Wang Xizhi's works are euphemistic and subtle, chic and elegant, with delicate bones, beautiful stippling, decent density and artistry.
Ou Yangxun's calligraphy is rigorous and neat, with vigorous stippling and vigorous brushwork.
Zhiyong's words start from the pen tip and enter the paper. They are rich and unrestrained, and rich and implicit, which is very interesting.
Chu Suiliang's calligraphy is flexible, handsome, quiet and fresh, and elegant.
Huang Tingjian's pen and ink are rippling, every word is flying, and he is both rigid and soft, unrestrained and extraordinary.
Mifei's writing style is warm and smooth, cheerful and calm, and has a unique style.
Su Shi's calligraphy and brushwork are full, pure and simple, such as cotton wrapped in iron, which is clever and intriguing in clumsiness.
Zhao Meng's lettering is accurate, the statutes are rigorous, the structure is wide, the pen holder is square, and the shape is beautiful.
Dong Qichang's calligraphy is smart, round and generous, plain and simple, gorgeous and handsome, with alternating shades and distinct wet and dry, which is wonderful.
Yan Zhenqing's calligraphy and brushwork are full, and Fiona Fang uses them together. His brushwork is vigorous, straightforward and imposing.
Liu Gongquan's stippling is crisp, vigorous, rigorous and meticulous, giving people a sense of wholeness.
Sun's ci is elegant, calm, graceful, vigorous and elegant, which is quite aesthetic.
Wang Duo's ink color is strong, his brushwork is vigorous, unrestrained and uninhibited, and he indulges himself with extraordinary momentum.