1. Light ink: more water and less ink. Add water to the thick ink for adjustment.
(Light ink depicts distant mountain scenery)
2. Thick ink: more ink and less water, research to eight points.
3. Jiao Mo: The black ink is dry, almost dry. Put the ink into the inkstone, grind it repeatedly with an ink ingot, and thicken it to get Jiao Mo, which can be used for painting, polishing and adjusting the weight of the picture.
(Painted by Jiao Mo)
4. Su Mo: Overnight ink. In other words, the learned ink can be stored in the inkstone for a few days to get Su Mo, which is easy to dry up and endless.
(Su Mo Scenery)
5. Ink splashing: All paintings are splashed with wet ink, and the single layer of ink is discolored, dripping endlessly and without pen marks.
(splash ink landscape)
6. Ink cut: at the end of painting, fill the pen with thick ink or light ink; Different ink colors permeate each other, forming the charm of multicolored ink colors. The method of breaking ink is light to thick and wet to dry. Although there are differences in dyeing methods, it should be adapted to the time. He added, "Qi Baishi, as a flower bug, got the method of breaking ink. More thick ink breaks light ink, and less thick ink breaks light ink. " Pan Tianshou thought that ink should be used: "The products that are repeated after drying are called broken when wet." The purpose of breaking ink in painting is to make the shades of ink penetrate each other and achieve the effect of moistening and vivid colors.
7. Ink accumulation: Starting from light ink, it is layered, but the ink colors at different levels of light and dark are not rendered or mixed with each other, but are completely different.
Fan Kuan's "Snow Scene and Cold Forest Map" (Ink Accumulation Method)
8. Flying ink: After the inside of the contour is chapped, dry it and dye the back of the silk with thick and light ink.
9. inking: after the brush lightens the ink, dip the nib in thick ink, and the next stroke will have the effect of color matching.
10. Ink return: also known as Chen Mo, old ink is old ink.
1 1.Emo: that is, pot bottom ash: used for meticulous painting, better than pine smoke, painting butterfly and bird feathers, and using this ink to dry out the texture similar to the original.
2. Five colors and six colors:
1. Five colors: dry, black, thick, light and wet.
2. Six colors: black, white, dry, wet, thick and light.
3. Thick, light, dry, wet, dry and astringent.
The five colors of ink refer to the change of ink color when using a pen, that is, thick, light, dry, wet and dry.
In Chinese painting, "ink" is not only considered as a kind of black. In ink painting, even if only a single ink color is used, the color of the picture can be changed to perfectly represent the image. Ink has five colors. Ink has five colors: dry, wet, thick, light and burnt. If you add "white", it is "six colors". Among them, "dry" and "wet" are the comparison of water content; "Thick" and "light" are the contrast of depth; "Coke" is darker in chroma than "strong"; "White" refers to the blank on the paper, which is contrast.
The ink is black. Some people say: ink is divided into five colors. Especially good ink, the paper is thick but not stagnant, light but not gray, with distinct layers. Some people even say that a good ink is like a good horse. This naturally refers to the painter. In their eyes, ink is not only colorful, but also colorful and affectionate. This, of course, refers to Song Yanmo or oil smoke ink.
3. The characteristics and uses of various inks are as follows:
"Dry" ink has less water content and is often used for rubbings, which can produce vigorous and ethereal interest.
"Wet" ink contains a lot of water, which is mixed with water and is mostly used for rendering, or for spotting leaves and moss in rainy scenes to make the picture moist, or for splashing ink to show the charm of ink drops.
"Light" ink is light but not dark. No matter whether it is wet or dry, it should be light and vivid, and it is mostly used to draw distant images or bright faces of objects.
"Thick" is thick black, which is often used to draw close-up images or the dark side of objects.
Coke is darker than thick ink. It is a pen for dipping in extremely black ink, and this is Jiao Mo. It is often used to highlight the darkest part of the picture, or to hook and roll.
Chinese painting has always been dominated by ink, supplemented by color, so ink in Chinese painting is color. The ancients said that ink is divided into five colors, and there are also five inks and six inks. Five colors means that there must be many changes from coarse to light in a stroke.
The so-called "five inks" and "six inks" refer to the change of the overall ink color, and the five inks divide the ink color into coke, thick, heavy, light and clear. This refers to the transition of ink color from deep, thick and dry Jiao Mo to light, thin, wet and almost clear water, forming different levels of ink color changes. Generally, from thick to light is the main tone of the picture. Jiao Mo is rarely used, only used to refresh and adjust the relationship between light and heavy pictures. Clear ink, mainly involved in Mo Yun and hierarchy, makes the picture rich and diverse, harmonious and unified, while "Six Ink" divides ink colors into ink, white, thick, light, dry and wet. It not only talks about the transition change of black and white shades of ink, but also talks about the moisture control of ink from dry to wet during transportation, that is to say, due to the interaction of dry and wet ink, there are many changes from dry thick ink to dry thin ink and from wet thick ink to wet ink.
Chinese painting is not as important as ink painting, but it is beneficial to the expression level and atmosphere of the picture.
4. Ink technology:
1: Flat painting is to paint a basic ink color evenly on the picture, which is generally used for some objects and pictures to avoid confusion and debris. Ink is generally light in color.
2. Ink accumulation is different from flat coating, which is completed at one time, while ink accumulation is accumulated many times. The method is to dye or spot dye the required part of the picture with different shades of ink, and then spot dye it with different shades of ink after drying. So many times, the ink color can't die, although there are many times of ink accumulation. Both black and transparent, rich in layers: avoid dead ink, and pay attention to the alternating overlap of pens and the change of spot dyeing area during the accumulation process.
3. Breaking ink means breaking another ink with one ink. Different from ink accumulation, it is added when it is not dry, and there are two methods: thick breaking and thin breaking.
4. Splashing ink is used for freehand brushwork. The method is to dip a large amount of ink in water first, then dip the pen tip in thick ink, then dip the pen tip in thick ink and Jiao Mo, so that the ink color on the pen will naturally transition from Jiao Mo to clear ink, and then splash a large amount of ink horizontally and vertically to make the ink drip. This ink method is easy to produce dry, wet and light effects. If it is insufficient, you can break it with ink and wash it again.
5. Ink washing can be divided into water washing and ink washing. Ink painting is to draw the general idea of an object with heavy ink, and then pour it on the screen with water or light ink to make the original black penetrate as much as possible, and then use a hot air blower to shape it when the effect is ideal. There are two kinds of washing ink, one is to wash it immediately when it is wet, and the other is to wash it when the ink color is slightly dry but not completely dry, so that part of the original ink is shaped and part of it is washed away by water, and the effect is different from the previous method. Ink painting is first painted or drenched on the screen, and then drenched or washed with thick and light ink. In this way, a cushion can be placed under the rice paper. One is a non-absorbent cushion, which allows ink and water to flow on the paper to produce a dynamic ink color effect. The other is an absorbent pad. When ink drips or falls, it will be absorbed by the lower pad immediately, and the effect is different from the previous one.
6. Ink absorption is to draw an image of an object on glass or non-absorbent paper with a pen, then let it flow on it to produce a texture effect, then put the rice paper flat on it to absorb it, and then draw a picture according to the situation. Another is to draw objects on rice paper with water, then dip a pen in thick ink and smooth the paper with little water. If there is water, dry ink will be absorbed and naturally infiltrated, and then stippling will be processed.
7: Let the water law let the water law let Jimo let the water law. Draw an image on the screen with water first, and then draw it with ink and color. If there is water, there will be ink. Get out of the way, if there is no ink, there will be ink fainting naturally. For example, first draw the moon with water, and then spread a cloud (or night sky) with light ink, and the moon will be set off. When painting a pond, you can also drag out water ripples first, and then spread them out with a lot of light ink. The ink in the water lines will get out of the way, and the water feels good.
8. The ink driving method is similar to ink washing. The difference is that ink flushing is not inevitable, but is shaped according to the shape. It must be to drive ink, that is, to drive ink to a predetermined range, such as painting night scenes and plum blossoms to make plum blossoms hazy. You can draw plum blossoms with ink first, and then use a pen to drive the ink on one side of the line, so that the ink line can penetrate to the required side. At this time, the plum blossom not only retains the original brush strokes, but also exudes a hazy night scene effect. It also has another purpose, that is, not paying attention when drawing. If the ink permeates excessively, you can also use a clean pen to flush back the ink, which can better control the ink infiltration.
9. Cementing methods include glue, bone glue and wood glue. You can also use glue instead. First, the glue dissolves in ink, and the drawn lines have no obvious strokes, and the infiltrated edges are clear, which is called "edge sealing". Second, the object is coated with glue on the rice paper, and then coated with ink. Where there is glue, the ink will get out of the way, and where there is no glue, it will penetrate normally. Where there is glue, a white line will be formed, and where there is no glue, the ink will drip down.
10: The arrangement method uses a lot of ink.
After spreading, sprinkle a little salt when the ink is not dry, and the salt water will gradually drain the ink, forming irregular spots with clear and natural edges, and then blow dry with a hot fan to shape.
1 1: the paper used in the halo method is brushed with a proper concentration of washing powder, and can be used after drying. Draw an image with light ink, and then sprinkle water on the ink, and spots of different sizes will appear in the ink. Because of the washing powder, the spots will gradually expand, and then spray with water. It's best to stand the paper in one direction, the spots will get dizzy, and in the same direction, the picture will have an ice and snow effect.
The above is an overview of ink skills.
5. China ink painting ink is roughly as follows:
The shower method uses a slender hard pen, full of ink, and the pen body is perpendicular to the paper. First, the ink color naturally drops, and then it gradually drops strongly, and the ink color on the pen is spilled. If it is not enough, you can repeat it many times.
Drop method: use a lot of ink or indigo mixed ink, squeeze the ink on the paper with your fingers, let it seep naturally, and drop the small picture directly.
Sprinkle with a pen dipped in ink, not too much. It can be used in the wind, snow, willow in the wind and so on. , suitable for expressing the movement in the wind.
Playing is playing with colored ink on paper.
The above four methods can be used comprehensively, and there is no need to stick to one method.
The shading method emphasizes the shading and convexity of the object image with light ink. The center and sides of the pen can be used, and the ink should not be too wet or too dry. Dry ink shading is called wiping, and it can also be used for both wet and dry purposes, first dry and then wet, or first wet and then dry to enhance the texture of the object.
Use the brush method of sweeping, or use the combination of brush and shadow pen, which is suitable for a wide range of coloring.
Push method and push method: that is, the action name of writing is to push straight down and lift slowly, as if grasping something and then pulling; Thicken it. The method of straight down and quick pulling is slow and fast, as if plucking is more refreshing.
The ink painting method introduced above is just a sketch, mainly a lot of practice. When finishing a work, a single method is sometimes not enough. Only by mixing a variety of methods can it be enriched and produced.
Generally, when using brushwork, there is less water in the pen, which is easy to cause dry pen to fly white, with more water content and moist and clear ink color. It is easy to fly white when using a pen quickly, and the ink is full and moist when it is slow. Use a pen quickly, with less water and less ink left on the paper, which is suitable for drawing transparent things. On the contrary, it can be white and moist, and the writing is natural and does not stick to hands. When painting, it is often not intentional to use dry ink to slow down the pen, but to use wet ink first. When there is less and less water on the pen, the speed of the pen will slow down with the decrease, and it will not feel the same until the ink on the pen runs out. The change of ink will be colorful. For the side of the pen, it is easy to fly white, and it is often used when rubbing the texture. The center ink line is muddy and fast, but it is less white than the edge.
Key points of using intransitive verb ink;
1. light and heavy diseases, light and dry, shallow and deep and dense, fluid and lively.
7. How to make all kinds of "ink":
A. Su Mo
Su Mo's performance in "Mo Yun" is very rich. He can write a kind of "lively" flavor and give birth to an old flavor. He can achieve a strong line texture and effectively achieve the effect of separation of ink and wash.
The production method of Su Mo:
1, Su Mo can be made by Yidege itself. The method is to boil a German pavilion (gently) until it is thick. Sometimes you will see the pelvic floor sticky. It doesn't matter, this is to destroy the ingredients of glue in a Dege. This is the first step. Then let the ink dry, and then soak it after drying. It is better to use it more often. When writing, dip in water first, then dip in ink, and there will be layers of ink. With Su Mo with particles, the words written are very textured. If there is too little ink when you make it, don't add any more ink.
2. Su Mo: Pour a Dege ink into a porcelain bowl, put it on the window sill and wait for the sun to dry (friends in the south pay attention to the climate), and then add water to use. You can start with less water. You can reload it after you finish writing it, and you can use it after a little debugging. This can achieve a strong line texture and can effectively achieve the effect of ink separation.
3. Generally, ink is ground with ink, which is not used immediately, but put on for a day or two after covering the ink. When you use it, put a plate of water next to it. After the pen is filled with ink, tap the tip with clear water before writing.
4. Grind the ink with cold boiled water, leave it for a few days and nights, and wait for natural drying. [Su Mo Calligraphy Wet Method]
5, grinding ink, wait for the ink to dry naturally (the amount should be less, otherwise how to dry quickly. ), and then add water to grind, the graininess will come out, and it will not stink. "Chinese painting wet Su Mo"
6, grinding out the ink, the next day is Su Mo write alum.
7. Soak the ink stick with hot water first. After 2 or 3 days, the ink stick became fat, the glue oozed, and the water and glue were poured out. After several rounds of soaking, the ink was soaked through. It stinks easily at this time and needs to be replaced with cold water. In this way, most of the glue comes out and the ink is almost gone. Until the water becomes clear, it won't smell for a long time, and it takes a long time, but the preservation is very simple, as long as there is water. Sometimes black water can be used in the middle process, with heavy glue, no pen marks and special effects. Anyway, after the ink is soaked, you can make changes as you go along. Generally, inferior ink stinks no matter how it is done-it feels like a waste. It is better to buy old ink and use it directly. It is very easy to use.
8. Take two pine cigarettes and cook them in a pot. Then find a big glass bottle and put it in the refrigerator. When you use it, dig some out and take it with boiling water.
9. Mash and cook the ink block (smelly), and then expose it to the sun.
B. Ai Mo
Go to relatives and friends' homes in rural areas to get a pot scraper (pine, fir, juniper and cypress are the main firewood in traditional rural areas).
The bottom of the pot is gray-black, with a black hard layer, which feels a little crystalline.
Baby! The scraped pot feels shiny.
Grinding.
Add deer glue (about two teaspoons each time) and mix.
Add four or five spoonfuls of warm water and evenly dissolve the spherical pot bottom in water.
You're done! Some small particles can be seen on the side of the ink tray, which looks as black as ink.
Eight. Some experiences in using ink
1. cherish ink like gold-dip the pen tip in water first, then dip it in a little ink, and finish painting. Take the stone painting as an example: wait for the ink to dry gradually after checking, and then continue to wipe the pen.
2. Try to use light ink, a painting is elegant, and then it is easy to modify or add content.
3. When a pen is not used up and needs light color, you can dip the pen tip in water, then lick the water off the blotting paper (anti-stick) and continue painting.
4. If the ink is burnt (covered with moss), black (emphasizing key points), medium black (emphasizing the theme or the connection between a few near stones and the main ridge), light color (most stones and the main ridge), and extremely light color (secondary ridge/stained stone bottom/stained dark side/hillside/trunk), select "light color".
5. Experience how to adjust the "light" ink-first drop a little water in the vessel, then dip a little black ink in the nib and mix well, and adjust the light ink according to the experience value.