2. The original text of Mr. Lu Xun's work "Hometown" is: I braved the cold and returned to my hometown, which was separated by more than two thousand miles and left for more than twenty years.
At that time, because it was the end of winter, it was gloomy when I approached my hometown. The cold wind blew into the cabin, and I looked out through the gap. There were several desolate villages lying far and near, lifeless. I can't help feeling sad inside.
Ah! Isn't this my hometown that I have been remembering for twenty years? None of my hometown in memory is like this. My hometown is much better.
But if I have to remember his beauty and tell him his advantages, there will be no image and no words. That seems to be it.
So I explained to myself: my hometown is the same-although there is no progress, it may not be as sad as I feel. This is just a change in my own mood, because I am not in a good mood when I go back to China this time. I came here to see him.
The old house we have lived together for many years has been sold to another name, and the deadline for delivery is only this year, so we must bid farewell to the old house we are familiar with and move to a different place where I am looking for food before the first day of the first month. Extended data:
Lu Xun has made great contributions in many fields, such as literary creation, literary criticism, ideological research, literary history research, translation, introduction of art theory, introduction of basic science and research on ancient books collation.
It had a great influence on the social, ideological and cultural development of China after the May 4th Movement, and enjoyed a high reputation in the world literary world, especially in the ideological and cultural fields of South Korea and Japan. Known as "the writer who occupied the largest territory on the East Asian cultural map in the 20th century". In Lu Xun's personal life, two things hit him hard.
One is married life, and the other is discord with his younger brother Zhou Zuoren. Lu Xun and Zhou Zuoren have been reluctant to talk about this matter to others, which makes it even more confusing and becomes the most puzzling event in the history of modern literature in China.
Baidu Encyclopedia-Lu Xun.
3. Lu Xun's Works Catalogue Lu Xun (188 1 September 25th ~ 1936 June 5438+00 October 19) was originally named Zhou Shuren, and his real name was Cai Yu. When he was a teenager, his name was Zhou Zhangshou.
China is a modern writer, thinker and revolutionary. Masterpieces: novel collection "Scream", "Wandering" and prose collection "Morning Flowers and Evening Picking Up".
Wensige was born on the third day of August in the seventh year of Guangxu, Zhejiang Province (18865438+September 25th), and his ancestral home was in runan county, Henan Province. When I was a child, I enjoyed my young master's life, and my family gradually declined and became penniless.
Influenced by Darwin's theory of evolution and Tolstoy's thought of fraternity in his youth, Lu Xun renamed Zhou Zhangshou Zhou Shuren in 1898. 1902 went to Japan to study medicine at public expense. He originally studied medicine at Sendai Medical College, and wanted to save lives by himself. Later, due to the war, he changed the writer's behavior and engaged in literary and artistic work, hoping to change the national spirit (see the preface to Scream).
1905- 1907 participated in revolutionary activities and published papers such as Moro Poetry and Cultural Prejudice. During this period, I was ordered by my mother to return to China to get married, and my wife Zhu An.
1909 Co-translated the Collection of Foreign Novels with his brother Zhou Zuoren to introduce foreign literature. He returned to China in the same year and taught in Guangzhou and Shaoxing.
19 18, The Diary of a Madman, the first vernacular novel in China history, was published under the pseudonym of Lu Xun. 1927 married Ms. Xu Guangping and gave birth to a boy named Zhou Haiying.
There are three nieces. 19361June19 died in Shanghai.
His works were included in Complete Works of Lu Xun, His Works and Letters of Lu Xun, and various ancient books edited and revised by Lu Xun were reprinted. Later, in 198 1, The Complete Works of Lu Xun (* * * sixteen volumes) was published.
In 2005, The Complete Works of Lu Xun (eighteen volumes) was published. His works are mainly novels and essays, among which Blessing, The True Story of Ah Q and Diary of a Madman are the most famous.
Dozens of novels, essays, poems and essays by Lu Xun were selected into Chinese textbooks for primary and secondary schools, and novels such as Blessing, The True Story of Ah Q and Medicine were adapted into movies. Luxun Museum and Memorial Hall have been established in Beijing, Shanghai, Shaoxing, Guangzhou and Xiamen. At the same time, his works have been translated into more than 50 languages such as English, Japanese, Russian, Spanish, French, German and Arabic, and have a wide audience all over the world.
First of all, the madman in A Madman's Diary suffers from "persecution mania". From a medical point of view, the prominent symptom is that the patient is in a state of reactive delusion, and everything around him may cause suspicious reactions due to the characteristics of something: either suspecting that someone is hurting him or insulting him. Therefore, the madman in The Madman's Diary has obvious "suspicious" characteristics, or conversely, what Lu Xun emphasized in The Madman's Diary is the madman's "suspicious".
(Of course, we can't put the paranoia of the madman in the works on Lu Xun, as will be mentioned below. Secondly, according to Lu Xun's creative situation, some works in Lu Xun's novels don't focus on depicting the characters' external appearance (appearance, words and deeds, resumes, events, etc.) like The True Story of Ah Q, Kong Yiji, Blessing and Hometown. ), but mainly the activities of a certain factor in the character's inner heart and spiritual world, showing some spiritual consciousness tendency, such as
Although this kind of works have characters' words and deeds, the leading factor of the works is some kind of spiritual consciousness. According to Diary of a Madman, the first part of the novel begins with the following words: Tonight, the moonlight is good.
I haven't seen you for more than thirty years; Seeing you today is very refreshing. Only then did I know that I was dizzy for more than 30 years before; However, you must be very careful.
Why else would Zhao's dog look at me? I feel horrible. The consciousness of the characters appeared at the beginning of the novel. Lu Xun used the comprehensive consciousness of "very good" to grasp the moonlight, rather than a single visual vocabulary such as bright and clear.
Next, "I" appeared, but for readers, "I" is invisible, let alone tall or short, fat or thin, old or young. In essence, the consciousness of "I" continues to lead readers: "I haven't seen you for more than 30 years" is a conscious recognition of the feeling of "moonlight is good"; The phrase "seeing you today is particularly refreshing" is a new grasp of consciousness; "I only know that in the past 30 years, I have all fainted; However, we must be very careful ",which is the emergence of new consciousness after conscious recognition;" ""Why else would Zhao's dog look at me? "The new consciousness began to bring new objective objects into the scope of consciousness-note that this is not an objective description of Zhao Gou seeing people, but a grasp of this fact by consciousness." I feel horrible. "
In this sentence, consciousness moves towards judgment. According to this way of analysis, it is not difficult to draw the track of stream of consciousness running through the whole novel.
So from this perspective, Diary of a Madman is a novel that shows the process of consciousness. In a word, Diary of a Madman is a conscious novel. Third, there is a sentence at the end of the novel: "I have a history of eating people for 4,000 years. Although I didn't know it at first, I understand now that it is difficult to meet real people! " Lu Xun's title here is "I" with a history of 4,000 years, and compares "real person" with "I", implying that "I" is not a specific person, but an artistic setting. Of course, "I" can only be a person, and only one person can carry someone's consciousness, but in Diary of a Madman, this person will not be a real and concrete persecutor.
In Diary of a Madman, Lu Xun made a few rules that can fully express the characteristics of this patient from the perspective of a persecutor. "I" has no first name and surname, no explanation of etiology, no explanation of medical history, and a very wide range of living environment and times. On the other hand, Lu Xun vividly grasped the characteristics of such patients as "persecutors".
This shows that "I" as a concrete existence is not important. Lu Xun chose a madman, not because he was a madman, but because choosing a madman conformed to Lu Xun's artistic setting and artistic expression. If the "I" in the novel is an ordinary person, then Lu Xun can't express the meaning of "suspicious" in him.