as its popularity in later generations is concerned, money is not as good as Lu Xun. Many of Lu Xun's works have been selected into Chinese textbooks for primary and secondary schools, and they are well-known throughout the country. Coupled with his sharp and profound words and shocking writing style, it is naturally amazing.
Mao Zedong commented on Lu Xun, saying that he was "the main commander of the Cultural Revolution in China, not only a great writer, but also a great thinker and revolutionary."
Money is also a particularly awesome person. After all, Lu Xun denounced all the literati with names at that time, and Qian's achievements in Chinese Pinyin made the posterity reverberate endlessly. Premier the State Council once commented on him: "Without the unremitting pursuit of our predecessors such as money, we might not enjoy the elegance of Chinese Pinyin and punctuation today."
Qian Sanqiang, the son of Qian, is also an unavoidable figure in the modern history of China. He is a famous physicist in China and the founder of China's "two bombs and one satellite", which makes China not afraid of the challenge and oppression of any powerful country in the world.
Those grievances have become a page in history. Laughing and cursing, and turning an enemy into a friend with a smile are all talked about by later generations. They are anecdotes beyond achievements, and they also make cultural masters become living people, and become ordinary people with the same joys and sorrows as ordinary people, rather than saints without emotional temperature in the literary world.