Xianyang Museum Visiting Guide
Xianyang Museum is one of the famous museums in the country. The following is the Xianyang Museum visiting guide shared with you for your reference. Welcome to browse!
Introduction to the exhibition hall:
Xianyang Museum is located in the middle section of Zhongshan Street, an ancient cultural street in Xianyang City. It was founded in 1962.
It is one of the country's famous medium-sized museums. The museum site was transformed from the Confucian Temple built in the fourth year of Hongwu in the Ming Dynasty (AD 1371). The overall building is grand and majestic. It is a provincial key cultural relic protection unit, a provincial civilized demonstration tourist attraction, a patriotism education base, and a national AAA tourist attraction.
The Xianyang Museum mainly collects, studies, and displays historical cultural relics of the Qin and Han Dynasties. There are more than 10,000 cultural relics in the collection. There are currently nine exhibition halls, the main displays are: the display of historical cultural relics of Qin Xianyang, the display of three thousand painted terracotta warriors and horses of the Western Han Dynasty, the display of Xianyang steles, the display of religious cultural relics, and the exhibition of treasures of horse warriors and warriors unearthed in Xianyang from all dynasties.
Xianyang Museum aims to serve tourists wholeheartedly and is open to the public all year round.
Exhibition hall layout:
The historical cultural relics in the museum are displayed in three exhibition halls:
The first exhibition hall mainly introduces the period from Xianyang, the capital of Qin, to Qin Tong The historical background of the Six Kingdoms briefly explains the early history of the Qin people with typical cultural relics, highlighting Shang Yang's reforms, agricultural development, military strength, unification of the six states, and unification of weights and measures. The main exhibits include: tripod with phoenix inscriptions, horse-riding figurines of the Warring States Period, Yonggong copper kettles, Gongshichu copper kettles, deer pattern tiles, Shang Yang bronze upsetting, a group of weapons such as Ge, spears and swords, Anyi Xiaguan Zhong, Xiu Xiu Warm cups from the Wu Mansion, coins from the Six Kingdoms, and iron powers with inscriptions from the Qin Dynasty.
The second exhibition hall mainly introduces the architectural achievements of Qin Xianyang Palace No. 1, 2 and 3, focusing on the brick building materials, palace murals, copper components and drainage facilities, refrigeration facilities, heating facilities, etc. architectural achievement. The main exhibits include: hollow bricks with water gods riding on phoenixes, hollow bricks with dragon patterns, floor tiles, well rings, cellar bottom basins, Qin ruins tiles, four-horse carriage murals, funnels and drainage pipes, etc.
The third exhibition hall mainly displays the Qin Xianyang palace ruins, handicraft workshop ruins and pottery, bronze, jade, silk and other handicraft products unearthed from the Qin tomb area. The main exhibits include: a group of pots, pots, tripods and cauldrons with pottery stamps, a large duck egg pot, a group of bronzes unearthed from the Talpo Bronze Cellar in 1966, the palace ruins area, Changling workshop ruins, Huangjiagou A group of bronze vessels were unearthed in the tomb area, as well as a group of miscellaneous household utensils including gold and silver belt hooks, a group of bronze mirrors, a group of jades, and the earliest silk fragment discovered so far.
Exhibitions and collections:
Jade Immortal Galloping Horse
First-class cultural relics of the Han Dynasty.
Immortal galloping horse, made of mutton-fat jade. The jade horse is in the shape of galloping with its head held high and its chest raised. It is made of a male, with an open mouth and teeth, eyes, ears erect, wings from the chest to the abdomen, and four hooves flying in the air. On the board, a cloud head is connected to the horse's legs, hooves and tail. A feathered man rides on his back, his shoulders and buttocks are decorated with feather wings, he has a human face and animal ears, and he has long hair. He holds the horse's neck in one hand and holds Ganoderma lucidum in the other. This piece of jade is the best of Han Yuan-carved jade and provides precious information for the study of ancient Chinese jade carving art.
An engraved red gold pot
A first-class cultural relic of the Tang Dynasty.
The golden pot is in the shape of a holding pot. It has a lid, an upright rim, a flat lip, a wide mouth, round shoulders and a bulging belly, sloping walls, a concave bottom, and a long handle. It has a short standing flow, a circle foot, and a lotus bud button. , straight-mouthed umbrella-shaped cover, with a circle of lotus petals and entwining flower patterns on the umbrella cover under the button. There are sea ripples on the standing edge. The neck of the button is connected to the handle by a movable chain, and the joint between the chain and the handle is made into a turtle-shaped rivet. The long handle is wide and flat, with a rhombus pattern carved on the outside. The handle is riveted to the body of the pot. The vertical stream is decorated with lotus. It is divided into five areas from the neck to the bottom, and is decorated with two continuous vines and lotus in turn. , Luan bird, scroll pattern, and the bottom is a continuous lotus petal pattern in four directions. The gold pot has exquisite craftsmanship, exquisite production and gorgeous decoration. It is a boutique gold and silverware of the Tang Dynasty.
Stone Bodhisattva
A third-level cultural relic of the Ming Dynasty.
Made of Qingtian stone, the Bodhisattva has a bun with his hair in a bun, a shawl reaching his shoulders, eyes, and a slightly closed mouth. His face is delicate, dignified, and gentle. He is dressed in thin clothes with a sloping collar. He holds his hands in front of his abdomen and holds a plate. , with a pure vase and scriptures placed on top, legs crossed as a meditation seal, double petals covering the rosette, and flame patterns all over the body with backlighting. The shape is carefully carved, with smooth lines and refined knife skills. It is a physical material for studying the art of Bodhisattva statues in the Ming Dynasty.
Jade figurine head
A first-class cultural relic of the Han Dynasty.
This cultural relic is the head of a jade figurine, which was broken off from the oblique side of the neck. The body was lost when it was unearthed. The jade material is green. It is carved using a combination of round carving, relief carving and negative line carving. It has a high crown, a long face, willow-leaf-shaped eyes, a long nose, and a pursed mouth. The eyebrows, beard, and bun are engraved on the negative lines. The bun is rolled up and has hairpin holes. This jade figurine head is made of fine material, realistic shape, and exquisite carving. It is basically well preserved and is a rare fine jade carving from the Han Dynasty.
Jade Lion
A first-class cultural relic of the Han Dynasty.
The jade is made of Khotanese material. There is an orange-red leather shell in part of the surface. It is carved in the round, with the head held high and the chest is walking. It is carved with a combination of round carving, high relief and negative line carving. It has round eyes to ward off evil spirits. The figure is open, its mouth is open and its teeth are exposed, there are two horns on the top of the head, and the ears are erect. There are whiskers on the cheeks and lower jaw. There are wings carved on the heels of the front legs, the buttocks are covered with fur and the tail is drooped in an S-shaped curl. This piece of jade is made of evil spirits. Excellent, vivid in shape, exquisite in carving, and basically intact in preservation, it is a rare fine jade carving from the Han Dynasty.
Xianyang Stele Exhibition
The Xianyang Stele Exhibition mainly displays steles and epitaphs from the Northern Zhou Dynasty to the Ming and Qing Dynasties. Among them, "Dou" was praised by Yu Youren as one of the three famous steles. There are nearly a hundred famous calligraphy art steles such as "Lu'en Stele" and "Zhang Cong Stele", "Shunshun Remnant Stele" and "Wang Chongyang Immortal Relics Stele", which are highly appreciated by both refined and popular people. They are praised by tourists as "Stone Book House". .
Exhibition of Terracotta Warriors and Horses
The Loess Terrace lying across the north of Xianyang City is home to the tombs of nine emperors of the Western Han Dynasty (206 B.C. to 25 A.D.) and hundreds of burial statues. Tombs of concubines and heroes. The terracotta warriors and horses on display here were unearthed in 1965 near Yangjiawan, about 20 kilometers east of Benbu, in the Changling Tomb of Liu Bang, the great ancestor of the Han Dynasty (256 or 247 BC to 195 BC).
There are 7 pits with one hole and 3 pits with two holes, forming 13 square arrays, facing east and west, arranged in two rows. *** Cleared out 1,965 soldier figurines, 583 equestrian figurines, and 410 shield models, known as "three thousand men and horses". Based on the geological analysis of the figurine pits, these relics should be burial objects from the Yangjiawan Han Tomb excavated in the 1970s.
The three thousand painted terracotta warriors and horses of the Western Han Dynasty unearthed from the burial pit of the Han Changling Tomb in Yangjiawan, Xianyang in August 1965 are the earliest large-scale terracotta warriors and horses discovered in my country. It shaped the image of the Royal Guard of the Western Han Dynasty in our country, with 583 cavalry, 1965 infantry, and a command vehicle.
The cavalry consists of six square formations, including armored cavalry and light cavalry. The knights and horse areas of the armored cavalry are taller, with a total height of 68 centimeters. Most of the knights wear armor and hold halberds. The knights of the light cavalry The Hema area is relatively short, with a height of 50 centimeters, without armor, and holds a crossbow in hand and a quiver on its back.
The infantry consists of seven square formations, with officers and soldiers with different functions such as team leaders, team history, thousands of soldiers, music soldiers, halberd and spearmen, etc. Their clothes, postures, and expressions are different. .
?Three thousand people and horses? have been exhibited in Western Europe, North America, Japan, Singapore and other places, making great contributions to promoting ancient Chinese civilization and promoting cultural exchanges between China and foreign countries.
Treasures of the Qin and Han Dynasties
The fourth exhibition room is the calligraphy and painting of contemporary celebrities; the fifth and sixth exhibition rooms are the three thousand painted terracotta warriors and horses of the Western Han Dynasty, which are famous at home and abroad; the next military exhibition is majestic and mighty Magnificent, fully reflecting the powerful military power of the Western Han Dynasty;
The seventh, eighth and ninth exhibition rooms display the country's largest bronze Buddha statues of the Ming Dynasty and some religious relics, which are unique, including Sakyamuni, Maitreya There are statues of Buddha, Guanyin Bodhisattva, etc., which make people solemn and pious, with high purity and high aspirations; there is also a newly built stele gallery, which displays nearly a hundred famous calligraphy stele and epitaphs, sutra pillars, etc., which are highly appreciated by both refined and popular tastes, and are praised by tourists. The exhibition of the latest unearthed cultural relics in Xianyang, "Stone Book House", is a collection of exquisite products, including four national treasures that were unveiled for the first time, which amazed visitors.
Religious Cultural Relics Exhibition
The Religious Cultural Relics Exhibition displays the country’s largest Ming Dynasty bronze Buddha statues and some stone-carved religious cultural relics, which are unique. Statues of Sakyamuni, Maitreya Buddha, Guanyin Bodhisattva and other statues make people solemn and pious, with a pure heart and high aspirations.
Visitor Guide:
Address of Xianyang Museum
Ticket price: 0 yuan
Opening hours: 9:00 to 17:00 (arrival on Tuesday Free tickets with valid ID on Sundays)
Address: No. 53, Zhongshan Street, Xianyang City, Shaanxi Province
Postcode: 712000
Xianyang Museum Visitor Service Center: Located in the religious cultural relics exhibition area of ??the museum, the environment is elegant and quiet. The tourist service center has a smoking area and provides tourists with free tea, emergency medicine, travel consultation and other services. Tourists can not only enjoy warm and thoughtful high-quality services, but also learn about the Xianyang Museum as a whole through multimedia during their visit. Overview. The tourist service center also provides tourists with replicas of the collection's fine cultural relics such as tablets, tile rubbings, bronzes, and pottery figurines, as well as tourist souvenirs.
;