Yoshiyama character? Wang Yuchang

? Wang Chan Chang (1876~ 1938), whose real name is Yangzhai, is a master of Gao Liangyu in the south of Jishan County. In the 27th year of Guangxu in Qing Dynasty (190 1), Juren studied in Tangzhongzhai of Shanxi University in the 28th year of Guangxu (1902) and graduated in the 31st year of Guangxu (1905), and was awarded a tribute student. After the Revolution of 1911, 19 12 to 1937 successively served as magistrate of Wu 'an County, Hebei Province, county heads of Yushe County, Yuxian County, Taigu County, Fenyang County and Wuzhai County, Shanxi Provincial Government Secretariat, and acting secretary general of the provincial government. He was a famous epigraphist and scholar in Shanxi during the Republic of China.

? Wang Jianchang, a young tutor, has been hostile to his father since childhood and has a strong interest in epigraphy textual research. He is well-read and versatile, and his poems, paintings and calligraphy are all-encompassing. He studied hard, studied epigraphy, and also participated in textual research. He can analyze epigraphy, calligraphy and painting, inkstone printing, and can distinguish authenticity. After participating in politics in various counties, Mr. Wang took two or three followers and rubbing and copying tools, walked by donkey, bowed his head to the countryside, climbed mountains and waded, slept in the wind, visited personally, conducted investigations and copied, and accumulated into a masterpiece. He is the author of Yuxian Statues, An Introduction to Yuxian Stone Carvings, Fenyang Stone Carvings in Ten Volumes (Six Volumes Addendum), and Jishan Stone Carvings Catalogue. The Spring and Autumn Annals of Fools, preface to the collected works of Mr. Zhu Cang Xie in Ming Dynasty. The evolution table of Daoxian county in Shanxi province, the questionnaire of scenic spots and historical sites in various counties in Shanxi province, and the representatives of past dynasties? Du Yishi's Series and the second edition of Two Temples Collection. Among them, there are ten volumes of Fenyang County Records, and six volumes of addenda. The print run is unknown. The text is copied from the Book of Stone Records, which is divided into ten categories: Yi wares, spring wares, statues, statues, chronologies, towers, poems, inscriptions and woodcuts (including ceramics and wood). According to the standard of epigraphy, each category was described by people who could be seen in Fenyang at that time. ? 400,000 words in total. After the founding of New China, this book was listed in the catalogue of archaeological documents in Peking University. Secondly, the Catalogue of Jishan Strange Stones is classified from summer to Qing Dynasty, and its title is ***2 19. The catalogue * * * is divided into five categories, in which gold carvings, statues, towers, inscriptions and cluster carvings are recorded in detail. There are 23 gold carvings, 53 statues, 28 towers, 88 inscriptions and 27 cluster carvings. This book embodies Wang Jianchang's lifelong efforts and is a valuable material for studying ancient epigraphy in Jishan County.

? 1July 1937, War of Resistance against Japanese Aggression broke out in an all-round way,1October Taiyuan fell 165438. Wang Jianchang returned home and continued to write "Jishan County Records", which began in the ninth year of the Republic of China (1920). 1On March 4th, 938, Japanese troops occupied Jishan County. He followed the county government to Houjiantou Village, more than 30 miles north of the city, with several boxes of Jishan county annals and related literature and history materials. During this period, after he returned to China, he was afraid that the manuscript would be destroyed by the Japanese army, so he buried all the materials in Houjiantou Village. Later, Mr. Wang died of hemiplegia at the age of 62. The loss of the manuscript of Jishan County Records has become a great regret in the history of Jishan.

? In troubled times, the county magistrate riding a donkey left us extremely precious documents, which are commendable! Through his whole life's efforts, he gave full play to his understanding and vision of historical dust and left valuable cultural wealth for future generations. As he said, "I am hidden in the official, and I have exhausted my stupidity to be benevolent to the stone. It is beneficial to the world, but it is not beneficial to the world. It is not known to me." "Although the choice was not carefully investigated, I still had a quiet conversation for the help of archaeology. I expressed my kindness, loyalty and filial piety. After the rise, there must be succession! "