1. Write a 300-part essay based on the image of Concubine Yang in The Song of Everlasting Sorrow
Looking back at history - Concubine Yang
History always gives people a sense of weight. , because it has carried too much right and wrong, success and failure, rise and fall, honor and disgrace; it has left too much eternal fame and eternal infamy.
——Inscription
The Tang Dynasty is a bright spot on the historical picture, and its rich colors are eye-catching. When it comes to the Tang Dynasty, we have to mention Yang Guifei, a beauty in the eyes of many people.
"Who determines the rise and fall of the country, so is there no basis for success or failure?" This is the emotion of many people.
I remember that on the birthday of his concubine, Emperor Xuanzong of the Tang Dynasty took her to the foot of the beautiful Lishan Mountain - the magnificent Huaqing Palace. The imperial concubine was stunned. At this moment, she heard rolling thunder falling on the mountain, and the closed palace doors opened slowly. An envoy came galloping on a post horse, and another litchi arrived.
"When a red concubine rides on a horse and laughs, no one knows it is a lychee." All this has further strengthened history's view of Concubine Yang - she brought disaster to the country and the people, just like praising Si Daji. A smile from a noble concubine would cost tens of thousands of people, loads of gold and silver, and BMW horses!
"The fragrance is lingering when the sleeves are moving, and the red lotus owl is in the autumn smoke." The imperial concubine with "ice muscles and jade bones as strong as plum blossoms" spent huge sums of money playing the pipa in the Huaqing Palace, and collaborated with Emperor Xuanzong of the Tang Dynasty to compose the "Dance of Colorful Clothes and Feather Clothes". There was singing and dancing in the palace, but there were complaints outside the palace. The civil and military officials in the court were sighing, and the people in the city were complaining: "Beauty is a disaster!"
But don't forget, she is just a woman. In that feudal society where men were gods and women were nothing, she could only use all means to gain status, fame and fortune. Will Yang Guifei, who is loved by three thousand people, cry without tears in the palace where people's hearts are so sinister?
Who could have known that she didn’t want to live in peace? Who can be sure that she doesn’t want the happiness of men farming and women weaving? "May I ask who in the Han Palace is like it? Poor Feiyan relies on her new makeup." Who can guarantee that Tang Xuanzong's heart will stay with Yuhuan for the rest of his life? There is no eternity in the palace, only power and status. She can only use every method to survive safely in the intrigues of the palace.
"The beauty of the sky caused chaos in Anshi, and the west wind still cries Bai Ling." How can Yuhuan be blamed for the Anshi Rebellion? Since there is a desire to rebel, how can there be no plan to rebel? I only cherish the appearance of the goddess, sigh at the appearance of heaven and human beings, and pity only the encounters in troubled times. All this is not Yang Guifei's fault. Her beauty is not enough to cause such a serious crime that harms the country and the people, is not enough to cause wars and chaos, and is not enough to cause the overthrow of the dynasty!
It was the times and prejudice that destroyed her beauty. People forgot her weakness, but only remembered the disaster caused by her beauty. 2. A 300-word essay on the emotion of Concubine Yang in The Song of Everlasting Sorrow
Her beauty is unparalleled in the history of China for thousands of years; her tenderness fascinates two generations of emperors, father and son; her story is engraved with legend. Beauty is the source of eternal infamy.
I have mixed feelings when I close this 1,010-page historical masterpiece. Her love, her resentment; her smile, her tears. Everything seemed to be real and illusory, appearing in my dazed mind, making me at a loss.
The long scroll of Chinese history is engraved with such a colorful and controversial figure - Yang Yuhuan (Yang Guifei). When you hear this familiar yet unfamiliar name, do you think of the "Four Beauties" or the "Anshi Rebellion"?
It is obviously unfair if the responsibility is only placed on women indiscriminately. Just as Yang Yuhuan was responsible for the biggest culprit of the "Anshi Rebellion". This is obviously the result of the overwhelming influence of Confucianism's "women and villains cannot be raised" and its out-of-control influence. As the great power of the Tang Dynasty disappeared, as the love flower between Yang Guifei and Tang Xuanzong withered mercilessly, Yang Guifei also fell into lingering infamy throughout the ages.
A weak woman who had lived with Emperor Xuanzong of the Tang Dynasty for more than ten years had no interest in politics, had no ambitions for politics, had never held power, and had never interfered with anything related to government affairs. Even if Yang Guozhong rebelled later, it could not have anything to do with Concubine Yang. The deep love between Yang Guifei and Emperor Xuanzong of the Tang Dynasty was blamed by the Holy Emperor Hu Mei. In the end, it even became the biggest reason for the outbreak of the final "Anshi Rebellion". For thousands of years, people have accused Yang Guifei and spurned Yang Guifei. However, love is based on equality. Why the tragic war broke out in the end was Yang Yuhuan's fault alone, allowing only one woman to bear such an eternal infamy and eternal injustice. 3. Who can provide me with a composition of about 700 words to rewrite the song "Song of Everlasting Sorrow"
"A piece of Everlasting Sorrow is charming, and ten Qin chants are almost true."
The poet Bai Juyi once wrote "Song of Everlasting Sorrow" is regarded as "national style", "Qin Zhongyin" is regarded as "elegant" poem, and the word "style" is used to praise "Song of Everlasting Sorrow". This is not self-respecting at all.
As we all know, "Song of Everlasting Sorrow" mainly describes the love tragedy with Tang Xuanzong and Yang Guifei as typical characters. It contains both personal privacy life and the political life of the characters, which to a large extent embodies the realistic artistic characteristics of Bai Juyi's poetry.
The poem is based on sympathy for the tragic fate of the two people, but there is criticism in the sympathy, and there are reservations in the criticism; it stops at the point, does not spread out, does not go against history, and does not harm the theme of love. . The whole poem from the beginning to "Looking east to the capital and trusting the horse to return" actually narrates the whole process of Yang Guifei's glorious life and miserable life; from "the pond and garden are still the same after returning" to "the soul never comes to dream", the author imagines the life and death of Emperor Xuanzong of the Tang Dynasty and his beloved concubine The painful lovesickness after separation; and the following "Linqiong Taoist Hongdu Guest" is all illusory.
This combination of virtuality and reality, virtuality and reality, is another major artistic feature of this poem. According to the analysis of relevant scholars, the latter part of the meeting in fairyland is associated with the previous two sentences: "The mother-of-pearl leaves the land and no one collects it, and the green and green golden bird scratches the head." The mother-of-pearl box and gold hairpin serve as clues, which makes the poet's The association becomes natural, not far-fetched.
"Private Oath on Chinese Valentine's Day" seems to be true when read. This may be regarded as "real writing within fiction"! Most of these things should be folk rumors and cannot be verified by historical data. However, Bai Juyi skillfully used these fictional descriptions to make the work more vivid and emotional. As for the language, in my opinion, the latter part, "Fairy Tai Zhen appears", does the best of the poet's elaboration.
Every word is so beautiful. Of course, the characteristics of "rich voice, emotion, smoothness and naturalness" are not a problem, and can reach the point of mellow tone and smooth words.
In terms of structure, "A man who is not reborn and is reborn as a woman" used to be written about Yang Guifei's special favor, but then it turned into a farewell. It would be abrupt if he directly wrote "Yuyang Chao encouraged the earth to come" at this time. The poet Therefore, four sentences such as "The high place of Li Palace enters the blue clouds" are inserted as a transition. The "Yuyang Drum" is captured in a tight rhythm of music, singing and dancing, making the structure seamless.
The middle section writes about lovesickness, and the second section writes about fairyland. The poet arranged the scene of Xuanzong missing the imperial concubine day and night, with the sentence: "The mandarin duck tiles are frosty and the flowers are heavy, and the emerald quilt is cold. Who can be with you? After so many years of life and death, The soul never comes to dream."
The four sentences are transferred to Linqiong Taoist priests seeking immortality, and the structure is also natural and rigorous. The perfection of language and structure makes the artistic features of the entire poem shine.
The work extensively uses rhetorical techniques such as duality, parallelism, thimble, etc., such as "In the sky, I wish to be a winged bird, and on the ground, I wish to be a connecting branch." "The peach and plum blossoms bloom in the spring breeze, and the sycamore leaves fall in the autumn rain."
"As the bells and drums begin to grow into the long night, the stars are eager to dawn."... They are all popular sayings; the sentence "The golden house is made up to serve the night" quotes the ancient book of Emperor Wu of the Han Dynasty; "Golden Que West" Knocking on the jade in the compartment, the little jade will be repaid with success."
The sentence also has a mythological origin; "The jade face is lonely and full of tears, and a pear blossom brings rain in spring." There is probably no other way to reproduce Yang Guifei's appearance. A metaphor could not be more apt or artistic than this.
... There is no doubt that "Song of Everlasting Sorrow" is a historical tragedy, and the significance of tragedy lies in its "destruction of valuable things to show to others", which shocks the readers' hearts; but "Song of Everlasting Sorrow" is by no means just It is a tragedy that has shone in the long history for decades with its appeal that is known to all women and children. I think it is due to its exquisite artistic features that it has achieved such achievements. 4. Sentences about Concubine Yang’s unswerving loyalty in the Song of Everlasting Sorrow
The jade face is lonely and full of tears, and a branch of pear blossom brings rain in spring.
Looking at the king with affection, his voice and appearance are blurry.
Love is overwhelming in Zhaoyang Palace, and the sun and moon grow long in Penglai Palace.
Turning back and looking down at the world, I could not see Chang'an but the dust and mist.
Only the old things show deep affection, and the tin alloy hairpins are sent to the future.
Leave one strand of the hairpin to form a fan, break the gold hairpin into two halves.
But the heart of teaching is as strong as gold, and we will meet in heaven and on earth.
I sent my farewell message again with sincerity, in which I vowed to know each other.
On July 7th, in the Palace of Eternal Life, no one was whispering in the middle of the night.
In the sky, I wish to be a winged bird, and on the earth, I wish to be a twig.
As time goes by, this hatred will last forever! 5. Write a 300-word essay based on the image of Emperor Xuanzong of the Tang Dynasty in The Song of Everlasting Sorrow
In the later period of his reign, he indulged in drinking and debauchery, reused treacherous ministers, and became politically corrupt. Finally, the Anshi Rebellion broke out, and the Tang Dynasty declined. .So, Tang Xuanzong is a historical figure with outstanding merits and demerits: (1) In the early period of Tang Xuanzong's rule, he attached great importance to the selection of local officials. He personally evaluated county magistrates and dismissed incompetent people. He appointed talented and capable people. Yao Chong and Song Jing, who were responsible and dared to remonstrate, became prime ministers. As a result, society was stable, production developed, and the economy prospered. The Tang Dynasty entered its heyday, known as the "Kaiyuan Heyday" in history. (2) He attached great importance to the jurisdiction of border areas and sealed grain. At the end of the reign, Da Zuorong was appointed as the "King of Bohai County", established the Bohai Governor's Mansion and the Blackwater Governor's Mansion, named Piroge of Nanzhao as the King of Yunnan, and named Pei Luo, the backbone of Huihe, as "Huairen Khan", which consolidated many The unification of the nation-state. (3) Reform the military system and change the government military system to a recruitment system. (4) In the later period of Tang Xuanzong's reign, he doted on Concubine Yang, drank and had fun all day long, ignored political affairs, and re-employed the treacherous Li Linfu and Yang Guozhong, making politics very corrupt , leading to the Anshi Rebellion. The rebellions of An Lushan and Shi Siming, which lasted for 8 years, greatly damaged agricultural production, displaced people, and turned the Tang Dynasty from prosperity to decline. From then on, the Tang Dynasty began to go downhill. (5) Xuanzong of the Tang Dynasty He played a major role in the high prosperity of the Tang Dynasty, but he also brought huge disasters to the people of the Tang Dynasty in his later years. He is an important historical figure with outstanding merits and demerits. Chen Xuanli, Guo Ziyi, Li Guangbi, Xu Yuan, Zhang Xun, Yan Gaoqing, Lu Ling, and Zhang Jieran .. 6. "Song of Everlasting Sorrow" is divided into two parts to describe the beauty of Yang Yuhuan, please analyze
In "Song of Everlasting Sorrow", Bai Juyi combines virtual and real, using metaphors, foils, renderings, and fine brushwork from both direct and indirect descriptions. Detailed description and other techniques depict the beauty of the imperial concubine.
The emperor of Han Dynasty paid great attention to beauty and wanted to overwhelm the country. For many years, he could not get it from Yuyu. There is a daughter in the Yang family who has just grown up. She is raised in a boudoir and no one knows her. (Side description) It’s hard to give up on natural beauty (direct description), once chosen to be on the king’s side. Looking back and smiling, the sixth palace has no color. (Direct description) Hanci bathes in Huaqing Pool, and the hot spring water washes away the fat. (Skin) The waiter lifts up the delicate and feeble (beautiful gesture), it is the beginning of new grace. The clouds on the temples and the beautiful face (the image of a beautiful woman) move with golden steps, and the hibiscus tent warms the spring night.
The spring night is short and the sun is rising, so the king will not go to court early from now on. There is no leisure for Cheng Huan to serve banquets, and all the nights are dedicated to spring outings. There are three thousand beauties in the harem, and three thousand people love her. The golden house is made up to serve as a charming lady at night, and the jade tower is full of drunkenness and spring. Sisters and brothers are all from the earth, poor and glorious. Therefore, the hearts of parents all over the world are determined not to be reborn as a boy but to be reborn as a girl. (By writing about Xuanzong's favor, the beauty of the imperial concubine is described in profile)
Slow singing and slow dancing with silk and bamboo (writing about the beautiful dance posture), the king is not satisfied with it. (It's not beautiful even if it's "not enough")
In the mud at the foot of Mawei slope, there is no empty place where the jade face died.
Hibiscus is like a face and willows are like eyebrows, how can I not shed tears about this.
There is a character in the book who is too real and has a snow-skinned and colorful appearance. (The real word is "Taizhen", the virtual word is imperial concubine)
The jade face is lonely and full of tears, and a branch of pear blossom brings rain in spring.
(After the death of the imperial concubine, Xuanzong dreamed that the imperial concubine was crying, and the pear blossoms were raining, which was delicate and beautiful)