The artist Xiaogang Feng has a cultural background. Why is calligraphy rated as "tacky"?
Xiaogang Feng, an artist, naturally talks about calligraphy and painting. Xiaogang Feng, with a solid foundation and profound cultural heritage, has beautiful and neat calligraphy works without losing taste. Different from the stars who write calligraphy in today's entertainment circle, Xiaogang Feng's calligraphy is not an elegant dialogue, but a distinctive creation.
Ask Xiaogang Feng about his calligraphy. As can be seen from his calligraphy works, Xiaogang Feng's calligraphy works, as the "box office scissors" in the film industry, also have artistic beauty. Style vicissitudes, pen and ink smooth, flowing in one go, Xiaogang Feng's calligraphy is as unconstrained as his own, very proud. Many netizens commented that Xiaogang Feng's writing is as seamless and magnificent as his artistic atmosphere.
Although many people appreciate Xiaogang Feng's calligraphy, in the eyes of experts in the Book Association, Xiaogang Feng's calligraphy works are not perfect. Some people call Xiaogang Feng's calligraphy works "Jianghu fonts". Xiaogang Feng feels a bit "tacky". I don't know the priority of that pen either. Many people have different views on this. They can only say that if Xiaogang Feng continues to practice calligraphy, he will definitely improve his writing skills.
Some calligraphy experts think that Xiaogang Feng's calligraphy is not perfect. Ink and rhythm have a solid foundation, but they are not solid. However, Xiaogang Feng is not a famous calligrapher who specializes in calligraphy creation. His calligraphy charm has reached the present height, no less than other celebrities. There are also different views on Xiaogang Feng's calligraphy evaluation.
Xiaogang Feng is really talented, a great genius. He is still one of the most influential film directors in China.
Xiaogang Feng changed jobs from the army, entered the art design industry, and entered the Beijing Television Art Center to do this work for dramas such as Plainclothes Police. After that, Xiaogang Feng's films made a lot of research on color, which laid the foundation at that time. Influenced by Wang Shuo, Xiaogang Feng is better at writing plays. He has participated in the scriptwriting of film and television dramas such as The Story of the Editorial Department and The Big Beat Man, and his writing style is close to that of Wang Shuo.
Xiaogang Feng co-directed the first TV series "Beijingers in new york", and then the first film independently directed was "Don't lose my love". Xiaogang Feng met Xu Fan in A Chinese Odyssey and became the heroine in Never Losing Love. Many years later, she became the heroine in Xiaogang Feng's life.
In the mid-1990s, Xiaogang Feng's career was very unsatisfactory. Many of his films and TV plays have not been seen by SARFT, including I am your father, The Back of the Moon and Mourning of Love.
1997, Xiaogang Feng, who has lived in seclusion for many years, finally came out, and his time has come. 1998 During the Spring Festival, Chinese people watched a New Year movie of their own. That's Party A and Party B. In the past, the concept of China New Year came from Hongkong. Jackie Chan contributes to action movies every year, and Huang Baiming and others publish comedies starring stars every year. Party A and Party B are more suitable for mainlanders. Both parties became box office champions in one fell swoop.
Later, Xiaogang Feng almost became the spokesperson of New Year's films, and successively filmed comedies such as "Be there or be square" and "Endless". Xiaogang Feng was first known as a comedy director, and then began to constantly seek breakthroughs, with failures and successes, but generally speaking, there are more successful works.
For example, a sigh, comedy is not strong, but it makes people think deeply. For example, "Assembly", before this film appeared, it was hard to imagine that the director of life comedy could make such a war masterpiece. For example, "1942" has to be said that although the release time is wrong and the box office is bleak, it is a good film that does not please the times and the market. And Fang Hua and I are not Pan Jinlian. Many of them were unexpected by the director, who showed them with his own influence. Xiaogang Feng said that he would rather make such a film.
Xiaogang Feng started his golden age, achieved success in the box office market and was praised by the society. 20 18 Xiaogang Feng's personal image was seriously injured, but the individual belongs to the individual, and art belongs to art, only talking about works. Xiaogang Feng is worthy of his creative era.