Lu Xun's spirit refers to Lu Xun's lofty spirit, including his political foresight, his spirit of struggle and his spirit of sacrifice. Chairman Mao also paid tribute to Mr. Lu Xun and praised his value in China.
Mao Zedong praised Lu Xun in three aspects: first, "his political foresight", "he observed the society with a microscope and telescope, so he saw it a little further"; The second is "his spirit of struggle". "He saw the political direction clearly, fought bravely towards a goal, and never gave up halfway or compromised"; The third is "his spirit of sacrifice". "He is not afraid of the enemy's threats, temptations and injuries. He doesn't shy away from stabbing everything he hates with a pen like a steel knife. " He also said: "Lu Xun's bones are very hard, and it is very valuable for semi-colonial countries to have such hard bones as Lu Xun."
Mao Zedong summarized these three points as "Lu Xun's spirit". Chairman Mao was full of respect for Mr. Lu Xun and praised "Lu Xun's value in China:" In my opinion, he was the first saint in China. If Confucius is a saint in feudal society, then Lu Xun is a saint in modern China. "
Lu Xun (188 1 September 25th-19361October19), formerly known as Zhou Zhangshou, later renamed Yushan, later changed to Yucai, "Lu Xun" is his1. A famous writer and thinker, an important participant in the May 4th New Culture Movement and the founder of modern literature in China. Mao Zedong once commented: "Lu Xun's direction is the direction of the new culture of the Chinese nation." ?
Lu Xun has made great contributions in many fields, such as literary creation, literary criticism, ideological research, literary history research, translation, introduction of art theory, introduction of basic science and research on ancient books collation. He had a great influence on the development of China's social ideology and culture after the May 4th Movement, and enjoyed a high reputation in the world literary world, especially in the fields of Korean and Japanese ideology and culture. He is known as "the writer who occupied the largest territory on the East Asian cultural map in the 20th century".