The font of Zhang Qianbei in the Eastern Han Dynasty was straight and square.

Zhang Qianbei is a work in the late Eastern Han Dynasty. The whole work is written by Fang Bi, with vigorous founder, sharp edges and corners, rigorous structure and concise brushwork. At first glance, it seems naive, but only by careful taste can we see that the composition and style are ingenious, calm and powerful, and strange. The brushwork adopts angular "Fang Bi", which is neat and straight. The font leans all the way to Gu Zhuo, and a large number of fonts in the monument have infiltrated into the seal structure, and the font is square. Although the handwriting is scribbled, it is elegant and elegant, and the peeling marks are natural.

Writing in words has become a fashion in Wei and Jin Dynasties. The structural combination is complex and flexible, extremely interesting and calm. Yang's words are simple and elegant, while Yin's words are slightly elegant and clear. People who learn from Han Li regard this monument as the final criterion. However, many people who have gained its beauty and elegance have gained its massiness, but rarely can hide its implicit connotation. Strict and simple, close to the exemplary method, created the calligraphy of Zhang Menglong tablet and Longmen 20 products in the Northern Wei Dynasty. Some people think that "the monuments, stone statues and other stone carvings of the Northern Wei Dynasty are directly related to this".

In Zhang Qianbei, sometimes the brushwork is clear, sometimes the corners are closed, and it seems that there is no brushwork at all. In this regard, what Qing Wanjing said is somewhat reasonable. He said: "I am very good at playing Chinese characters, but unfortunately, the copyist has no work and no brushwork at all, especially in cursive." And "copying my hands without work" should also include poor engraving, and many Wei Bei's square folds are not good.