First, the writing method of painting
Lu Feng began to write, then went down to the right, reached the heaviest point (foot pressure), and then gradually closed the pen along the upper edge of the stroke.
Second, the characteristics of painting
The biggest feature of Si Hua is that the front of Si Hua is slightly upturned, which reflects the mental outlook and character of Yan Zhenqing in his prime, and he is full of high spirits and optimistic. This is different from the European body. At the same time, it is also important to write the foot of the painting wider, and the taste of many pagodas is reflected in these details.
Third, the front strokes and the middle strokes.
When you write a picture, you should lift the pen according to it. Although many novices pressed it, they couldn't lift it, nor did they deliberately adjust the front (using the center pen), which led to the following situation. Of course, although many people can use pens, they are helpless. To solve this problem, there is no other way but to practice more (centering is the most important basic skill in writing regular script).
The reason why we can't write regular script with multi-tower flavor is because we don't grasp the characteristics of multi-tower, or we know the characteristics of multi-tower, but we don't understand it correctly.
For example, the first feature of many pagodas is that they are thin horizontally and thick vertically, but many people are not sure about the ratio of horizontal and vertical thickness. In fact, in my opinion, under normal circumstances, vertical painting is at most twice as thick as horizontal painting. I don't think vertical painting is very thick and horizontal painting is very thin.
Another example is the painting we wrote. Some people's feet are not wide enough, such as the dynamic picture of Bian Hui, which is such a situation, lacking the flavor of the face. Maybe you will say, I think it's quite good, but I want to tell you that calligraphy is a very poor thing and can't be sloppy.