Authentic ancient books in Qing dynasty

The champion's name is Liu Chunlin. He can write such beautiful fonts because he practiced hard every day when he was young and improved his calligraphy to a certain level. Therefore, Liu Chunlin has an advantage over others in the imperial examination, because his articles look neater. This shows that Liu Chunlin has a correct learning attitude and attaches importance to the imperial examination. No wonder Liu Chunlin won the first prize in this imperial examination. After all, his writing can give him a lot of points.

To know that a person's handwriting is very important in the exam, it is no exaggeration to say that if your handwriting is beautiful, then you will leave a good impression on the marking teacher. This truth exists not only in today's social exams, but also in ancient science exams. Even in China's ancient imperial examinations, the requirements for themselves are more stringent. For example, in the Qing dynasty, the imperial examinations in the Qing dynasty made strict requirements on the fonts of candidates.

They asked people who took these exams to write pavilion style, which is a necessary font for the imperial examination, because it looks neat and not particularly scribbled, and the marking teacher can easily understand it. But it is not easy to write this kind of pavilion. He needs hard training by himself. As the saying goes, Rome wasn't built in a day. If he can reach the level like the top scholar Liu Chunlin, he needs to practice from an early age.

Many calligraphers were born in ancient China, such as Wang Xizhi, who endangered the Northern and Southern Dynasties. Mr. Wang Xizhi is called a calligrapher in China, because he has high attainments in calligraphy, but not everyone can understand his calligraphy. Because the book written by Wang Xizhi is called running script, it looks sloppy, but this font has been recognized by many calligraphers throughout the ages. They think this kind of calligraphy is elegant, but in the eyes of many calligraphers, this kind of cabinet-style character used in the imperial examination in Qing Dynasty is a kind of poor calligraphy.

To sum up, the person who wrote as a printer was Liu Chunlin, the champion of the Qing Dynasty. Although his handwriting is neat, it is considered by many contemporary artists to be of no artistic reference value. In my opinion, these contemporary calligraphers just can't eat grapes and say that they are sour and have no level. They are really small. But in any case, the font used in this ancient examination is an indispensable part of China's calligraphy, which reflects the profoundness of China's calligraphy culture.