Painting: lifelike pen on paper, making the finishing point, immersive and vivid.
Le: Three days around the beam, high pearls and few jade plates, the sound of nature is incomplete. The sound of mountains and running water is loud and deafening.
Architecture: resplendent and magnificent, standing out from the crowd. Carving beams and painting buildings are unique, with caves in the sky and famous mountains.
2. Ask four words to describe calligraphy and describe calligraphy idioms.
Calligraphy:
Full pen and ink: pen and ink are used freely and full. Describe calligraphy and poetry. The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Write to the conductor, too.
Huang Ting: There is the Taoist classic Huang Tingjing, and the Jin people have the lower case Huang Tingjing. In the old days, there was an idiom to comment on calligraphy: "Writing Huang Ting at first is just right". Later, the metaphor was just right.
Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.
The sword was drawn from its sheath and the bow was opened. Describe the situation as tense and explosive. Later, it also refers to the vigorous and magnificent calligraphy.
For example, Zuo Qiuming wrote Chunqiu Zhuan, and summarized and explained the calligraphy of Chunqiu into several examples. Later, because of the classification examples, the style of the book was described as "draw inferences from one instance and draw inferences from another". See "Draw inferences from one instance".
Penetrating the back of the paper: Originally, calligraphy was vigorous and powerful, but now it is also used to describe vivid and profound poems.
Fly like a dragon, fly like a phoenix. The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes. Flying dragons and snakes: describe the vitality and vividness of calligraphy strokes. Su Shi's Xijiang Moon? Pingshantang: "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall." Luan Piao Feng Bo: Luan: a legendary bird like a phoenix. Originally, calligraphy was used to describe chic. It is also a metaphor for the separation of husband and wife in high flyers. Luan Xiang: Jane: Fly high. Metaphor calligraphy flying posture. Beauty hairpin: describes the beauty of calligraphy or poetry style.
Get to the point: the original description of calligraphy is strong (according to legend? Wang Xizhi wrote on the board, and the ink penetrated into the board for three minutes. Now he has described profound and powerful analysis, description and discussion. Iron painting silver hook: painting: strokes; Hook: hook. Describe the vigorous and beautiful calligraphy.
Graffiti: letter pen: write casually. Graffiti: The figurative words are poorly written and scribbled casually. Later, people used "letter graffiti" and "scribbling" to describe poor handwriting or scribbling.
3. Idioms describing calligraphy include dragon and snake at the bottom of the pen, exquisite brushwork, dragon and snake in the pen, swallowtail butterfly with silkworm head, hiding its head and protecting its tail, sinking and enjoying it, enjoying it peacefully, doodling for beginners, ups and downs, Ding Zhenkai grass, Ding Zhenyong grass, flying dragon dancing phoenix, full of muscle and strength, flying with phoenix, dancing with dragonfly, returning with phoenix, ancient and fat today. Eager to rush to spring, eager to be angry with horses, eager to rush to spring with deer, eager to learn from the back of paper, study in the pool, stick one's bones and tendons, fly and dance, fly like dragons and phoenixes, fly like dragons and snakes, stretch and bend like dragons, jump and lie like tigers, change like Rowen Hu Zhen, Rowen Hu Zhen and leopard. Thirsty horse rushes to the spring, angry and thirsty horse rides, flies high, floats like a cloud, drifts with the current, draws sand like a cone, gets into the wood, writes a good book without choosing paper and pencil, Tang Linjin posts, iron-painted silver hooks, spit jade hooks and silver, Wang Yang wantonly, Wang Yang wantonly, literary talents are ice-magic, and writes Lei Feng and Lu Xian.
4. Describe the well-written sentences in calligraphy, such as the horizontal posture of pen and ink, strong brushwork, risky brushwork, full brushwork, spring insects and autumn snakes, Mo Miao meticulous brushwork, long snake writing, spring breeze writing, sweeping away a thousand troops in one stroke, old ink writing a show, seeing the heart in one word, Ding Zhen, Cao Kai, Ding, penetrating the paper, writing thunder and thunder, thundering. Vivid and fluent, with beautiful style and changeable charm, it floats in the phoenix, dances in the phoenix and flies in the dragonfly, belongs to the phoenix, is peaceful and fluent, learns from foreign teachers and is superior to nature, dances with dragons and flies in the phoenix, flies with dragons and snakes, shakes with Rowen tigers and bends with dragons. Dull and clumsy, thick and simple, naturally stretched, natural and natural, self-interested, flowing, like a cone painting sand, vigorous and vigorous, modest and concise, skillful and skilled, gorgeous and natural, superb skills, ingenious, Wang Yang wanton, Wang Yang Honghu, Wang Yang wanton, vigorous and powerful, began to write Huang Ting, began to learn graffiti, did not learn sword, painted sand.
Full pen and ink: pen and ink are used freely and full. Describe calligraphy and poetry.
The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Write to the conductor, too.
Huang Ting: There is the Taoist classic Huang Tingjing, and the Jin people have the lower case Huang Tingjing. In the old days, there was an idiom to comment on calligraphy: "Writing Huang Ting at first is just right". Later, the metaphor was just right.
Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.
The sword was drawn from its sheath and the bow was opened. Describe the situation as tense and explosive. Later, it also refers to the vigorous and magnificent calligraphy.
5. Praise the original publisher of calligraphy: * * Asia.
Words describing calligraphy and painting works Part I: Words describing calligraphy and painting works are natural, interesting and novel. Their extraordinary talent is like water burst its banks, which cannot be contained. The world is full of blue hands. You can't paint with sadness. The brushwork is like silkworms spinning silk, delicate and emotional. You can draw a simple outline when splashing ink, which is good for you. There are hills and valleys in the chest and verve in the pen. Your charm breeds elegance. The form of adjectives: fresh and elegant, vigorous and powerful, penetrating the paper back, beautiful and straight, graceful, casually laid out, without wearing shirts and shoes, Fiona Fang has both, one stroke at a time, and takes off his horse and flies away when he looks at it; Another example is the dragon flying in the sky. It comes from emptiness and returns to emptiness. Describe it with a pen: flowing water; Free swing; Dongda jumped down; Combine rigidity with softness; The Tibetan front is slightly exposed, and the exposed front is also subtle. The pen hanging place comes to an abrupt end, such as a sharp knife, and the pen hanging place has a positive side, either curved or straight; The pressure is clear and the bond is firm; It is also coarse and fine, not naughty and violent, but also the middle side, not dry and moist. Pen and ink are used freely and incisively. Describe calligraphy and poetry. The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Write to the conductor, too. Huang Ting: There is the Taoist classic Huang Tingjing, and the Jin people have the lower case Huang Tingjing. In the old days, there was an idiom commenting on calligraphy, which was just right when Huang Tingchu wrote it. Later, the metaphor was just right. Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake. The sword was drawn from its sheath and the bow was opened. Describe the situation as tense and explosive. Later, it also refers to the vigorous and magnificent calligraphy. For example, Zuo Qiuming made a biography of Spring and Autumn Annals and put it.
6. The four characters used to describe calligraphy are vigorous and plump, rich and graceful, soft and firm, covered with iron, vigorous and solid, magnificent, thunderous, Rowen Tiger Shock, vigorous and vigorous, vigorous and powerful, combining rigidity with softness, smooth and smooth, full of bones and muscles, full of fun, strewn at random and beautiful in the mean. The dragon and phoenix dance, with beautiful style, moves like a snake with a pen, which is smart, bold, steep, tall and straight, penetrating the back of the paper, penetrating the wood, combining rigidity with softness, showing the atmosphere, concise brushwork, skillful brushwork, flowing, hearty, pleasing to the eye, elegant and beautiful. Natural, elegant, smart, chic, simple, peaceful, peaceful, smooth, graceful, generous, natural stretch, natural, smart, smooth, lifelike, smooth in class, round and round, smooth in turns, learning from others, profound in skill, solemn and majestic, smooth in charm, vigorous and simple, changeable in charm, and changeable in thought.
7. Poetry describing calligraphy is at least 0.27 yuan. Open a library member and view the full content >
Original publisher: every plop plop.
Sentence about calligraphy: 1. Full of pen power: pen and ink can be used freely and incisively. Describe calligraphy and poetry. The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Write to the conductor, too. 2. flowing, flowing. 3. One move, one look, and you get rid of the steed and fly away; Another example is the dragon flying in the sky, which comes from nothingness and returns to nothingness. It is almost crazy and contains the aura of heaven and earth. 4. Calligraphy incorporates the perseverance, boldness and enterprising spirit of Confucianism, and also includes the emptiness, dispersion, quietness and leisure of Laozi and Zhuangzi, and often omits the worldly glitz in brushwork in order to be ethereal and far-reaching. 5. Look at its strength without losing, show its posture without boasting, and its pen is flowing. 6. Du Shijie's bone strength and calligraphy and painting are slightly thinner. If there are no leaves in the frost forest, the waterfall will fly. 7. Flourishing sea, flying cranes and swimming in the air (Liang Wudi, Xiao Yan, commenting on Wang Xizhi) 8. Floating like a cloud, agile like a dragon. Iron book silver hook, the most ancient and modern. 9. Huai Su, like a strong man wielding a sword, looks moving, but he twists and turns. 10. Pick up a pen and daub it a few times, and a flying dragon will jump out of the paper. The dragons he painted are lifelike, magnificent and varied. Chen Rong often doesn't draw the whole dragon, or the dragon's head, or the dragon's claws, flickering, as if to smell its sound, as if to see its shape, and splashing ink into clouds, spraying water to melt the fog, which is wonderful. People call it Weng Long (a famous Weng). 1 1. zigzag, big and small, open and closed, with obvious changes in line thickness and ups and downs. The last line is crooked, so crooked that it is almost overwhelming. But this tendency is not blunt, but more freedom, which embodies his arbitrary side and has his own style. Chen Rong's posture is steep, his writing style is inclined or positive, heavy or light, and she begins to vent her anger like a thunderbolt. He writes quickly,