Pen name Tian Xiu, 1959 was born in Lanzhou, Gansu Province, and graduated from Zhejiang University. Faculty of arts; Studying in the Chinese Painting Department of Central Academy of Fine Arts; Party member, member of the Art Committee of Beijing People's Painting Academy; Member of China Artists Association, Vice President of Chinese Painting and Calligraphy Institute, Professor of Shandong Heze Peony Painting Institute: Distinguished painter: national first-class painter, curator of Tianbaozhai Painting and Calligraphy Museum in Lanzhou, Gansu.
Ma Guojun, executive vice president of Gansu Painting Academy. Professor, first-class artist. Member of China Calligraphers Association, director of Gansu Calligraphers Association. He has written many monographs such as Calligraphy Essays and College Fine Arts Quality Course. Technically, Mr. Guo Jun still belongs to the aesthete who pursues perfection. His calligraphy has beautiful lines, proper stretching, rigorous structure and proper white cloth. The work is steady and elegant, and the solemnity is mixed with liveliness.
An, male, born in September of 1948, native of Tianjin, member of China Calligraphers Association, member of Editorial and Publishing Committee of China Calligraphers Association, vice chairman of Gansu Calligraphers Association, director of Editorial and Publishing Committee of Gansu Calligraphers Association, judge of Gansu Calligraphers Association, honorary chairman of Lanzhou Young Calligraphers Association and vice chairman of Lanzhou Federation of Literary and Art Circles. Mr. Yue Ji's calligraphy gradually combined with other styles, especially in his recent works, he absorbed more Wei Bei style, more rigorous structure and more delicate brushwork. In the subtle changes of point and line, he constructed an elegant, generous and calm aesthetic space, giving readers a simple feeling, and then entering a quiet and distant aesthetic realm.
Qiu Zi was originally named Shen Xiaojun. Deputy editor-in-chief of Gansu Fine Arts Publishing House. He has been engaged in publishing for many years, and also focuses on calligraphy and theoretical research. Member of China Calligraphers Association. He is the author of nine books, including The History of Ancient Calligraphy in China. Mr. Qiu Zi's calligraphy is a real cursive script, which is excellent in four aspects, especially Zhang Cao. On the basis of tradition, he sought change and integration in many schools, and formed his book style, which was natural and unrestrained, mixed with various flavors. Boldness is accompanied by strict statutes, arrogance is highlighted in beauty, and bookish spirit stands out among paintings. His cursive script has the charm of two kings, and at the same time, it is rubbed into the publicity of Mi Fei, with vigorous brushwork and full of beauty. However, his grass seal works are more agile and lively, showing innocence in vitality. Free and easy with a pen, it adds fresh interest to the old saying with beautiful lines, which is highly praised by the book industry.
Tian, male, born in March 1943, member of Gansu Calligraphers Association. He has been engaged in calligraphy creation for a long time and his works have won many awards. Reading Tian's calligraphy is always like seeing the second boy next door, pure and kind, without any separation. So it's easy to communicate and understand like an acquaintance.
Qin Libin, pen name Wenshan, 1955, was born in Lixian County, Gansu Province. At present, he works in the Art College of Lanzhou University, serving as the secretary and vice chairman of the General Party Branch, and is currently the vice chairman of Gansu Calligraphers Association. Qin Libin's book style: respecting tradition makes it fresh and profound, and integrates the strengths of hundreds of schools to promote its beauty and exquisiteness. When reading ancient customs, there is no stale taste. The so-called ancient but not clumsy, beautiful but not vulgar.
Tao Jintao, 65438-0959, a native of Jingyuan, Gansu, is a freelancer, a member of China Calligraphers Association, a director and creative member of Gansu Calligraphers Association, and a member of Gansu Poetry Society. He is the author of Tao Jintao's Calligraphy, Xie Taozhai's Art Theory and Xie Taozhai's Poems (four volumes). Mr. Tao Jin is flamboyant, showing his distinctive personality with smooth lines and dense layout, thus forming the self-image of Tao Jin's calligraphy: autumn wind, Leng Yue, squeal and flamboyant.
Zuo Heping word bitter stone, left Zuo Ren,No. Jiufeng Hall. Zhuozhou, Hebei, was born in 1954. He used to be secretary of the Party branch of Lanzhou Painting Academy. At present, he is the deputy director of the Seal Carving Creation Committee of Gansu Calligraphers Association, the vice chairman of Lanzhou Calligraphers Association, the director of Lanzhou Seal Carving Creation Committee, the vice chairman of Lanzhou Young Calligraphers Association and the director of Lanshan Printing Society. Zuo Heping's calligraphy is traditional. He prefers Chu Suiliang in orthography, natural and unrestrained, and his running script is heavy, elegant and dignified, and his cursive script praises Mi Fei, which is bold and heavy. When all styles are combined with self-feeling, they have their own styles, soft lines, rigorous structure and proper layout, which not only express the self of traditional literati, but also convey the cultural connotation of China calligraphy tradition, which is elegant and distinctive. Mr. Zhang Bangyan's Calligraphy Art Mr. Zhang Bangyan's calligraphy art, like his own people, is simple and profound, free and easy, not unconventional to impress others, not artificial to show off amorous feelings, loyal to tradition and comprehensive.
Zhang Yongji, male, 1955, member of China Calligraphers Association and vice chairman of Gansu Federation of Literary and Art Circles. Mr. Zhang Yongji's calligraphy is elegant and handsome, with an obvious bookish spirit admired by Song people. His calligraphy also began with the escape of the two kings, and then Zhang Menglong set up a monument for the workers, and then merged into the unrestrained Song people, and finally formed his own style: lines stretched, strokes vertical and horizontal.
Yu He, Yu He, was born in 192 1, a native of Lintao, Gansu Province, and 1948 graduated from the Chinese Department of Beijing Normal University. /kloc-in the autumn of 0/948, he taught in the Chinese Department of Lanzhou University. Professor of Lanzhou Medical College, the first and second directors of China Calligraphers Association, honorary chairman of Gansu Calligraphers Association. Calligraphy works have participated in the first, second and third national book fairs, Sino-Japanese calligraphy joint exhibitions, Sino-Singapore calligraphy joint exhibitions and international calligraphy joint exhibitions and won prizes. His works were included in China New Literature and Art Department (Calligraphy Volume), and he taught "Cao Zhang Calligraphy in Han Bamboo Slips" for the Han Bamboo Slips Seminar of All-Japan Book Road Alliance. National places of interest and important cultural and historical sites all have their inscriptions and works on display.
Jing Weixin was born in September 1938. My ancestral home is Zhenyuan, and I have a university degree. He is a junior official of Sanye and a vegetarian in meditation. Member of China Calligraphers Association, Gansu Artists Association and Gansu Poetry Society. Mr. Jing Weixin draws bamboo with cursive brushwork, which is free and easy, not stagnant or artificial, while Mr. Jing Weixin makes books with the help of bamboo's lightness and naturalness, which adds charm to calligraphy, is full of cultural atmosphere, and combines painting and calligraphy, and brings out the best in each other.
Qingyang County, Gansu Province, Zhang Gaiqin. He is currently the vice chairman of Gansu Federation of Literary and Art Circles (member of the Party Group), a member of Gansu CPPCC, a member of China Calligraphers Association, a member of China Artists Association and the chairman of Gansu Calligraphers Association. His cursive works are as easy as clouds, with a steady white cloth and a steady pen, which is quite manly. His official script works, with ups and downs and beautiful lines, have both the charm of Zhang Qianbei and the monumental power of Zhang Menglong.
Wang Zeqi was born in 1957. He graduated from Lanzhou University with a bachelor's degree in journalism. He is currently the deputy director and editor-in-chief of the Metropolitan Channel of Gansu Radio, Film and Television General Station. Director and creative member of Gansu Calligraphers Association, director of China Calligraphers Association, member of Gansu Artists Association, executive vice president of Gansu Academy of Traditional Chinese Painting, member of Gansu Poetry Society, executive director of Gansu Calligraphy and Painting Association, and vice president of Gansu Hard Pen Calligraphers Association. The artistic conception and techniques of Mr. Zeqi's paintings are all benefited from the Eighth National Congress of the Communist Party of China and Huang Qi, and his pen is refined and his personality is distinct. The artistic conception is far-reaching, the picture is simple and clear, the ink splashing place is hearty, and the blank place has a long lasting charm. The impression is "easy to muddle through, but tight." Wu Weidong is currently the president of Lanzhou Painting Academy, a national first-class artist and a member of China Artists Association. 1990 graduated from the Fine Arts Department of Northwest Normal University. In 2000, he entered the seminar of China Academy of Fine Arts. In 2005, he studied in Du Ziling Portrait Studio, the first advanced class of China Painting Academy. Weidong's unique painting style: both form and spirit, elegant and ethereal. & lt/p & gt； & lt/p & gt； & lt/p & gt； & lt/p & gt； & lt/p & gt； & lt/p & gt； & lt/p & gt； & lt/p & gt； & lt/p & gt； & lt/p & gt； & lt/p & gt；
There are also the following figures: (painting more donkeys), Fan (painting camels), Li Quan, He Juchuan, (calligrapher), Dong Jiquan (northwest landscape), (meticulous painting) and so on.