Yan Zhenqing was a famous calligrapher in Tang Dynasty, and his calligraphy works had a great influence on the development of China's cal
Yan Zhenqing was a famous calligrapher in Tang Dynasty, and his calligraphy works had a great influence on the development of China's calligraphy. How much do you appreciate his calligraphy? The following is what I arranged.
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Style Features of Yan Zhenqing's Calligraphy Yan Zhenqing's calligraphy, called Yan Ti, has his unique style and brushwork. Because Yan Zhenqing's calligraphy is written in the form of seal script, it has become a model for the central pen. His brushwork is vigorous and powerful, which contains a lot of strokes, especially the round strokes at the beginning, far exceeding Fang Bi's. The horizontal painting is light, and the vertical painting is heavy. * * * The horizontal fine vertical coarse contrast of Yan stele is very strong * * *, but when two vertical lines appear at the same time, the vertical line on the left is often as thin as the horizontal painting, and the two vertical lines are often arranged in opposite directions * * * that is, they arch outward * * *; The pen-lifting method is often used to turn the pen, the circle turns straight without folding the pen, and the pen is mostly in the outer circle, and so on. The use of square pens by him and Wang Xizhi had a far-reaching influence on later generations. His calligraphy not only has the charm of the previous calligraphy style, but also is not bound by the ancient law. It broke through the conventions of the early Tang Dynasty and formed its own style, which was called "colourful style". Song Ouyang Xiu commented: "Thinking about life is loyal, so calligraphy and painting are strong and independent, and they don't attack the past. They are quite magical, a bit like people. In the Song Dynasty, Zhu listed his calligraphy as a sacred product in "Continued Book Break". " He also commented: "The point is like a falling stone, the painting is like Xia Yun, the hook is like gold, and the bow is like a crossbow. There are images in both vertical and horizontal directions, and there is a low posture. Since the dedication, no one has said it. "
The formation of Yan Zhenqing's calligraphy artistic style has a process of inheriting the artistic achievements of predecessors, innovating from them, adapting to and creating individuality. On the basis of inheriting calligraphy art, he broke through the "two kings" style to form a new style, created a new realm of calligraphy with unique "beauty" and gradually formed his own artistic style. Its style is not isolated and accidental, but a gradual process. On the one hand, after entering the middle Tang Dynasty, people's aesthetic tendency changed and wandered unconsciously. On the other hand, under the impetus of the new aesthetic trend of thought, Yan Zhenqing unconsciously provided a new artistic style that kept pace with the times. As Shi Tao said, "pen and ink should keep pace with the times" has given us great enlightenment in calligraphy creation today. His works are numerous, and there are more than 100 handed down from generation to generation. For later generations, there are regular script "Duota Monument" and "Oriental Painting Praise Monument". These inscriptions are regular script with individuality, characteristics, correctness and informality, but the strokes are thin horizontally and thick vertically, and the feet are too weak. When learning, we should ask for its charm and should not simply pursue the shape.
In addition, his calligraphy not only has the charm and charm of the previous calligraphy style, but also is not bound by the ancient law, breaking through the rut of the early Tang Dynasty and forming a unique picture called "quiver". Song Ouyang Xiu commented: "Thinking about life is loyal, so calligraphy and painting are strong and independent, and they don't attack the past. They are quite magical, a bit like people. In the Song Dynasty, Zhu listed his calligraphy as a sacred product in "Continued Book Break". " He also commented: "The point is like a falling stone, the painting is like Xia Yun, the hook is like gold, and the bow is like a crossbow. There are images in both vertical and horizontal directions, and there is a low posture. Since the dedication, no one has said it. " At the same time, Yan Zhenqing's style of writing is dignified and bold, which has developed into a magnificent style, characterized by "strength". Therefore, together with Liu Ti, it has been praised by the world as "strength and strength", which has been circulated for more than a thousand years and has become a classic in the book world. Yan-style calligraphy has had a far-reaching impact on the development of calligraphy art in later generations. After the Tang Dynasty, many famous artists learned from the success of Yan Zhenqing's political reform. Especially cursive script, some famous artists learn from Yan Zhenqing on the basis of "Two Kings" and establish their own style. Su Shi Ceng Yun: "As for poetry, as for literature, as for Han's retreat, as for painting Wu Daozi, as for books, as for beauty, the changes of ancient and modern times can do everything in the world."
It is worth noting that when practicing Yan Ti, we should not blindly emphasize its thick side, but ignore the main characteristics of Yan Dian crayons, that is, thick, strong and vigorous. ?