What is focus ink painting?

Burning ink painting can be called dry pen, thirsty pen and exhausted ink. Most of the works in the late Huang Dynasty are dry landscapes, with rich and colorful painting styles and deep ink colors, which should be a model for Jiao Mo painters. The latter are, Lin, Zhao, Chen Mowu, Chen Rocket, Yin Dade, etc., all of whom are great painters.

Focusing ink painting is a painting method that uses dry pen and thick ink without the help of water infiltration, and it is also the oldest painting method. For example, painted pottery 5,000 years ago was painted by Jiao Mo, and the murals prevailing in Sui and Tang Dynasties were basically Jiao Mo.

Although there were thick and light ink paintings in the Northern Song Dynasty, compared with later generations, the ink paintings on rice paper were more varied and still dominated by thick ink. Therefore, Mr. Huang said in his inscription that "Jiao Mo was mostly used in the Northern Song Dynasty".

Extended data:

Generally speaking, the formation of artistic characteristics is influenced by regional characteristics and natural environment. South China has a humid climate and beautiful scenery. Most paintings (especially landscape paintings) are dripping with ink, smoky and graceful. The northern plateau is vast, broad and magnificent, and the painting style is mostly thick, solid, deep, desolate and solemn.

In this way, it seems that it is closer to express the natural features of the northwest with coke ink. However, natural ecology is not artistic ecology, and painters in today's society are far less restricted and restricted by regional conditions than those painted by the ancients. Many southern painters printed their footprints on the Loess Plateau and Gobi Desert, where their ancestors could not set foot, or expressed their strong and beautiful feelings in their works.

Northern painters have come to Jiangnan water towns to capture creative inspiration or make a big fuss about the charm of ink and wash. Regional influence is only a kind of "unconsciousness" for the painter himself, while the painter deliberately pursues the consciousness of artistic style and personalized publicity.