-Wang Boqun collected Sun Yat-sen's calligraphy.
Ma Baggeler
From ancient times to the present, those who have achieved great things have experienced ups and downs all their lives, and their emotions are rich and profound, shaped by words and handwriting, and often have charm and charm that ordinary people can't match. Song of the Great Wind by Emperor Gaozu Liu Bang and Gaixia Song by Xiang Yu; Emperor Taizong's handwriting such as Wenquan Ming and Jinci Ming, until the three generations of Chen Han, Qing Kang, Yong and Gan, made the audience thrilling and fascinated. Sun Yat-sen, a great revolutionary in modern times, pursued freedom and equality in China all his life. He traveled around the world and dived back and forth for 40 years. At the end of his life, he still remembered the cause of saving the country and the people, leaving behind the earnest entrustment that "the revolution has not yet succeeded, and comrades still need to work hard." In 20 13, four calligraphy works inscribed by Dr. Sun Yat-sen for Wang Boqun, a revolutionary comrade and Minister of Communications of the Republic of China, appeared at the same time. Looking back on the heroism at that time, we can't help but be moved by it.
Dr. Sun Yat-sen likes to give books inscriptions, and his handwriting has always been respected by Chinese people. Luoyang paper is expensive, as far away as Japan, and it is also highly respected. His calligraphy is mainly running script, and he accepts all kinds of calligraphy from Yan Zhenqing, Su Shi and Wei Bei, thus forming his personal characteristics of focusing on painting and vertical and horizontal brushwork. He takes regular script with a little running script as his common style, showing aboveboard, rigorous and unyielding masculinity and great courage. Tan, a contemporary calligrapher, commented on Sun Yat-sen's calligraphy: "Therefore, the Prime Minister's book was called by the sages of the time and won the charm of the prosperous Tang Dynasty, which was beautiful and natural and beyond the reach of mechanics. Be cautious and heavy, not bullying, but also appropriate. ..... His books are not only Su Like Dongpo's, but also often have the meaning of writing Tang Dynasty classics. They are honest and harmonious. They are really talented and smart. Ordinary people must learn but not. " Can be described as literacy.
Wang Boqun and Sun Yat-sen met in the early days of the League. It is this extraordinary friendship that Sun Yat-sen wrote five-character couplets in paper, eight-character couplets in silk, a collection of books by Cai Gentan and a banner of "fraternity" for him.
"People are powerless" is written in combination with the six-foot jade edition, with broken characters of about 30 cm, which is rare in Sun Shi's calligraphy. After the exhibition, the overwhelming momentum was impressive. His brushstrokes are round in the middle and thunderous at the bottom, and he pays special attention to the long stroke and the last few strokes, which not only shows the strong and intense feelings like Looking at the East of the Yangtze River, but also shows the perfect fit between his gentle and sincere charm and his detached outlook on life and aesthetics.
The couplet "beautiful words are like mirrors, hanging in your hands, cool breeze in your arms" is a melodious chapter, which is more elegant in spelling. In ancient times, politicians often had the status of literati, reflecting the literati life of politicians in the Republic of China who commented on poems in their study after participating in politics. According to the different contents in the book, Mr. Zhongshan changed his face, roughly between the lines. If the couplets of "appointing the weak" represent the lofty and upright side of Sun Yat-sen and Wang Boqun as revolutionaries, it is like an elegant collection of literati, which naturally reveals the humanistic feelings of politicians in their leisure time.
Caigen Tan is a book with elegant style, fresh style and lasting charm. Yan Zi's broadness and Weibei's rigidity are diluted in his works, and he is subtly subordinate to the overall style of running script works. Mr. Zhongshan wrote an epigram in "Caigen Tan", "If you want to be pure gold and beautiful jade, you must forge from the fire; Li Siju's efforts in the open air must be on thin ice. " The growth of revolutionaries is bound to go through the test of ice and fire. They have spared no effort in this respect all their lives, revealing the arduous task of revolution. Its length, number of words and strong brushwork should be rare in Zhongshan's handwriting.
The word "fraternity" is slightly different from the couplets, and its vigorous strength benefits from Yan Shu, especially the turning point is mostly due to the seal brushwork, which adds another stroke to the balance and solemnity. The combination of its political view and artistic view can be described as "perfect" and "perfect". Mr. Sun Yat-sen's kindness and generosity to the world is completely pinned on the "fraternity" with beautiful brushwork.
Dr. Sun Yat-sen's manual polishing has always influenced the ideology of people in China at that time and today, and people are struggling for Mo Bao. Duo 20 13 spring beat first appeared in the Four Musts written by Sun Yat-sen for his cronies, which provided us with extremely precious and classic materials for understanding Zhongshan calligraphy, and will surely arouse a new round of interest in calligraphy in the Republic of China after the 1911 Revolution and witness the further improvement of the value of calligraphy in the Republic of China.